Horizontal

Horizontal may refer to:

See also

Horizontal (song)

"Horizontal" is a ballad recorded by the Bee Gees, written by Barry, Robin & Maurice Gibb in 1967 and released as the last track on the album of the same name in early 1968. Barry Gibb sings lead on the verses while Robin Gibb sings lead on the refrain.

Background and recording

Robin Gibb': '...a very interesting track because it's mysterious and can't really be classified [as] any kind of style except probably psychedelic, It had a dream effect to it, [taking] people to a different level, rather than any kind of musical classification. I like the haunting melody ideas that go on behind the vocals. A lot of artists today just use one voice and a backing, but they never play around either with the harmonies or the background vocals, which I kinda miss. It's a dimension that technology [can't provide]. That's why a lot of older records actually appeal to young people, because there's an emotion in them which they don't hear on newer records... It's not meant to be a down song. It's the end of sorrow, the end of bad stuff. It does have a positive message somewhere in there. I just love the atmosphere of the whole song."

Melody

A melody (from Greek μελῳδία, melōidía, "singing, chanting"), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include successions of other musical elements such as tonal color. It may be considered the foreground to the background accompaniment. A line or part need not be a foreground melody.

Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape.

Elements

Given the many and varied elements and styles of melody "many extant explanations [of melody] confine us to specific stylistic models, and they are too exclusive." Paul Narveson claimed in 1984 that more than three-quarters of melodic topics had not been explored thoroughly.

Departure

Departure or Departures may refer to:

Film and television

Publishing

Aviation

In Search of the Lost Chord

In Search of the Lost Chord is the third album by The Moody Blues, released in 1968 through Deram Records.

Content and style

In Search of the Lost Chord is a concept album around a broad theme of quest and discovery, including world exploration ("Dr. Livingstone, I Presume"), music and philosophy through the ages ("House of Four Doors"), lost love ("The Actor"), spiritual development ("Voices in the Sky"), knowledge in a changing world ("Ride My See-Saw"), higher consciousness ("Legend of a Mind"), imagination ("The Best Way to Travel"), and space exploration ("Departure"). Space exploration would go on to become the theme of the Moodies' 1969 album To Our Children's Children's Children, inspired by and dedicated to the Apollo 11 mission. The mysterious "lost chord" of the title is revealed to be the mantra "Om" (in the last stanza of Graeme Edge's poem "The Word").

According to keyboardist Mike Pinder, the title was inspired by Jimmy Durante's humorous song, "I'm the Guy that Found the Lost Chord," itself a reference to The Lost Chord by Sir Arthur Sullivan.

Departure (Jesse McCartney album)

Departure is the third studio album by American recording artist Jesse McCartney. It was released on May 20, 2008 through Hollywood Records. The album was re-released on April 7, 2009, under the name Departure: Recharged. The album featured a heavier R&B sound, and spawned three US Hot 100 top 40 hits, "Leavin'", "How Do You Sleep?", and "Body Language". The latter two were released as singles from the recharged edition.

Album information

It has been described by McCartney as a complete change in musical style compared to his previous releases. About the new album, he said, "I'm shooting for Prince chord changes, Michael [Jackson] melodies, and the bigness of Madonna - fun '80s stuff. That's the best that I can put it". Producers on the album include Tricky Stewart, The-Dream, Sean Garrett, The Clutch, Brian Kennedy, and J. R. Rotem.

The album leaked April 30, 2008, almost three weeks before the release date. Departure was released one week early on the Canadian iTunes Store. The CD was released using CDVU+ technology. Some countries, including the UK and Brazil, were excluded from the recycled packaging and CDVU+ Software on the release.

Slowdown

A slowdown is an industrial action in which employees perform their duties but seek to reduce productivity or efficiency in their performance of these duties. A slowdown may be used as either a prelude or an alternative to a strike, as it is seen as less disruptive as well as less risky and costly for workers and their union. Striking workers usually go unpaid and risk being replaced, so a slowdown is seen as a way to put pressure on management while avoiding these outcomes. Other times slowdowns are accompanied by intentional sabotage on the part of workers to provide further disruption.

Nonetheless, workers participating in a slowdown are often punished, sometimes by firing and other times by law.

At Ford's plant in Dagenham, UK, during the 1970s, workers introduced a slowdown after Ford management increased the production line speed from 18 to 21 feet per minute. This was a second speed increase and workers felt that this was unfair. After a slowdown by production line staff, Ford management reduced the line speed back to 18 feet per minute.