Hooked! is the third studio album by American singer-songwriter Lucy Woodward. It was released on June 15, 2010 as her debut album for Verve Records. The set's first single, "Slow Recovery" was released to iTunes on May 4, 2010.
The album includes nine original songs and three covers versions ("Sans Souci", "I Wan'na Be Like You (The Monkey Song)" and "Stardust"). Two of the originals ("Slow Recovery" and "Too Much to Live For") had previously appeared on Woodward's second album Lucy Woodward Is...Hot & Bothered but were reworked for this release with different vocals and arrangements. The iTunes version also includes another cover, "Fashion", originally recorded by David Bowie for his album Scary Monsters (And Super Creeps).
Hooked may refer to:
"Hooked" is the 16th episode of the fifth season of the CBS situation comedy How I Met Your Mother and 104th episode overall. It originally aired on March 1, 2010.
Future Ted mentions how most his stories have been romantic or have portrayed him in a fairly positive light, but in this next story, he was simply a jerk. Ted tells the gang that he has invited a woman over under the pretense of checking out his antique camera collection, which Barney classifies as "bait." He's tried many types of bait (slot machine, trampoline), but found that a teacup pig is the best kind, which Ted then borrows after seeing the reaction Robin, Marshall and Lily gave.
Later, Ted is at MacLaren's telling the gang about this woman, Tiffany (Carrie Underwood), he snared using the pig. She says she's really into him, but can't be with him "right now." The gang sees through her ruse, telling Ted that he's been "hooked," a euphemism for stringing someone along until they meet someone better.
In computing, a data segment (often denoted .data) is a portion of an object file or the corresponding virtual address space of a program that contains initialized static variables, that is, global variables and static local variables. The size of this segment is determined by the size of the values in the program's source code, and does not change at run time.
The data segment is read-write, since the values of variables can be altered at run time. This is in contrast to the read-only data segment (rodata segment or .rodata), which contains static constants rather than variables; it also contrasts to the code segment, also known as the text segment, which is read-only on many architectures. Uninitialized data, both variables and constants, is instead in the BSS segment.
Historically, to be able to support memory address spaces larger than the native size of the internal address register would allow, early CPUs implemented a system of segmentation whereby they would store a small set of indexes to use as offsets to certain areas. The Intel 8086 family of CPUs provided four segments: the code segment, the data segment, the stack segment and the extra segment. Each segment was placed at a specific location in memory by the software being executed and all instructions that operated on the data within those segments were performed relative to the start of that segment. This allowed a 16-bit address register, which would normally provide 64KiB (65536 bytes) of memory space, to access a 1MiB (1048576 bytes) address space.
DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.
The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.
DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.
The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.
In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.
In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.
I'm so glad I got ya hooked up on my drug
Everybody dance to the music
Are you feeling well now you caught this bug
Everybody dance to the music
Think last time I took an overdose
Come on dance to the music
Made me realise I came too close
I bet ya wished you'd danced to the music, music, music, music
Dead can seem to bear no relevance,
Bet you wished you dance to the music
What you want to do is kill yourself
Still you don't dance to the music
I can look at you and hear your scream
Come on dance to the music
And tell me that your needle's clean
Come on dance, dance
Come on now dance to the music
I need it, I need it,
Don't you get hookep up
'Cos music is the drug