Là-Bas, translated as Down There or The Damned, is a novel by the French writer Joris-Karl Huysmans, first published in 1891. It is Huysmans' most famous work after À rebours. Là-Bas deals with the subject of Satanism in contemporary France, and the novel stirred a certain amount of controversy on its first appearance. It is the first of Huysmans' books to feature the character Durtal, a thinly disguised portrait of the author himself, who would go on to be the protagonist of all of Huysmans' subsequent novels: En route, La cathédrale and L'oblat.
Là-Bas was first published in serial form by the newspaper L'Écho de Paris, with the first installment appearing on February 15, 1891. It came out in book form in April of the same year; the publisher was Tresse et Stock. Many of L'Écho de Paris' more conservative readers were shocked by the subject matter and urged the editor to halt the serialisation, but he ignored them. Sale of the book was prohibited from French railway stations.
The Damned (French: Les Maudits) is a 1947 French drama film directed by René Clément. It was entered into the 1947 Cannes Film Festival. The film is notable for its depiction of the interior of a wartime submarine and for its tracking shots through the length of the U-boat.
As Germany is in the throes of losing World War II, a number of wealthy Nazis and some French sympathizers head for South America in a German submarine leaving from Oslo. The film's narrator is a French doctor (Henri Vidal) who has been kidnapped to tend a sick woman, Hilde Garosi (Florence Marly), the wife of one man and the lover of another, both aboard. The doctor realizes he will be murdered at any point once the woman has recovered so he tries various stratagems to escape. All fail.
The mission slowly disintegrates as the war ends and its reasons for being dissipate, with some passengers either trying to escape or committing suicide. Forster (Jo Dest) tries to continue the mission even after Berlin has fallen and orders have gone out for all U-boats to surrender at the nearest port. Part of the crew finally mutinies against the insane ones still fighting the war. The doctor ends up alone on the Nazi sub for days writing his memoirs until an American ship rescues him and finally sinks his infamous abode at sea.
The Damned (alternate title These Are the Damned) is a 1963 British science fiction film starring Macdonald Carey, Shirley Anne Field and Oliver Reed. It was a Hammer Film production directed by Joseph Losey and based on H.L. Lawrence's novel The Children of Light.
Simon Wells, a middle-aged tourist, is on a boating holiday off the southern coast of England. He has recently divorced, and left his career as an insurance executive. In Weymouth, he meets 20-year-old Joan, who lures him into a brutal mugging at the hands of her brother, King, and his motorbike gang. The next day Joan defies her overprotective brother and joins Simon on his boat.
Simon is willing to forgive the prior incident, and Joan implies that the beating was inevitable after Simon attempted to pick up Joan in a bar. She describes the abuse she suffers from King whenever men show interest in her. Simon urges her to run away with him, but she insists upon returning to shore. Their time on the water is observed by a member of King's gang.
"How Long" is a 1974 song by the British group Ace from their album Five-A-Side. It reached No. 3 in the US and Canadian charts, and No. 20 in the UK chart.
Although widely interpreted as being about adultery, the song was in fact composed by lead singer Paul Carrack upon discovering that bassist Terry Comer had been secretly working with the Sutherland Brothers and Quiver. Comer returned to Ace in time to play on the song.
The guitar solo is by Alan "Barn" King.
In 1976 Bobby Womack recorded a version that appeared on the Home Is Where The Heart Is album
In 1977 Barbara Mandrell recorded a country/disco version of the song on her Love's Ups & Downs album.
In 1981 Rod Stewart covered the song on the album Tonight I'm Yours. It charted in the top fifty of the Billboard Hot 100.
In 1981 Lipps Inc. released a remake of this song which reached No. 4 on the U.S. dance chart, No. 29 on the U.S. soul singles chart, and No. 42 in Canada. In 2010, it was still in rotation on satellite radio. The track Timecode, released in 2004 by German techno producer Justus Köhncke, is built around the characteristic intro of the Lipps Inc. version.
Extreme Behavior is the debut album of rock band Hinder. It was released in 2005 by Universal Records to almost universally negative reviews, before going platinum in September 2006. All songs were co-written by Brian Howes, except for "Shoulda", which was co-written with Brian Howes and Social Code. The song "Running in the Rain" did not make the cut for the album, but has been played at concerts on their North American tour. Due to use of profanity in three songs, Extreme Behavior was the only Hinder record to receive a Parental Advisory label until the release of the deluxe version of All American Nightmare and their 2012 album Welcome to the Freakshow.
The first single (and the song that brought attention to the band) was "Get Stoned". The album also contains Hinder's breakthrough single, "Lips of an Angel" which soared to #1 on the pop charts in 2006. The album's third single was "How Long", which was played on rock stations throughout the US. "Better Than Me" is the fourth single on Extreme Behavior. As of July 11, 2007, the album has sold 2,789,275 copies in the US. Despite not being released as a single, the song "By the Way" also had received airplay from several radio stations.
"How Long" is an anti-war protest song by American singer-songwriter J. D. Souther. Written in 1971 as a reaction against the Vietnam War, it was originally recorded by Souther for his 1972 debut solo album, John David Souther. It was given a limited release as a promotional 7-inch 45 rpm single in 1972 with Souther's "The Fast One" on the B-side.
The Eagles, longtime friends and collaborators with Souther, frequently performed "How Long" in concert during the early and mid-70s. In 2007, the band covered the song for their album Long Road Out of Eden, the group's first full studio album since 1979. A year later, their version of the song won the Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was the band's first Grammy since 1979.
We've been playing now for much too long
And never gonna dance to a different song
I'm gonna scream and shout till my dying breath
I'm gonna smash it up till there's nothing left
Ooh smash it up
Smash it up smash it up
Ooh smash it up
Smash it up smash it up
People call me weird, oh it's such a shame
Maybe it's my clothes, must be to blame
I don't even care if I look a mess
Don't wanna be a sucker like all the rest
Smash it up
And you can keep your crystal glasses
Smash it up
And you can see a very dead-way end
Smash it up
And you can stick a frothy lager
Smash it up
Up the fuck with your lesson
We've been playing now for much too long
And never gonna dance to a different song
I'm gonna scream and shout till my dying breath
I'm gonna smash it up till there's nothing left
And everybody's smashing things down
I said everybody's smashing things down