Chimère is a 1989 French drama film directed by Claire Devers. It was entered into the 1989 Cannes Film Festival.
Stuck may refer to:
"Stuck" is a song by Stacie Orrico, released in 2003. It can be found on her self-titled second album. It was used in the Disney Channel Original Movie's Stuck in the Suburbs. It was the official theme song of the 2004 Copa América tournament.
"Stuck" was the first taste of chart success in the mainstream that Orrico received and worldwide. The single peaked at No. 52 in the U.S. while in the likes of Australia, the single peaked in the top 5 and in the UK the single bucked chart trends at the time by climbing inside the top 10 in its second week, peaking at No. 9. In Japan it peaked at No. 1 on some radio stations' airplay charts.
The music video was directed by Diane Martel. The video shows her on and off relationship with her boyfriend during high school. The boyfriend was played by her cousin, actor Trevor Wright.
"Stuck" is the fourth single by Dutch jazz singer Caro Emerald from her debut album Deleted Scenes from the Cutting Room Floor. It was released on 15 October 2010 as a Digital download in the Netherlands. The single was certified gold by the Federation of the Italian Music Industry, denoting digital sales in excess of 15,000 copies in Italy.
A music video to accompany the release of "Stuck" was first released onto YouTube on 26 October 2010; at a total length of three minutes and forty-eight seconds.
Hood are an English indie rock band from Leeds, formed in 1991. The band consists of brothers Chris and Richard Adams, and friends (including, at times, Craig Tattersall and Andrew Johnson of The Remote Viewer, and Nicola Hodgkinson of Empress).
Hood's first releases were very limited vinyl singles on various small independent record labels.
In 1994, record labels Fluff and Slumberland Records released Hood's first full length album, Cabled Linear Traction. Slumberland also released 1996's Silent '88, and the following year Happy Go Lucky Records released Structured Disasters, a compilation of tracks from singles. All featured a large number of short tracks (many of less than a minute), a mixture of indie rock, noise experiments reminiscent of Sonic Youth or Pavement, and an increasing interest in electronics.
In 1997, Domino Records signed Hood and released the single "Useless". Produced by Matt Elliott (better known as the Third Eye Foundation), it was a far more straightforward and tuneful song than any they had released so far. Elliott toured with the band, and produced the albums Rustic Houses, Forlorn Valleys and The Cycle of Days and Seasons. Like the single, these abandoned the short songs and instrumental snippets for longer pieces, with a pastoral sound similar to Bark Psychosis or Talk Talk. The band continued to release singles for other labels; "The Weight", for 555 Recordings, was a return to the older style with eight tracks on a 7" disc.
A convertible or cabriolet is an automobile body style that can convert between an open-air mode and an enclosed one, varying in degree and means by model. Convertibles evolved from the earlier phaeton, an open vehicle without glass side windows that may have had removable panels of fabric or other material for protection from the elements.
Historically, a retractable roof consisted of an articulated frame covered with a folding textile-based fabric similar to that on an open carriage evolved into the most common form. A lesser seen detachable hardtop provided a more weatherproof and secure alternative. As technology improved a retractable hardtop which removes and stows its own rigid roof in its trunk appeared, increasingly becoming the most popular form.
A semi-convertible also known as a cabrio coach has a retractable or removable top which retains fully framed windows on its doors and side glass. A landaulet is a semi-enclosed convertible with a fully enclosed front cabin and an open rear, typically with a folding fabric top and roll-down glass all round.
The Hood is the main villain and adversary of International Rescue in the Thunderbirds TV series.
The name "Hood" was derived from the term "hoodlum"; Gerry Anderson also observed that the character was frequently masked, and that a mask "could be described as a 'hood'."Sylvia Anderson acknowledges that the Hood's appearances became less regular towards the end of the series (the character is absent from the six episodes of Series Two), explaining that, like Kyrano, the character "turned out to be less viable on the screen than on the page." To strengthen the character's antagonistic appearance, the Supermarionation puppet was fitted with an over-sized head and hands.
The Hood's precise origins are unknown. While it is known that he is the half-brother of Kyrano, the precise details of their relationship – such as which parent they share or which of them is the elder – remain a mystery, as does the origin of his mysterious hypnotic powers. Even his real name remains a mystery; throughout the TV series, he is only ever referred to as "Agent Seven-Nine" and "671", and each codename is used on one occasion only ("Agent Seven-Nine" when he is working for "General X", a military officer from an unspecified eastern European country, and "671" when he is working for General Bron). The name "The Hood" is only used once used in the TV episodes; at the end of the episode Edge of impact the General can be heard uttering the word Hood through the speaker of the Hood's vehicle underwater (hence why it is never mentioned in Thunderbirds books or on fan websites). Instead, the name was revealed in spin-off media and tie-in promotional materials.
Eastside, eastside nigga wha?
(Eastside, eastside nigga what?)
I'm talk bout da Westside, westside nigga wha?
(Westside, westside nigga wha?)
Northside, northside nigga wha?
(Northside, northside nigga wha?)
Southside, southside nigga wha?
(Southside, southside nigga wha?)
Good luck, time to get hood stuck
Caldasac trap, Mr. Good Stuff
Ludacris give me 20 push-ups
Last summer, got da hook up
You know what I did
Who'd eva thought up they grew up on one of the BeBe Kids
Type of rat, sat on my ass
And fiendin' for cash
Almost got signed with Puff Puff, but I think I'll pass
Now what we got 'round here is a 20-20 twins
and whats up in my hand, is a bottle of Gin
I love women so I'm in it to win it
In it to green
In it to get in it and get in it again
You got two booties so you whippin yo chin
And I don't blame you
I lay in da sand, ya'll lay in da snow and make angels
My ice piece dangle
make my chest look older
Touch it and fall apart like yo High school folder
I'ma Trojan man, BHS hall supplier
Shady park resident and southside Rider
Get back, time to get hood jacked
Gold chain, took dat
World of Ghetto fabolous Dopeboys and Hoodrats
Becareful what you look at
cause you lookin to long
You might go blind in my briefs cause my dick is too long
I'm gettin nutt while I'm singin this song
and there is enough for everybody in da party
while ya'll hittin da bong
But ya'll be hittin my schlong
you play the flute quite nicely
When teeth interrupt, you can watch as I get fiesty
Oh no, you suckas didn't request back up
Broads I seem to rack up
When I pull da gold acta
Get slapped up
Drove up da wall
Put it in Reverse
you can hope for the best, but expect the worst
You at a place like some D's on a Hurst
Its quite funny
Phat Rabbit, playboy bunny
It seems as if thats what I need
Filthy south and Ds
Thats why I roll in from da Southside breeze
Give it to me now
Your pick time to get hood sick
Hit'em wit a good lick
Clean out yo house from da couch to da toothpick
EastSide Ruthless
WestSide leave 'em clueless
my Northside mackers got dis broads actin foolish
And do this for a living
while you stuck up in yo cubicle
Nightlife runnin dis streets, it sounds beautiful
Women break a cuticle
Ballas break bread
Southside, I represent it till I'm dead