Paul Jackson is the name of:
Paul Jackson (born 29 September 1978 in Leeds, West Yorkshire) is an English-born Scottish professional rugby league footballer. He plays at prop forward for Whitehaven, and has previously also played for Huddersfield, Wakefield Trinity and Castleford. Jackson played for Huddersfield in the 2006 Challenge Cup final as a prop forward against St Helens RFC but the Giants lost 12-42. He was named in the Scotland training squad for the 2008 Rugby League World Cup.
He was named in the Scotland squad for the 2008 Rugby League World Cup.
Jackson rejoined Castleford for the 2010 season. He previously played for the club in 2003 and 2004.
Paul Stafford Jackson, OBE (born 1962) is a British video game producer and publisher.
In 1993, Jackson established the British office of Electronic Arts. At EA UK, he was involved in brand-building for the The Sims series of games. Whilst at EA, he was approached by Kuju Entertainment seeking interest in publishing Rail Simulator, a successor to Microsoft Train Simulator which Microsoft Games had declined to publish.
On 1 August 2006, Jackson took over from Roger Bennett as director-general of the Entertainment and Leisure Software Publishers Association (ELSPA), the British video game industry trade group, having served on the ELSPA board for twelve years since 1992, with three years as chairman.
In 2008, after leaving ELSPA, Jackson returned to the Rail Simulator franchise, arranging to buy the rights to the project, and becoming CEO of the resulting development company, RailSimulator.com Ltd. The company released RailWorks, the successor to Rail Simulator, in 2009. Since December 2013, the company has been known as Dovetail Games.
House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and the repetitive rhythm of house was more important than the song itself. House music in the 2010s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres, such as euro house, tech house, electro house and jump house.
House Music is the debut solo album from Steven James Adams, formerly of Broken Family Band and Singing Adams. It was released by London label The state51 Conspiracy in September 2014.
The album features appearances and contributions from Dan Mangan, Justin Young from The Vaccines, Martin Green from Lau and Emily Barker.
You're cruel, device
Your blood, like ice
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running through my veins
You're poison
I don't wanna break these chains
Your mouth, so hot
Your web, I'm caught
Your skin, so wet
Black lace, on sweat
I hear you calling and its needles and pins
I wanna hurt you just to hear you screaming my name
Don't wanna touch you but you're under my skin
I wanna kiss you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Running deep inside my veins
Poison burning deep inside my veins
One look, could kill
My pain, your thrill
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains
Poison
I wanna love you but I better not touch
I wanna hold you but my senses tell me to stop
I wanna kiss you but I want it too much
I wanna taste you but your lips are venomous poison
You're poison running trough my veins
You're poison
I don't wanna break these chains