"Automatic" is a song by the Pointer Sisters, released on the Planet label in January 1984 as the second single from their multi-platinum landmark album Break Out. "Automatic" reached the Top 5 of Billboard's pop chart and became one of the Pointers' signature tunes. Eventually, three other singles from Break Out reached the Top 10 consecutively.
According to Ruth Pointer of the Pointer Sisters, "Automatic" was the final song chosen for Breakout: "We were taking a break from recording in the office of Jim Tract, who was Richard Perry's right-hand man, and Jim mentioned that he had a stash of tapes we might want to listen to [while on] a breather...We all sat up straight when we first heard ['Automatic'] and told Richard we wanted to include it on the album. 'Okay', he said 'But who would sing the low part?' 'Are you kidding me?' I said, 'I'll do the low part!'"
Although Break Out largely comprised dance tracks, its lead single was the ballad "I Need You" chosen by producer Richard Perry in hopes of reinforcing the Pointer Sisters presence at R&B radio: the dance track "Jump (for My Love)" was intended as the second single but the heavy airplay afforded "Automatic" as an album cut by both dance clubs and radio stations caused the substitution of "Automatic" for "Jump..." as the second single release from Break Out, although "Jump..." would become the most successful US single off Break Out when it became the album's third single. The first Top 40 hit to feature Ruth Pointer's distinctive contralto on lead, "Automatic" reached #5 on the Hot 100 in Billboard in April 1984, also charting on the magazine's Hot R&B/Hip-Hop Songs and Hot Dance Club Play rankings, its #2 R&B chart peak making "Automatic" the highest charting R&B hit by the Pointer Sisters as a trio (in their original four-woman format the Pointer Sisters did score an R&B #1 hit with "How Long (Betcha' Got a Chick on the Side)").
"Automatic" is a song by American musician Prince from his 1982 album, 1999. It was released as a 7" single only in Australia, with the B-side of "Something in the Water (Does Not Compute)".
A promotional music video directed by Bruce Gowers, who previously directed the "1999" video as well as videos from Queen, Rod Stewart and John Mellencamp, was produced for the song, which features band mates Lisa Coleman and Jill Jones whipping Prince in a simulated S&M session. The video was not released through conventional outlets (It was only released as a promotional video for dance clubs), possibly due to its offensive content in regard to the aforementioned masochistic whipping, but circulates amongst collectors.
"Automatic" was first played during the 1999 Tour. Later it was a featured number during Prince's 1986 Parade tour. The song was part of a mini-1999 medley consisting of a short instrumental segment of "Lady Cab Driver", "Automatic", and a very brief "D.M.S.R.". The song reappeared in 2002 at some aftershows in a medley with the Graffiti Bridge song "Shake!".
Teairra Marí (born Teairra María Thomas; December 2, 1987) is an American singer-songwriter, dancer, hip hop model and actress. At the age of 17, Jay Z signed her to Def Jam and she released her first album, Teairra Marí. After disappointing sales, she was let go from her recording contract in the middle of production for her second album Second Round. In 2008, she returned to the music scene with the Pleasure P-assisted single "Hunt 4 U". After constant leaks, she was forced to re-record and re-title a second attempt at her second album At That Point. In 2010, she starred in the film Lottery Ticket alongside rappers Bow Wow and Ice Cube. Since 2010, she has released several mixtapes including features from Nicki Minaj, Soulja Boy, and Gucci Mane.
In 2014 Teairra was featured on the song and the music video "Where This Light Goes" along with Tiffany Foxx and Angelina Pivarnick.
Bam is one of the 45 provinces of Burkina Faso. It is in Centre-Nord Region and the capital of Bam is Kongoussi. In 2006 it had a population of 277092. It is a rural province with 252,509 of its residents living in the countryside; only 24,583 live in urban areas. There are 132,086 men living in Bam Province and 145,006 women.
Bam is divided into 9 departments:
Coordinates: 13°19′32″N 1°31′40″W / 13.32556°N 1.52778°W / 13.32556; -1.52778
Bam is the surname of:
BAM is a 2015 National Film Board of Canada animated short film by Howie Shia about a shy young man with a violent temper who struggles to reconcile the two sides of his personality, in an anime-influenced retelling of the myth of Hercules. It was one of the first films created entirely in 4K UltraHD by the NFB.
The filmmaker's brothers, hip-hop artist Leo Shia (also known as LEO37) and composer Tim Shia, composed the film's musical score and did the sound edit. Shia says the film was partly inspired by their grandfather, a high-ranking police official in Taiwan who was also a calligrapher and poet, "coming from a tradition of learned gentleman who also partook in violence one way or another." BAM was produced for the NFB by Maral Mohammadian and Michael Fukushima.
The film premiered at the 2015 Toronto International Film Festival and has been nominated for an Academy of Canadian Cinema and Television Award for Best Animated Short at the 4th Canadian Screen Awards.
Hustle (ハッスル, Hassuru) was a Japanese professional wrestling promotion managed by Nobuhiko Takada. Hustle can be described as an industry experiment to market the sports entertainment style of professional wrestling in Japan.
Booked primarily by Nobuhiko Takada and Yuji Shimada, the promotion’s basic premise pits the babyface, or good guy, Hustle faction whose goal is to “defend the industry”, against Generalissimo Takada’s heel, or bad guy, Monster Faction, whose mission is to destroy the sport. Unlike the traditional puroresu, the company emphasizes melodrama and caricatures over realism and athleticism. The group once maintained a close affiliation with mixed martial arts promoters PRIDE Fighting Championships when both were owned by Dream Stage Entertainment, or DSE.
Fans in the U.S. considered HUSTLE to be an answer to Takada's original wrestling style, the serious shoot style, having lost its popularity in Japan as a result of the UWFi vs. New Japan Pro Wrestling feud and the rise of Pride and K-1.