Dungeon Keeper is a strategy video game developed by Bullfrog Productions and released by Electronic Arts in July 1997 for the PC. The player builds and manage a dungeon while protecting it from invading 'hero' characters intent on stealing the player's accumulated treasures and killing various monsters.
The player uses a mouse, represented in-game as a hand, to interact with a bar on the left-hand side of the screen, allowing them to select which rooms to build and which spells to cast. The player can also use the hand to pick up creatures and objects in the dungeon and carry them around, allowing for tactics such as gathering an assault force and dropping off the creatures en masse once a foothold has been established. The hand also allows the player to "slap" objects and thereby interact with them: creatures will hurry up when slapped, some traps will be triggered and prisoners in the Torture Chamber can be tortured.
The main game view is in isometric perspective; this view can be zoomed and rotated. The player also has the option of possessing one of their creatures, and seeing the dungeon from that creature's first-person perspective, as well as using their attacks and abilities. The map is divided into a grid of rectangles, most of which are invisible. A smaller part of the map is shown as a minimap in the top left corner of the screen.
"Horny '98" is a house song by producer Mousse T., pop duo Hot 'n' Juicy, and vocalist Inaya Day. The song reached number two in the UK Singles Chart in June 1998.
The single entered the UK chart at number three on 6 June 1998, peaking one place higher the following week and staying on the chart for 17 weeks. The song was written by Keith David and Mousse T.
The song was later included on the South Park soundtrack album Chef Aid: The South Park Album.
On Chef Aid, the song opens with a mock phone call between Sid Greenfield (voiced by Trey Parker) and South Park creators, Matt Stone and Trey Parker, talking about putting the song on the album. In the mock phone call (which begins on the previous track, and continues throughout "Horny") Matt and Trey repeatedly voice their dislike for the song, and Sid Greenfield finally agrees not to include it. (Of course this is after the song has already finished playing in its entirety.)
In 2006, a mash-up between "Horny" and The Dandy Warhols' song, "Bohemian Like You" was released as "Horny as a Dandy".
Zone or The Zone or In the Zone may refer to:
Zone is a French-language three-act play written by French-Canadian author Marcel Dubé. Written when Dubé was 21 and based on memories of his childhood,Zone revolves around a gang of teenaged Québécois criminals who sell contraband cigarettes, and the internal conflicts that ultimately tear the group apart. The title "Zone" refers to the fact that each of the smugglers are stuck in a zone of society from which it is almost impossible to escape.
The original production of Zone was directed by Robert Rivard.
Zone was an all-female pop rock band started in Sapporo, Japan in 1999. Although it initially started as a dance group, they turned to an all-female band. Zone has been categorized in a new genre called "bandol" (a portmanteau of the words band and idol). The band was started and managed by Studio RunTime and released their first single, "Good Days", under the major record label Sony Records, on February 7, 2001. The group has officially ended on March 2, 2013.
Their most famous song is "Secret Base (Kimi ga Kureta Mono)", released on August 8, 2001. The single sold about 744,000 copies on Japanese Oricon charts.
Zone started off with eight members in 1997, then reduced to six and finally to four – Miyu Nagase, Mizuho Saito, Maiko Sakae, and Takayo Ookoshi – by the time they released their first indie disc in 1999.
Tadayuki Ominami, a representative of Sony Records, noticed that the crowd reaction to the group's debut concert was particularly enthusiastic. Initially, Zone was solely focused on singing and dancing. Ominami watched a live video of the band playing with instruments at the KomeKome Klub and felt that, due to the overabundance of dance groups, Zone had the makings of a breakthrough act, provided they could play their instruments as well as sing and dance.