Horror (2015 film)

#Horror (/hæʃtæɡ hɔːrər/; HashtagHorror) is a 2015 American horror film written and directed by Tara Subkoff, and starring Chloë Sevigny, Timothy Hutton, Natasha Lyonne, Taryn Manning, and Balthazar Getty. The plot follows a group of wealthy junior high school girls who face a night of terror together after a social network game spirals out of control.

The film premiered on November 18, 2015 at the Museum of Modern Art, and was released in a limited release and through video on demand on November 20, 2015, by IFC Midnight.

Plot

The film opens with Harry Cox (Balthazar Getty) having sex in a car with his mistress, Lisa (Lydia Hearst), parked on a remote road. After Lisa exits the car, his wife Alex (Chloë Sevigny) calls him and chastises him on the phone. After he hangs up, his throat is slashed, and Lisa is also murdered outside the car by an unseen assailant.

Twelve-year-old Sam (Sadie Seelert) is invited to a sleepover at classmate Sofia Cox (Bridget McGarry)'s remote mansion in Connecticut. Driven to the house by her mom Emma (Natasha Lyonne), Sam finds herself embarrassed by her lack of wealth amongst her extremely rich and privileged classmates. Also at the sleepover are Francesca (Mina Sundwall), Ava (Blue Lindberg), and Georgie. Meanwhile, the girls' other classmate Cat White (Haley Murphy), whom Sofia also invited, is being driven to the house by her father, Dr. White (Timothy Hutton); it is established that Cat is suffering psychological problems and has been in trouble for bullying the girls in the recent past. Alex's friend Jamie (Stella Schnabel) comes to the house, where the two talk about the house, as Alex complains about her husband. Alex then bosses and complains about her assistant Molly (Annabelle Dexter-Jones)).

Horror (Garo)

Demon Beasts Horrors (魔獣ホラー, Majū Horā) are fictional monsters and the antagonists in the Tokusatsu series Garo.

Fictional history

Originally from a Demon World (魔界, Makai), the normal variety of Horrors, called "Inga Horrors" (陰我ホラー, Inga Horā, "Yin-Self Horrors") which are grotesque black-winged skeletal demons. An Inga Horror enters the human world by being attracted to the darkness inside human beings that its kind feed on, using an object as a portal to travel from the Demon World. Those items, called Inga Gates, are objects with large amount of darkness from either playing a role in some sort of naturally accumulated atrocity like mass murder or a traumatic experience left unresolved. There are Inga Gates that are created by someone infusing the object with dark energies. Regardless, all Inga Gates are usually activated when person with inner darkness with the emerging Horror turning that person or any other living thing nearby, into a host body. From there, the Horror "evolves" into a unique form based on the Gate they emerged from with personal tastes and feeding habits. In some cases, instead of taking complete control, an Inga Horror can form a symbiosis with the host to act out the human's dark desires. Regardless, a human is dead the moment an Inga Horror possesses them and what remained of the host follows the Horror in death. Though rare, there are also some unusual Horrors that prefer to possess objects rather than living thing, not having a preference of prey as they consuming whoever comes into close contact one way or another instead. But the rarest Horrors are the ones that assume the form of large beasts without needing a host body, acting only on a primal and indiscriminate urge to feed. As revealed in Guren no Tsuki, Horrors have influenced humanity's myths such as the people of Heian-kyo believing them to be Preta.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: