Sway may refer to:
The term sway has a specific meaning in the technique of ballroom dances. Sway describes a dancer's body position in which the entire body gracefully deflects from the vertical. Entrance to and exit from this position are matters of fine technical detail and differ in various dance figures.
Sway may be an element of both stationary and moving dance figures. In moving figures, sway is commonly achieved as a natural result of body swing, but small amounts from other sources may be useful as an inflection. Sway comes primarily from an incline of the entire body, but a portion may also come from gradual bending of the trunk. It is customary to consider any bending of the trunk to occur more as a stretching of one side of the rib cage more than as a compression of the other side. This description helps to produce sway without the body line breaking awkwardly at the waist. Substantial abdominal strength may be needed to fully utilize this technique.
Possible angles of sway range from having the upper body substantially trailing the lower through a movement, to having the upper body a very small amount in advance. The purposes of sway are both better control of dance motion and aesthetics.
"Sway" is a song by English rock 'n roll band The Rolling Stones from their 1971 album Sticky Fingers. It was also released as the b-side of the "Wild Horses" single in June 1971. This single was released in the US only. Initial pressings of the single contain an alternate take; later pressings include the album version instead.
Credited to Mick Jagger and Keith Richards, "Sway" is a slower blues song and was the first song recorded by the band at Stargroves.
The song features a bottleneck slide guitar solo during the bridge and a dramatic, virtuoso outro solo (both performed by Taylor). Rhythm guitar performed by Jagger was his first electric guitar performance on an album. The strings on the piece were arranged by Paul Buckmaster, who also worked on other songs from Sticky Fingers. Richards added his backing vocals but provided no guitar to the track. Pete Townshend, Billy Nichols and Ronnie Lane are believed to contribute backing vocals as well.
It was performed live for the first time in Columbus, Ohio, and then at many of the shows on the band's A Bigger Bang Tour in 2006.
Hungry! (ハングリー!, Hangurii!) is a 2012 Japanese television drama series.
Eisuke (Osamu Mukai), a former bassist of a rock band who gave up his music dreams to carry on the tradition of his family’s French restaurant. The show will involve a love triangle as Kuninaka and Takimoto play rivals for Eisuke’s heart.
Maria (Ryoko Kuninaka) is Eisuke's older girlfriend who works at a bank. She is shocked to learn that Eisuke has abandoned his music to devote himself to the restaurant, leading her to uncertainty about their relationship because they don't get time for each other. Meanwhile, Chie (Takimoto Miori) is a cheerful 20-year-old college student who come from a farming family. Although she initially had a bad impression of Eisuke, she begins to develop feelings for him after tasting his cooking. It was love which started from her stomach instead of her heart.
SMAP’s Inagaki Goro will play Tokio, the owner of a competing French restaurant. In the past, he was fond of the restaurant that Eisuke’s mother ran, but after she died, he deceived Eisuke’s father and bought out the restaurant’s chefs and staff. Knowing of Eisuke’s ability as a chef, Tokio views him as a rival.
Hunger and Satiety are sensations. Hunger represents the physiological need to eat food. Satiety is the absence of hunger; it is the sensation of feeling full.
Appetite is another sensation experienced with eating; it is the desire to eat food. There are several theories about how the feeling of hunger arises. A healthy, well-nourished individual can survive for weeks without food intake, with claims ranging from three to ten weeks. The sensation of hunger typically manifests after only a few hours without eating and is generally considered to be unpleasant.
Hunger is also the most commonly used term to describe the condition of people who suffer from a chronic lack of sufficient food and constantly or frequently experience the physical sensation of hunger.
When hunger contractions start to occur in the stomach, they are informally referred to as hunger pains. Hunger pains usually do not begin until 12 to 24 hours after the last ingestion of food. A single hunger contraction lasts about 30 seconds, and pangs continue for around 30 to 45 minutes, then hunger subsides for around 30 to 150 minutes. Individual contractions are separated at first, but are almost continuous after a certain amount of time.Emotional states (anger, joy etc.) may inhibit hunger contractions. Levels of hunger are increased by lower blood sugar levels, and are higher in diabetics. They reach their greatest intensity in three to four days and may weaken in the succeeding days, although research suggests that hunger never disappears. Hunger contractions are most intense in young, healthy people who have high degrees of gastrointestinal tonus. Periods between contractions increase with old age.
"Hungry" is the third episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 21, 1999. It was written by Vince Gilligan, directed by Kim Manners, and featured a guest appearance by Chad Donella. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. However, unlike previous Monster-of-the-Week stories, "Hungry" is told from the monster's perspective. "Hungry" earned a Nielsen household rating of 9.6, being watched by 16.17 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
The show centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) who work on cases linked to the paranormal, called X-Files. Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. In this episode, a fast-food employee with unusual cravings becomes the focus of an FBI investigation under the direction of Mulder and Scully. The victims appear with no brain and a suction hole in the forehead.