Horizons was a modern dance work choreographed by Martha Graham to music by Louis Horst with a set designed by Alexander Calder. It premiered on February 23, 1936, at the Guild Theatre in New York City. Horizons was divided into four parts, two ensemble dances and two solos: Migration: New Trails (ensemble), Dominion: Sanctified Power (solo), Building Motif: Homesteading (solo) and Dance of Rejoycing (ensemble). The ballet was performed by Martha Graham and Group, the predecessor of the Martha Graham Dance Company.
The work was based on the theme of exploration and discovery. Program notes explained, the inspiration was "not specifically American, but abstracted from the American background." According to the Dance Observer, Horizons was "evidently based on the concept of the first migrations from Asia, west to the American continent, settlement and thanksgiving."
Graham's receipt of a Guggenheim Fellowship, allowed her to commission composer Louis Horst for the music. However, Horst was unhappy with the score from the beginning.
Horizon is the line at which the sky and the Earth's surface appear to meet.
Horizon or horizons may also refer to:
Horizons is the fifth album led by saxophonist Charles McPherson recorded in 1968 and released on the Prestige label.
Allmusic awarded the album 3 stars with its review by Scott Yanow stating, "By playing bop-oriented music in 1968, Charles McPherson could have been considered behind the times, but he was never a fad chaser and he has long had a timeless style. This music still sounds viable and creative decades later".
All compositions by Charles McPherson except as indicated
The Swiss National Science Foundation (SNSF, German: Schweizerische Nationalfonds zur Förderung der wissenschaftlichen Forschung, SNF; French: Fonds national suisse de la recherche scientifique, FNS) is a science research support organisation mandated by the Swiss Federal Government. The Swiss National Science Foundation was established under private law by physicist and medical doctor Alexander von Muralt in 1952.
The SNSF consists of three main bodies: Foundation Council, National Research Council and Administrative Offices. The Foundation Council is the highest authority and makes strategic decisions. The National Research Council is composed of distinguished researchers who mostly work at Swiss institutions of higher education. They assess research proposals submitted to the SNSF and make funding decisions. The National Research Council comprises up to 100 members and is subdivided into four divisions:
Ballet /ˈbæleɪ/ (French: [balɛ]) is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art.
Ballet may also refer to a ballet dance work, which consists of the choreography and music for a ballet production. A well-known example of this is The Nutcracker, a two-act ballet that was originally choreographed by Marius Petipa and Lev Ivanov with a music score by Pyotr Ilyich Tchaikovsky. Ballets are choreographed and performed by trained artists. Many classical ballets are performed with classical music accompaniment and use elaborate costumes and staging, though there are exceptions to this. Most notably, American choreographer George Balanchine is known for his plotless neoclassical ballets which are often performed in simple leotards and tights without scenery.
Ballet is a 1995 American documentary film directed by Frederick Wiseman. It portrays rehearsals, choreography, performances, business transactions, and other day-to-day life of the American Ballet Theatre. Much of the footage dates from the 1992 season. It also includes scenes from the company's European tour, namely in Greece and Copenhagen.
Appearances are made by Susan Jaffe, Julie Kent, Julio Bocca, Angel Corella, Amanda McKerrow, Alessandra Ferri and others. Various ballet masters and choreographers also appear, including Kevin McKenzie, ABT's artistic director, Ulysses Dove, Irina Kolpakova, Natalia Makarova and Agnes de Mille. Business transactions by then-director Jane Hermann are also included.
The film is currently released to the public by Wiseman's distribution company, Zipporah Films
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century classical period in ballet coincided with the 19th century Romantic era in Music. Ballet music composers from the 17th–19th centuries, including the likes of Jean-Baptiste Lully and Pyotr Ilyich Tchaikovsky, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky’s lifetime, ballet music composition and ballet in general spread across the western world.
Until about the second half of the 19th century the role of music in ballet was secondary, with the main emphasis on dance, while music was simply a compilation of danceable tunes. Writing "ballet music" used to be a job for musical craftsmen, rather than for masters. For example, critics of the Russian composer Pyotr Ilyich Tchaikovsky mentioned his writing of ballet music as something demeaning.