Home directory

A home directory is a file system directory on a multi-user operating system containing files for a given user of the system. The specifics of the home directory (such as its name and location) is defined by the operating system involved; for example, Windows systems between 2000 and 2003 keep home directories in a folder called Documents and Settings.

Description

A user's home directory is intended to contain that user's files; including text documents, music, pictures or videos, etc. It may also include their configuration files of preferred settings for any software they have used there and might have tailored to their liking: web browser bookmarks, favorite desktop wallpaper and themes, passwords to any external services accessed via a given software, etc. The user can install executable software in this directory, but it will only be available to users with permission to this directory. The home directory can be organized further with the use of sub-directories.

The content of a user's home directory is protected by file system permissions, and by default is accessible to all authenticated users and administrators. Any other user that has been granted administrator privileges has authority to access any protected location on the filesystem including other users home directories.

Home (Deep Blue Something album)

Home is the second album by alternative rock band Deep Blue Something. It was originally released by RainMaker Records in 1994 and re-released on Interscope in 1995.

Track listing

All songs written by Todd Pipes, except where noted.

B-Sides:

Charts

Personnel

Band Members

Home (Stephanie Mills album)

Home is a studio album by Stephanie Mills. It was released June 26, 1989 on MCA Records.

Track listing

Charts

References

External links

Root (surname)

Root is a surname, and may refer to:

People

Root (linguistics)

A root, or a root word, is a word that does not have a prefix (in front of the word) or a suffix (at the end of a word). The root word is the primary lexical unit of a word, and of a word family (root is then called base word), which carries the most significant aspects of semantic content and cannot be reduced into smaller constituents. Content words in nearly all languages contain, and may consist only of root morphemes. However, sometimes the term "root" is also used to describe the word minus its inflectional endings, but with its lexical endings in place. For example, chatters has the inflectional root or lemma chatter, but the lexical root chat. Inflectional roots are often called stems, and a root in the stricter sense may be thought of as a monomorphemic stem.

The traditional definition allows roots to be either free morphemes or bound morphemes. Root morphemes are essential for affixation and compounds. However, in polysynthetic languages with very high levels of inflectional morphology, the term "root" is generally synonymous with "free morpheme". Many such languages have a very restricted number of morphemes that can stand alone as a word: Yup'ik, for instance, has no more than two thousand.

Tonic (music)

In music, the tonic is the first scale degree of a diatonic scale and the tonal center or final resolution tone. The triad formed on the tonic note, the tonic chord, is thus the most significant chord. More generally, the tonic is the pitch upon which all other pitches of a piece are hierarchically referenced. Scales are named after their tonics, thus the tonic of the scale of C is the note C. Simple songs may begin and end on the tonic note.

The tonic is often confused with the root, which is the reference note of a chord, rather than that of the scale. It is also represented with the Roman numeral I.

Importance and function

In western European tonal music of the 18th and 19th centuries, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth above the tonic, or the fourth note down from the tonic) in between.

Two parallel keys have the same tonic. For example, in both C major and C minor, the tonic is C. However, relative keys (two different scales that share a key signature) have different tonics. For example, C major and A minor share a key signature that feature no sharps or flats, despite having different tonic pitches (C and A, respectively).