Home directory
A home directory is a file system directory on a multi-user operating system containing files for a given user of the system. The specifics of the home directory (such as its name and location) is defined by the operating system involved; for example, Windows systems between 2000 and 2003 keep home directories in a folder called Documents and Settings.
Description
A user's home directory is intended to contain that user's files; including text documents, music, pictures or videos, etc. It may also include their configuration files of preferred settings for any software they have used there and might have tailored to their liking: web browser bookmarks, favorite desktop wallpaper and themes, passwords to any external services accessed via a given software, etc. The user can install executable software in this directory, but it will only be available to users with permission to this directory. The home directory can be organized further with the use of sub-directories.
The content of a user's home directory is protected by file system permissions, and by default is accessible to all authenticated users and administrators. Any other user that has been granted administrator privileges has authority to access any protected location on the filesystem including other users home directories.
Home (Deep Blue Something album)
Home is the second album by alternative rock band Deep Blue Something. It was originally released by RainMaker Records in 1994 and re-released on Interscope in 1995.
Track listing
All songs written by Todd Pipes, except where noted.
B-Sides:
Charts
Personnel
Band Members
Home (magazine)
Home Magazine was a magazine published in the United States by Hachette Filipacchi Media U.S..
History and profile
Home was founded in 1981 and concluded publication with the October 2008 issue. The magazine appeared eight times a year and had a circulation of one million. In 2007 Olivia Monjo appointed the editor-in-chief of the magazine. Its website, PointClickHome.com, continued updating until 2009.
References
External links
Ira (Polish band)
IRA - Polish rock band formed in 1987 in Radom by Jakub Płucisz (guitar), Wojciech Owczarek (drums), Artur Gadowski (vocal, guitar), Dariusz Grudzień (bass) and Grzegorz Wawrzeńczuk (keyboards). They gained a wide popularity in Poland in the early nineties, mainly after releasing the "Mój Dom" album, with the hit title song, which was still during their garage and semi-professional days. They also gained some local popularity amongst the Polish-speaking citizens in the United States, where they lived and worked for few months. After signing a professional contract back in Poland, they released a few albums which didn't prove to be commercially successful (except for the "Mój Dom" follow-up, which was "IRA 1993"), and the band disbanded afterwards. Artur Gadowski started a solo career. He opened for Brian May before his show in Warsaw in September 1998. Artur's solo efforts weren't very successful either, and what success he did gain was largely based on the then legendary status of IRA. A few years later the band reunited, and exists up to now. Once again, they have not attained much popularity, but are well-known amongst hard rock fans in Poland (though they play mainly pop-oriented hard rock), and their concerts are selling rather well.
David's Mighty Warriors
David's Mighty Warriors (also known as David's Mighty Men or the Gibborim) are a group of men in the Bible who were singled out by an appendix of the Books of Samuel. The text (2 Samuel 23:8–39) divides them into the "Three", of which there are three, and "Thirty", of which there are more than thirty. The text explicitly states that there are 37 individuals in all, but it is unclear whether this refers to The Thirty, which may or may not contain The Three, or the combined total of both groups. The text refers to The Three and The Thirty as though they were both important entities, and not just an arbitrary list of three or 30-plus significant men.
Some textual scholars regard the passages referring to The Three and The Thirty as having come from either a source distinct to the main sources in the Books of Samuel, or being otherwise out of place. Since parts of the text have distinct stylistic differences from other portions—appearing as a list, as a series of character introductions, or as a flowing narrative—Some suspect that the passages may themselves be compiled from multiple source documents. Further, as 2 Samuel 23:23–24 reads "...David put him in command of his bodyguard. Asahel, brother of Joab. Among the thirty were...", the text is regarded as corrupted, and the middle of verse 23:24 (between the words Joab and Among) is generally presumed to have been lost (some translations move Among the thirty were to be before Asahel, which smooths over the issue).
Remix (book)
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
Summary
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Podcasts:
