![]() |
This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (August 2011) |
How to Save a Life | ||||
---|---|---|---|---|
File:The Fray - How to Save a Life.jpg | ||||
Studio album by The Fray | ||||
Released | September 13, 2005 | |||
Recorded | Echo Park Studios: 2004 - 2005 | |||
Genre | Alternative rock, pop rock, piano rock | |||
Length | 45:56 | |||
Label | Epic | |||
Producer | Aaron Johnson, Mike Flynn | |||
The Fray chronology | ||||
|
||||
Singles from How to Save a Life | ||||
|
How to Save a Life is the debut album by The Fray. Released on September 13, 2005 through Epic Records, the record charted in the top 15 on the Billboard 200 and was a top ten hit in Australia, Canada, Ireland, New Zealand and the UK. The first two singles from the album, "Over My Head (Cable Car)" and "How to Save a Life" helped the album become a commercial success and brought the band mainstream popularity.[1]
Critical reception to the album was mixed. The piano-rock style of the album drew comparisons with British piano-driven bands like Keane and Coldplay. The album was certified double platinum by the RIAA, and was also certified platinum in Australia, Canada, New Zealand and in the UK. The album went on to become the best-selling digital album of all time, breaking the record held previously by Coldplay's X&Y.[2][3] It was ranked #21 on Billboard's list of the Best Digital Albums of the Decade.[4]
Contents |
After independently releasing two EPs, The Fray were looking for a record company to release a full-length album. The band released their song "Cable Car" to Denver radio station KTCL, and the song saw significant airplay.[5] Denver alternative newsweekly Westword named the band "Best New Band" in 2004, and this prompted Epic Records A&R man Daniel Davis to sign the band to a recording contract on December 17, 2004.[6] The album was recorded over six weeks in Echo Park Studios in Bloomington, Indiana, and was produced by Aaron Johnson and Mike Flynn.[7]
All songs written and composed by Isaac Slade and Joe King, except where noted.
No. | Title | Length | |
---|---|---|---|
1. | "She Is" | 3:56 | |
2. | "Over My Head (Cable Car)" | 3:58 | |
3. | "How to Save a Life" | 4:23 | |
4. | "All at Once" (Isaac Slade, Joe King and Aaron Johnson) | 3:48 | |
5. | "Fall Away" | 4:23 | |
6. | "Heaven Forbid" | 3:59 | |
7. | "Look After You" | 4:28 | |
8. | "Hundred" (Isaac Slade and Monica Conway) | 4:13 | |
9. | "Vienna" (Isaac Slade, Joe King and Daniel Battenhouse) | 3:51 | |
10. | "Dead Wrong" (Isaac Slade, Joe King and Michael Flynn) | 3:05 | |
11. | "Little House" | 2:30 | |
12. | "Trust Me" | 3:22 | |
Total length:
|
45:56 |
In later editions, an extra track was added:
The album was released on September 13, 2005 by Epic Records. While the album did not make a splash commercially or critically initially, the success of "Over My Head (Cable Car)" propelled the album from the Top Heatseekers chart to the top 20 of The Billboard 200 chart. The release of the second single, "How to Save a Life", a world-wide smash, helped the album enter the top 5 in several charts across the world, and brought The Fray mainstream popularity.[8] The song remains the band's best known and most successful song to date.
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Blender | ![]() ![]() ![]() ![]() ![]() |
Entertainment.ie | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | C+[18] |
Jesus Freak Hideout | ![]() ![]() ![]() ![]() ![]() |
HM Magazine | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Stylus Magazine | (D)[22] |
Overall, critical reception for the album was mixed. The piano-oriented sound of the album drew comparisons with British piano-rock band Keane, and Coldplay (whose music - although classified as alternative - is driven by the piano).[23][24]
Allmusic, whilst giving the album a modestly positive review, stated that the band "lacked originality" and the album itself lacked any "inspiration and excitement".[25] Stylus Magazine gave the album a negative review, stating "The Fray, as a rule, are moribund, emotionally strained, uninvolving, and have a tendency to sound like The Cranberries fronted by a man."[26] Rolling Stone and Blender echoed many of these statements, both giving the album three stars out of five.[24][27]
Sputnikmusic criticised the negative reviews, stating "there may be some skeptics who say it's just another mainstream band with no talent.....take one listen through the entire album and you might be pleasantly surprised with the outcome."[28] Jesus Freak Hideout gave the album a glowing review, stating "How to Save Life is nearly perfect. Nearly every song's message contains key values and life' lessons."[29]
Album
Year | Chart | Position |
---|---|---|
2006 | ARIA Australian Albums Chart | 1 (Platinum)[30] |
2006 | New Zealand Albums Chart | 2 (Platinum)[31] |
2007 | UK Album Charts | 4 (Platinum)[32] |
2007 | Irish Album Charts | 4 |
2006 | Canadian Albums Chart | 9 (Platinum)[33] |
2006 | The Billboard 200 | 14 (2x Platinum)[34] |
2007 | Belgium Albums Chart | 47 |
2007 | Dutch Albums Chart | 50 |
2007 | German Albums Chart | 56 |
2007 | Swiss Albums Chart | 57 |
2007 | Spanish Albums Chart | 21 |
2007 | Italian Albums Chart | 85 |
2007 | French Album Chart | 86 |
![]() |
|
Problems listening to these files? See media help. |
Preceded by Extreme Behavior by Hinder |
Australian ARIA Albums Chart number-one album March 5–18, 2007 |
Succeeded by Grand National by The John Butler Trio |
|
"How to Save a Life" is a 2005 song by The Fray, the title track of the album of the same name.
How to Save a Life may also refer to:
"How to Save a Life" is the twenty-first episode of the eleventh season of the American television medical drama Grey's Anatomy, and is the 241st episode overall. It aired on April 23, 2015 on ABC in the United States. The episode was written by showrunner Shonda Rhimes and directed by Rob Hardy, making it the first episode Rhimes has written since the season eight finale "Flight". The episode marked the death of lead character, Derek Shepherd, played by Patrick Dempsey who had starred on the series for the past eleven seasons.
The episode focuses on Derek as he witnesses a car crash and tries to help the victims, but he is later involved in an accident, sending him to the hospital. The episode also has the fewest series regulars in an episode, with only six regulars appearing in the episode: Ellen Pompeo, Patrick Dempsey, Chandra Wilson, Kevin McKidd, Sarah Drew and Caterina Scorsone.
The episode's original broadcast was watched by 9.55 million viewers and registered the show as the week's highest rated drama and third-highest rated scripted series in the 18–49 demographic. It received mixed reviews from the critics who mainly lauded Pompeo's portrayal of Meredith Grey and deemed her "terrific" and called her performance "among the best work she's ever done on the show".
Step one you say we need to talk
He walks you say sit down it's just a talk
He smiles politely back at you
You stare politely right on through
Some sort of window to your right
As he goes left and you stay right
Between the lines of fear and blame
And you begin to wonder why you came
Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life
Let him know that you know best
Cause after all you do know best
Try to slip past his defense
Without granting innocence
Lay down a list of what is wrong
The things you've told him all along
And pray to God he hears you
Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life
As he begins to raise his voice
You lower yours and grant him one last choice
Drive until you lose the road
Or break with the ones you've followed
He will do one of two things
He will admit to everything
Or he'll say he's just not the same
And you'll begin to wonder why you came
Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life