Shakaya (album)

Shakaya is the first studio album by Australian girl duo Shakaya, released in Australia on 18 October 2002 (see 2002 in music) by Columbia. The album has a mix genre of pop and R&B songs — written by the duo themselves and their manager/producer Reno Nicastro.

The album debuted at number five on the Australian ARIA Charts and stayed in the top fifty for two weeks and in the chart for six weeks. It also made an appearance in the Australasian Album Chart, peaking at number two (just missing the number one spot by Barricades & Brickwalls by Kasey Chambers).

Shakaya produced one top ten and two top twenty hits on the Australian ARIA Singles chart: "Stop Calling Me", "Sublime" and "Cinderella".

Track listing

Sublime (film)

Sublime is a 2007 psychological horror film directed by Tony Krantz and written by Erik Jendresen. It is the second straight-to-DVD "Raw Feed" horror film from Warner Home Video, released on March 13, 2007. The film stars Tom Cavanagh, Kathleen York, Lawrence Hilton-Jacobs, and Katherine Cunningham-Eves.

Plot

The plot centers on the protagonist George Grieves (Cavanagh), who checks into the Mt. Abaddon Hospital for a routine procedure only to find horrors await him. Awakening from what was supposedly a simple colonoscopy, Grieves is told by hospital staff that due to confusion arising from similar patient names he was mistakenly given a sympathectomy to cure sweaty palms.

As the days tick by Mr. Grieves' post-operative experiences grow ever more bizarre until he finally realizes that he is caught inside a nightmare of his own creation and seems unable to escape or awaken back in the real world. He understands that something has gone wrong in his post-operative recovery which is keeping him trapped in this netherworld of manifestations of all of his worst fears but he understands neither what the problem is nor what, if anything, he can do to awaken from it.

Sublime (literary)

The literary concept of the sublime became important in the eighteenth century. It is associated with the 1757 treatise by Edmund Burke, though it has earlier roots. The idea of the sublime was taken up by Immanuel Kant and the Romantic poets including especially William Wordsworth.

Longinus

The earliest text on the sublime was written sometime in the first or third century AD by the Greek writer (pseudo-) Longinus in his work On the Sublime (Περὶ ὕψους, Perì hýpsous). Longinus defines the literary sublime as "excellence in language", the "expression of a great spirit" and the power to provoke "ecstasy" in one's readers. Longinus holds that the goal of a writer should be to produce a form of ecstasy.

Boileau

Boileau introduced the sublime into modern critical discourse in the Preface to his translation of Longinus: Traite du Sublime de Longin (1674).

John Baillie

The little-known writer John Baillie wrote An Essay on the Sublime in 1747.

Burke

Most scholars point to Edmund Burke's A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) as the landmark treatise on the sublime. Burke defines the sublime as "whatever is fitted in any sort to excite the ideas of pain and danger... Whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror." Burke believed that the sublime was something that could provoke terror in the audience, for terror and pain were the strongest of emotions. However, he also believed there was an inherent "pleasure" in this emotion. Anything that is great, infinite or obscure could be an object of terror and the sublime, for there was an element of the unknown about them. Burke finds more than a few instances of terror and the sublime in John Milton's Paradise Lost, in which the figures of Death and Satan are considered sublime.

Hope

Hope is an optimistic attitude of mind based on an expectation of positive outcomes related to events and circumstances in one's life or the world at large. As a verb, its definitions include: "expect with confidence" and "to cherish a desire with anticipation".

Among its opposites are dejection, hopelessness and despair.

In psychology

Dr. Barbara L. Fredrickson argues that hope comes into its own when crisis looms, opening us to new creative possibilities. Frederickson argues that with great need comes an unusually wide range of ideas, as well as such positive emotions as happiness and joy, courage, and empowerment, drawn from four different areas of one’s self: from a cognitive, psychological, social, or physical perspective. Hopeful people are "like the little engine that could, [because] they keep telling themselves "I think I can, I think I can". Such positive thinking bears fruit when based on a realistic sense of optimism, not on a naive "false hope".

The psychologist C.R. Snyder linked hope to the existence of a goal, combined with a determined plan for reaching that goal:Alfred Adler had similarly argued for the centrality of goal-seeking in human psychology, as too had philosophical anthropologists like Ernst Bloch. Snyder also stressed the link between hope and mental willpower, as well as the need for realistic perception of goals, arguing that the difference between hope and optimism was that the former included practical pathways to an improved future.D. W. Winnicott saw a child's antisocial behaviour as expressing an unconscious hope for management by the wider society, when containment within the immediate family had failed.Object relations theory similarly sees the analytic transference as motivated in part by an unconscious hope that past conflicts and traumas can be dealt with anew.

Hope (Ukrainian political party)

The People's Action Party "Hope" (Ukrainian: Партія Народної Дії «НАДІЯ») was founded on 18 March 2005, and has a presence in 27 regions and 525 districts of Ukraine. It is headed by Sergei Selifontiev, who created the "light parliamentary movement" in contrast to what he felt was a shady parliament of the day. On the day of its inception, 1,200,000 citizens of Ukraine joined the party.

References

Hope (2014 film)

Hope is a 2014 French drama film directed by Boris Lojkine. It was screened as part of the International Critics' Week section at the 2014 Cannes Film Festival where it won the SACD Award.

Cast

References

External links