Hooray for Boobies
Hooray for Boobies is the third studio album by American alternative rock band Bloodhound Gang, released on October 4, 1999, in Europe and February 29, 2000, in the US. The album, produced by Jimmy Pop and Richard Gavalis, was the band's second release on Geffen Records following the gold-selling One Fierce Beer Coaster. The musical style of Hooray for Boobies is grounded in the alternative rock, rapcore, and electronica genres, with prominent rap-metal guitar riffs, samples, electronic instruments, and lyrics rife with toilet humor.
The album received generally favorable reviews and was a commercial success. Hooray for Boobies effectively broke the Bloodhound Gang into the mainstream. The album initially debuted at number two on the US Top Heatseekers chart, but managed to peak at number 14 on the US Billboard 200. The album also hit number one in Australia, Austria, and Germany. Since its release in 1999, the album has sold over 4 million copies internationally.
Five singles were released from the album including "Along Comes Mary", "The Bad Touch", "The Ballad of Chasey Lain", "Mope", and "The Inevitable Return of the Great White Dope". The album's second single, "The Bad Touch", was an international hit, charting on fourteen different charts worldwide, and managing to hit number one on five of them.
Podcasts:
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by Bloodhound Gang
Hooray for Boobies
by: Bloodhound GangEvery time I think that
I'm the only one who's lonely
Someone calls on me
And every now and then
I spend my time at rhyme and verse
And curse those faults in me
And then along comes Mary
And does she want to give me kicks and be my steady chick
And give me pick of memories
Or maybe rather gather tales from all the fails and tribulations
No one ever sees
When we met I was sure out to lunch
Now my empty cup tastes as sweet as the punch
When vague desire is the fire
In the eyes of chicks whose sickness
Is the games they play
And when the masquerade is played
The neighbor folks make jokes
At who is most to blame today
And then along comes Mary
And does she want to set them free and
Let them see reality
From where she got her name
And will they struggle much
when told that such a tender touch of hers
Will make them not the same
When we met I was sure out to lunch
Now my empty cup tastes as sweet as the punch
And when the morning of the warning's passed
The gassed and flaccid kids
Are flung across the stars
The psychodramas and the traumas gone
The songs have all been sung
And hung upon the scars
And then along comes Mary
And does she want to see the stains,
The dead remains of all the pain
She left the night before
Or will their waking eyes reflect the lies
And make them realize
Their urgent cry for sight no more
When we met I was sure out to lunch
Now my empty cup tastes as sweet as the punch
Sweet as the punch
Sweet as the punch
Sweet as the punch
Sweet as the punch