Howard Roberts

Howard Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician.

Biography

Roberts was born in Phoenix, Arizona, and began playing guitar at the age of 8. By the time he was 15 he was playing professionally locally.

In 1950, he moved to Los Angeles, California. With the assistance of Jack Marshall, he began working with musicians, arrangers and songwriters including Neal Hefti, Henry Mancini, Bobby Troup, Chico Hamilton, George Van Eps, and Barney Kessel. Around 1956, Bobby Troup signed him to Verve Records as a solo artist. At that time he decided to concentrate on recording, both as a solo artist and 'Wrecking Crew' session musician, a direction he would continue until the early 1970s.

Roberts played rhythm guitar, lead guitar, bass, and mandolin. He was known for his heavy use of the Gibson L-5 guitar in the studio and for television and movie projects, including lead guitar on the theme from The Twilight Zone as well as acoustic and electric guitar on The Munsters, Bonanza, The Brady Bunch, Green Acres, Get Smart, Batman, Beverly Hillbillies, Andy Griffith, Peter Gunn, Johnny Quest, Gidget, Mannix, Lost in Space, Dragnet, Wild Wild West, Mission Impossible, The Odd Couple, Dick Van Dyke, I Dream of Jeannie, and the theme for the film classic Bullitt.

Howard Roberts (sculptor)

Howard Roberts (sculptor) (April 8, 1843 – April 19, 1900) was an American sculptor based in Philadelphia, Pennsylvania. At the time of the 1876 Centennial Exposition, he was "considered the most accomplished American sculptor." But his output was small, his reputation was soon surpassed by Augustus Saint-Gaudens and others, and he is now all but forgotten. Examples of his work are in the collections of the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, and the U.S. Capitol.

Biography

Born into a well-to-do Philadelphia family, Roberts studied at the Pennsylvania Academy of the Fine Arts under sculptor Joseph A. Bailly. He was an exact contemporary of fellow Philadelphian Thomas Eakins, and both entered the École nationale supérieure des Beaux-Arts in Paris in 1866, and studied under sculptor Augustin-Alexandre Dumont. Eakins did not consider Roberts a friend, calling him "a rich disagreeable young man from Philadelphia, one who has without any apparent reason seen fit to be my enemy." Still, Eakins may have sketched him, and Roberts brokered a reconciliation between Eakins and Mary Cassatt. Roberts continued his studies under sculptor Charles Gumery, before returning to Philadelphia in 1869.