POG may mean:
POG is a three letter acronym (or three-letter abbreviation) that may stand for:
POG is a tropical juice drink created in 1971 by a food product consultant named Mary Soon who worked for Haleakala Dairy on Maui, Hawaii. It consists of a blend of juices from passionfruit, orange, and guava (hence POG).
POG is produced by Meadow Gold Dairy, a subsidiary of Dean Foods.
The caps to milk bottles inspired the fad game "Pogs" (or "Milkcaps"), which became popular during the early-to-mid-1990s. The game of pogs possibly originated in Maui, Hawaii in the 1920s or 1930s. Contrary to popular belief, POG was never sold in glass bottles with cardboard caps. By the time POG was sold, glass bottles with caps were obsolete. The connection between POG juice and milkcaps can be credited to Charlie Nalepa. He was hired by Haleakala Dairy as a marketing and promotions manager. Because there was still a demand for the cardboard discs, he ordered milkcaps imprinted with the trademark POG to give away as a promotional item. The 1990s craze using these milk caps was initiated by Blossom Galbiso, a teacher in Hawaii in 1991. She started using the milkcaps in her classroom, and told her students about an old game she used to play, by flipping milkcaps to be the first one to get the cream off the bottom. Her students began flipping the milkcaps, and the resurgence of the game of pogs began.
Fuck is an obscene English language word, which refers to the act of sexual intercourse and is also commonly used as an intensifier or to denote disdain. Its origin is obscure but is usually considered to be first attested to around 1475, although it may be considerably older. In modern usage, the term fuck and its derivatives (such as fucker and fucking) can be used as a noun, a verb, an adjective, an interjection, or an adverb. There are many common phrases that employ the word, as well as compounds that incorporate it, such as motherfucker and fuckwit.
Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It looks at the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film Perversion for Profit. Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.
There Is a Hell, Believe Me I've Seen It. There Is a Heaven, Let's Keep It a Secret. (abbreviated to There Is a Hell...) is the third studio album by British rock band Bring Me the Horizon. It was released on 4 October 2010 by Visible Noise. The album was produced by Fredrik Nordstrom and Henrick Udd at IF Studios in Gothenburg, Sweden, with additional work at Sunset Lodge Studios in Los Angeles, California. It features guest vocals from Canadian recording artist Lights, Josh Franceschi from British rock band You Me at Six, and Josh Scogin from American mathcore band The Chariot.
The album was recorded between March and June 2010. It expands on the band's previous material, drawing from the metalcore genre and incorporating a wide variety of experimentation, symphonic, and electronic influences, clean vocals, and choral vocal samples. The band described Oliver Sykes' lyric writing as "personal" and "darker and moodier than music on the previous albums". The title is taken from the opening track, which is repeated multiple times throughout the song.
Intro
[Crowd chants "PackFM"]
["Oh Shit" scratched]
Verse 1:
Ayo my dick in your mouth!
Alright, I got that out the way
Now everybody simmer down, 'cuz what I'm about to say
Is gonna knock you out the frame
Around the way or outta state, I make the ground shake
You don't know how to play, then get up out my face
Right now ya eyes squintin'
Neck got ya head at an angle bobbin up and down to the rhythm like a piston
Move it slightly side to side, sorta like some nervous twitchin'
Same shit happened to me - that's how I know it's hittin'
Qn5, we on a mission, startin' out in pole position'
Guaranteed to go the distance
Never waste a second, flow's efficient
Try to tell ya man he better when you know he isn't
Givin' me demos to listen, wack MCs are so persistent
One guy was like, "Yo, I rhyme too, I'm nice" (oh wooord?)
"I know that you be comin' wit them punchlines right -
You should've tried out for unsigned hype"
Why? Outta the last 48, I ain't hear one I liked
Okay, maybe 3 - Basically, just wait and see
I lace the beat and leave the spot in vacancy
Don't give a fuck who's ratin' me
This is for my niggas who been down from day one
And stayed wit me since "kickin you in ya grill, face-the-feet..."
Hook:
Y'all know what the fuck this is
You know what the fuck to do
It's the muthafuckin' kid
Right the fuck in front of you
Mind ya muthafuckin' biz
Who the fuck you talkin to?
Man, I split ya fuckin' wig