Eric Andersen (born February 14, 1943) is an American singer-songwriter, who has written songs recorded by Johnny Cash, Bob Dylan, Judy Collins, Linda Ronstadt, the Grateful Dead and many others. Early in his career, in the 1960s, he was part of the Greenwich Village folk scene. After two decades and sixteen albums of solo performance he became a member of the group Danko/Fjeld/Andersen. Since the late 1990s, he has resumed his solo career. Andersen is still recording and performing live in Europe, Japan and North America.
Eric Andersen's grandfather immigrated from Norway. Eric Andersen was born in Pittsburgh, Pennsylvania, and grew up in Snyder, New York, a suburb of Buffalo. Elvis Presley made an impression on him when 15-year-old Andersen saw him perform. He moved to Boston and then San Francisco, where he met Tom Paxton, finally settling in New York City at the height of the Greenwich Village folk movement.
Andersen was a resident of Woodstock, New York, between 1975 and 1983. He then moved to Oslo, Norway, and maintained a residence in New York City. He currently lives in the Netherlands. He was at one point married to former Cambridge folksinger Debbie Green, who contributed guitar, piano, and backing vocal performances to various records Andersen released between 1965 and 1975. He married Dutch social scientist and singer Inge Andersen in 2006. He has a daughter Sari (with Debbie Green), who contributed backing vocal performances to his Memory of the Future album.
Eric Andersen (2 July 1904 – 22 January 1977) was a former Australian rules footballer who played with Melbourne and Footscray in the Victorian Football League (VFL).
Eric Andersen Born in Antwerp 1940 is an artist associated with the Fluxus art movement. He lives in Copenhagen, Denmark.
In 1962 Andersen first took part in one of the early concerts given by Fluxus held during the Festum Fluxorum in the Nikolai Kirke (Nicolas Church) in Copenhagen. He soon took an early interest in intermedial art. In his Opus works from the early 1960s, Andersen explored the open interaction between performer and public, developing open self-transforming works, such as arte strumentale.
Andersen’s performances depend very much on the public. This is true of not only his Fluxus actions but also his installations, to which the public may be prompted to contribute. From 1962 to 1966 he worked closely with Arthur Kopcke, turned in the late 1960s to mail art and then in the 1970s was concerned with geographical space. His most eminent works include Hidden Paintings, Crying Spaces, Confession Kitchens, Lawns that turn towards the Sun and Artificial Stars.
Sitting here forgotten like
A book upon a shelf
No one there to turn the page
You're left to read yourself
Alone to sit and wonder just how the story ends
Cause no-one ever told you child
You gotta be your own best friend
Sunny days cloudy days
Always seem the same
If love were made of clouds I
Almost wish that it would rain
Even when the skies are clear
The weather's always blue
Every day would be nice If I had
Someone I could come home to
Love is it really love at all
Or something that I heard love called
Something that I heard love called
Now life can sometimes slip away
And love can pass you by
If only it had been another place another time
Maybe there'll be someone who likes to see you smile
Who will want to stay with you
And be your friend for a little while
Then wake up in the morning
Feeling so alive
Something you can hold on to
Not a shadow by your side
I guess that there'll be time to talk
Of things that we've been through
That special time when all is real
To feel reborn when love is new
Love is it really love at all
Or something that I heard love called
Something that I heard love called
Then sundown comes around again
You find yourself alone
Wander through a sea of eyes but always on your own
Was it really all you thought that it was suppose to be
Or are you just another face
In someone's fading memory
Love is it really love at all
Or something that I heard love called