Home directory

A home directory is a file system directory on a multi-user operating system containing files for a given user of the system. The specifics of the home directory (such as its name and location) is defined by the operating system involved; for example, Windows systems between 2000 and 2003 keep home directories in a folder called Documents and Settings.

Description

A user's home directory is intended to contain that user's files; including text documents, music, pictures or videos, etc. It may also include their configuration files of preferred settings for any software they have used there and might have tailored to their liking: web browser bookmarks, favorite desktop wallpaper and themes, passwords to any external services accessed via a given software, etc. The user can install executable software in this directory, but it will only be available to users with permission to this directory. The home directory can be organized further with the use of sub-directories.

The content of a user's home directory is protected by file system permissions, and by default is accessible to all authenticated users and administrators. Any other user that has been granted administrator privileges has authority to access any protected location on the filesystem including other users home directories.

Home (Stephanie Mills album)

Home is a studio album by Stephanie Mills. It was released June 26, 1989 on MCA Records.

Track listing

Charts

References

External links

Home (Hothouse Flowers album)

Home is the second album by the Irish rock band Hothouse Flowers. Released in 1990 via London Records, it reached number 2 on the UK Albums Chart and spent 1 week at number 1 on the Australian charts. The band did an extended tour in Australia, and had built up a significant following there, which may have contributed to their success in the charts. Two singles from the album charted in the United Kingdom: "Give It Up" (#30) and "I Can See Clearly Now" (#23). "Give It Up" also charted in the United States (#2 Modern Rock Tracks/#29 Mainstream Rock Tracks).

Track listing

All songs written by Hothouse Flowers, except where noted.

Crisis (comics)

Crisis, in comics, may refer to:

See also

Crisis (Fleetway)

Crisis was a British comic book magazine published from 1988 to 1991 as an experiment by Fleetway to see if intelligent, mature, politically and socially aware comics were saleable in the United Kingdom. The comic was initially published fortnightly, and was one of the most visible components of the late-80s British comics boom, along with Deadline, Revolver, and Toxic!.

History

Crisis was Fleetway's response to the success of Deadline. David Bishop, in his Thrill Power Overload, comments "2000 AD had once represented the cutting edge of British comics, but was now in danger of looking staid and old fashioned next to Deadline".

Crisis would offer to make the work creator-owned, which might the chance for royalties and greater copyright control, which was a departure from the way they had done business up until then. They also planned to turn the stories into American comic books which would sell better on the other side of the Atlantic, although ultimately only the first few titles got this treatment and the title moved to shorter stories after issue #14.

Crisis (M*A*S*H)

Crisis was the 45th episode of M*A*S*H, and the 21st episode of the second series. It was first transmitted on February 9, 1974.

Overview

When the supply lines are cut, Henry Blake declares a state of emergency and delegates various tasks to the officers in an effort to keep the camp running. As heating fuel and toilet paper run low, the members of the 4077th are forced to operate in the cold, scrounge every bit of spare paper in the camp and double up in sleeping quarters.

The surgeons, along with Radar, Klinger and Father Mulcahy, spend restless nights cramped together. Meanwhile, Henry's desk begins to disappear by degrees as people become desperate for firewood. Klinger attempts to bunk with the nurses, and Hawkeye and Trapper attack Frank in an effort to share the warmth from his electric socks. Through it all, the influx of wounded remains constant. Things seem to be at their breaking point when a supply truck finally arrives to restock the camp.

The episode ends with Henry sitting in his bare office, it having been stripped of every piece of furniture.