A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". The singing of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment.
Although most familiar to speakers of English in the context of Christian churches, hymns are also a fixture of other world religions, especially on the Indian subcontinent. Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts.
Ancient hymns include the Egyptian Great Hymn to the Aten, composed by Pharaoh Akhenaten; the Vedas, a collection of hymns in the tradition of Hinduism; and the Psalms, a collection of songs from Judaism. The Western tradition of hymnody begins with the Homeric Hymns, a collection of ancient Greek hymns, the oldest of which were written in the 7th century BC, praising deities of the ancient Greek religions. Surviving from the 3rd century BC is a collection of six literary hymns (Ὕμνοι) by the Alexandrian poet Callimachus.
Hymn (stylized as hymn), which stands for Hear Your Music aNywhere is a piece of computer software, and the successor to the PlayFair program. The purpose of Hymn, according to its author (who is currently anonymous for fear of legal proceedings), is to allow people to exercise their fair use rights under United States copyright law.
The program allows the user to remove the FairPlay DRM restrictions of music bought from the iTunes Store.
Most DRM removal programs rely on re-compressing the media that is captured after it is output by iTunes. This causes some loss in quality. However, Hymn can remove DRM with no reduction in sound quality, since it captures the raw AAC stream generated by iTunes as it opens each song, and saves this data using a compression structure identical to that of the original file, preserving both the quality and the small file size. The resultant files can then be played outside of the iTunes environment, including operating systems not supported by iTunes. It works (with a plugged-in iPod) on Mac OS X, on many Unix variants, and also on Windows (with or without an iPod).
Amma is a 1976 Indian Malayalam film, directed by M. Krishnan Nair and produced by KP Kottarakkara. The film stars Madhu, Srividya, Adoor Bhasi and Jose Prakash in lead roles. The film had musical score by M. K. Arjunan.
The music was composed by M. K. Arjunan and lyrics was written by Sreekumaran Thampi.
Alexei Maximovich Peshkov (Russian: Алексе́й Макси́мович Пешко́в or Пе́шков; 28 March 1868 – 18 June 1936), primarily known as Maxim (Maksim) Gorky (/ˈɡɔːrki/;Russian: Макси́м Го́рькій or Го́рький), was a Russian and Soviet writer, a founder of the socialist realism literary method and a political activist. Around fifteen years before success as a writer, he frequently changed jobs and roamed across the Russian Empire; these experiences would later influence his writing. Gorky's most famous works were The Lower Depths (1902), Twenty-six Men and a Girl, The Song of the Stormy Petrel, The Mother, Summerfolk and Children of the Sun. He had an association with fellow Russian writers Leo Tolstoy and Anton Chekhov; Gorky would later write his memoirs on both of them.
Gorky was active with the emerging Marxist social-democratic movement. He publicly opposed the Tsarist regime, and for a time closely associated himself with Vladimir Lenin and Alexander Bogdanov's Bolshevik wing of the party. For a significant part of his life, he was exiled from Russia and later the Soviet Union. In 1932, he returned to Russia on Joseph Stalin's personal invitation and died in June 1936.
Pan and panning can have many meanings as listed below in various categories.
Pan (also released under the title Two Green Feathers) is a 1995 Danish/Norwegian/German film directed by the Danish director Henning Carlsen. It is based on Knut Hamsun's 1894 novel of the same name, and also incorporates the short story "Paper on Glahn's Death", which Hamsun had written and published earlier, but which was later appended to editions of the novel. It is the fourth and most recent film adaptation of the novel—the novel was previously adapted into motion pictures in 1922, 1937, and 1962.
In 1966 Carlsen had directed an acclaimed version of Hamsun's Hunger. Thirty years later he returned to Hamsun to make Pan, a book he called "one big poem". The film was produced primarily with Norwegian resources, and classified as a Norwegian film; Carlsen later expressed his dissatisfaction with the film's promotion by the Norwegian Film Institute, saying that the Institute had preferred to promote films with Norwegian directors. Carlsen said that he had decided to incorporate the "forgotten" material from "Glahn's Death" in order to find a "new angle" for filming the book. The Glahn's Death portion was filmed in Thailand, standing in for the India location in the novel (the 1922 film version had placed this material in Algeria).
Pan is a public artwork by sculptor Roger White located at the Indiana World War Memorial Plaza in Indianapolis, Indiana, United States. This work was originally surveyed in 1993 as part of the Smithsonian's Save Outdoor Sculpture! program. A former water fountain, this piece is part of a National Historic Landmark District.
It is a bronze figure of Pan sitting on a limestone tree stump. Pan is nude and his furry proper right knee is bent upwards to his chest with his other leg hangs over the side of the stump. The satyr holds a pan flute in his hand, holding it up to his mouth, as if playing it for nearby Syrinx.
Pan was originally designed by Myra Reynolds Richards. Richards' original Syrinx and Pan sculptures were dedicated in 1923. Eventually, both pieces were stolen, with Syrinx disappearing in 1959 and Pan c. 1970. The parks department commissioned Adolph Wolter to replace the pieces, and in 1973 they were reinstalled in their current location in University Park at the Indiana World War Memorial Plaza. However, Wolter's Pan would eventually be stolen as well, and sculptor Roger White was commissioned to replace the piece. Pan was replaced in 1980 by White.
Thrill with the lissome lust of the light,
O man! My man!
Come careering out of the night
Of Pan! Io Pan!
Io Pan! Io Pan! Come over the sea
From Sicily and from Arcady!
Roaming as Bacchus, with fauns and pards
And nymphs and satyrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Come with Apollo in bridal dress
(Shepherdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautifal God,
In the moon of the woods, on the marble mount,
The dimpled dawn of the amber fount!
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantonness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain - come over the sea,
(Io Pan! Io Pan!)
Devil or God, to me, to me,
My man! My man!
Come with trumpets sounding shrill
Over the hill!
Come with drums low muttering
From the spring!
Come with flute and come with pipe!
Am I not ripe?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion and sharp as an asp -
Come, O come!
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All-devourer, all begetter;
Give me the sign of the Open Eye,
And the token erect of thorny thigh,
And the word of madness and mystery,
O Pan! Io Pan!
Io Pan! Io Pan Pan! Pan Pan! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan! Io Pan!
Io Pan! Io Pan Pan! I am awake
In the grip of the snake.
The eagle slashes with beak and claw;
The Gods withdraw;
The great beasts come, Io Pan! I am borne
To death on the horn
Of the Unicorn.
I am Pan! Io Pan! Io Pan Pan! Pan!
I am thy mate, I am thy man,
Goat of thy flock, I am gold, I am god,
Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks
Through solstice stubborn to equinox.
I rave; and I rape and I rip and I rend
Everlasting, world without end,
Mannikin, maiden, maenad, man,
In the might of Pan.