Southern hip hop

Southern hip hop, also known as Southern rap, South Coast hip hop, or Dirty South, is a blanket term for a subgenre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami.

The music was a reaction to the 1980s flow of hip hop culture from New York City and the Los Angeles area, and can be considered a third major American hip hop genre, after East Coast hip hop and West Coast hip hop. Many early Southern rap artists released their music independently or on mixtapes after encountering difficulty securing record-label contracts in the 1990s. By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the entire genre.

History

Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast. Los Angeles and New York City were the two main cities where hip hop was receiving widespread attention. In the 1980s, cities throughout the Southern United States began to catch on to the hip hop music movement. The Geto Boys, a hip hop group from Houston, were among the first hip hop artists from the Southern United States to gain widespread popularity. Southern hip hop's roots can be traced to the success of Geto Boys' Grip It! On That Other Level in 1989, the Rick Rubin produced The Geto Boys in 1990, and We Can't Be Stopped in 1991. After the Geto Boys rose to stardom, Houston became the center for Southern hip hop. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound. In the late 1980s, other rising rap groups such as UGK from Port Arthur, Texas, and 8 Ball & MJG from Memphis, moved to Houston to further their musical careers.

Hip-hop dance

Hip-hop dance refers to street dance styles primarily performed to hIP HOP or that have evolved as part of hip-hop culture. It includes a wide range of styles primarily breaking, locking, and popping which were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces.

The commercialization of hip-hop dance continued into the 1990s and 2000s with the production of several television shows and movies such as The Grind, Planet B-Boy, Rize, StreetDance 3D, America's Best Dance Crew, Saigon Electric, the Step Up film series, and The LXD, a web series. Though the dance is established in entertainment, including mild representation in theater, it maintains a strong presence in urban neighborhoods which has led to the creation of street dance derivatives Memphis jookin, turfing, jerkin', and krumping.

The Brick: Bodega Chronicles

The Brick: Bodega Chronicles is the debut album by American rapper Joell Ortiz. It was released on April 24, 2007, by Koch Records, whom Ortiz was dealing with before he signed with Aftermath Entertainment. The album includes guest appearances from Big Daddy Kane, Styles P, Big Noyd, Akon, Immortal Technique, Grafh, Ras Kass, Maino and Stimuli. It was released after he signed to Aftermath Entertainment, and was released under Koch Records with the permission of Dr. Dre, head of Aftermath Entertainment.

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Rapping

Rapping (or emceeing,MCing,spitting bars,or rhyming) is "spoken or chanted rhyming lyrics". The components of rapping include "content", "flow" (rhythm and rhyme), and "delivery". Rapping is distinct from spoken-word poetry in that it is performed in time to a beat. Rapping is often associated with and a primary ingredient of hip-hop music, but the origins of the phenomenon can be said to predate hip-hop culture by centuries. It can also be found in alternative rock such as that of Cake, gorrilaz and the Red Hot Chili Peppers. Rapping is also used in Kwaito music, a genre that originated in Johannesburg, South Africa, and is composed of hip-hop elements.

Rapping can be delivered over a beat or without accompaniment. Stylistically, rap occupies a gray area between speech, prose, poetry, and singing. The word (meaning originally "to hit") as used to describe quick speech or repartee predates the musical form. The word had been used in British English since the 16th century. It was part of the African-American dialect of English in the 1960s meaning "to converse", and very soon after that in its present usage as a term denoting the musical style. Today, the terms "rap" and "rapping" are so closely associated with hip-hop music that many use the terms interchangeably.

Houston station (Texas)

Houston is an Amtrak intercity train station in Houston

History

The present Houston station, which opened on October 26, 1959, was built by the Southern Pacific Railroad to replace Grand Central Station, which was just east of the present station. That station operated from September 1, 1934 until the property was sold to the U.S. Government in 1959 to become the site of the Houston main post office. Grand Central Station had replaced the original Houston & Texas Central depot of 1886. When Amtrak was created it was one of two stations in Houston that served Amtrak trains, the other being Union Station, now part of Minute Maid Park. All Amtrak trains moved to Southern Pacific Station by the end of July 1974, and all trains were canceled or rerouted out of Houston except the Sunset Limited. This station continued to be owned and operated by the Southern Pacific Railroad after the creation of Amtrak, and has been owned and operated by the Union Pacific Railroad since the merger of Southern Pacific and Union Pacific.

Houston (Means I'm One Day Closer to You)

"Houston (Means I'm One Day Closer to You)" is a song written by Larry Gatlin and recorded by American country music group Larry Gatlin & the Gatlin Brothers Band. It was released in September 1983 as the first single from the album "Greatest Hits Vol. II" then included to first track of "Not Guilty" (1984). "Houston (Means I'm One Day Closer to You)" was the group's third and last number one on the country chart. The single went to number one for two weeks and spent a total of fifteen weeks on the country chart.

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Houston (singer)

Houston (born Houston Edward Summers IV, October 26, 1983, Los Angeles, California) is an American singer, best known for the hit single "I Like That."

Early days

Summers attended the Academy of Music at Hamilton High School in Los Angeles. He would regularly be invited to participate in activities taking place in the school's music academy. His management team recorded a videotape of Summers's performances, which they hoped would help the singer land a recording contract. He was signed to Capitol Records. Houston's school mates, Robert and Harold, stayed up late after school writing music and rapping. Robert and Harold had already signed a contract with Aftermath but were not as successful as Houston.

Attempted suicide and musical comeback

Before a 2005 London show, Summers suffered an emotional breakdown and reportedly tried to commit suicide by jumping from a window while reportedly under the influence of PCP. When people in his entourage stopped him, he was restrained and locked in a first floor room. While in that room, Summers gouged his left eye out with a plastic fork. After the incident, Summers was arrested by London police and was put in rehab for two weeks. After the rehab, Houston went home to Los Angeles and apologized for the incident. In May 2008 Houston broke his silence over the incident and granted Hoodnews an exclusive interview where he discussed his eye injury and his campaign Stop the Sodomy and Gang Rape in Prison. In the same year two unreleased songs were leaked, entitled 'Faded' and 'So Fine'. In June 2009, Houston did another interview with Hoodnews confirming that he was making a comeback, and looking for new management. Houston is currently working on a feature documentary and a new album.