Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
MR (Marina and Rainer) is a chamber opera in one act (5 scenes) by the Russian composer Nikolai Korndorf (1947–2001). The libretto by Yuri Lourié is in Russian, German, Ancient Greek and Japanese). Commissioned by the Munich Biennial, Germany, it was composed in 1989.
The first performance was on May 20, 1994 at the Muffathalle in Munich, Germany, with the Munich Biennial Singers, Ulm Orchestra, and S. Bachli, conductor.
The opera consists of five scenes:
Three pantomime actors symbolizing the illness and fate as well as the poets’ relations in a real life.
This is a moving story told in letters between two great poets, the Russian Marina Tsvetaeva and the Austrian Rainer Maria Rilke. They never met but their fiery relationship lasted for several months. At that time Rilke was severely ill with leukaemia and had already not written for two years. However the letters of Tsvetaeva returned him to poetry. The love of Tsvetayeva for Rilke’s poetry grew to the love of him as a person. She was ready to come and meet him in real life, but when her last letter to him was written, Rilke was already dead. As a background to this story, two other pairs of poets were added: the Ancient Greek poets Sapho and Alcaeus, and the 8th-century Japanese poets Otomo no Yakamochi and Lady Otomo no Sakanoue.
MR2 or MR-2 may refer to:
The Heckler & Koch HK417 is a battle rifle designed and manufactured by Heckler & Koch in Germany. It is a gas-operated, selective fire rifle with a rotating bolt and is essentially an enlarged HK416 assault rifle. Chambered for the full-power 7.62×51mm NATO round, instead of a less powerful intermediate cartridge, the HK417 is intended for use as a designated marksman rifle, and in other roles where the greater penetrative power and range of the 7.62×51mm NATO round are required. It has been adopted for service by a number of armed forces, special forces, and police organizations.
The HK417 is similar in internal design to the HK416, but the receiver and working parts are enlarged to suit the larger 7.62×51mm NATO round. The bolt is a 7-lug rotating type, which sits in a bolt carrier and operates in a forged alloy receiver resembling those of the Stoner-designed AR-10, AR-15 and M16 rifle series weapons.
Like the HK416, the HK417 is a gas-operated, with a short-stroke piston design similar to that of the Heckler & Koch G36. The short-stroke piston is more reliable than the original direct impingement operation of the AR-10 and AR-15 designs because, unlike these weapons, it does not vent propellant gases directly into the receiver, which deposits carbon fouling onto the bolt mechanism as well as heating it up;
IRA - Polish rock band formed in 1987 in Radom by Jakub Płucisz (guitar), Wojciech Owczarek (drums), Artur Gadowski (vocal, guitar), Dariusz Grudzień (bass) and Grzegorz Wawrzeńczuk (keyboards). They gained a wide popularity in Poland in the early nineties, mainly after releasing the "Mój Dom" album, with the hit title song, which was still during their garage and semi-professional days. They also gained some local popularity amongst the Polish-speaking citizens in the United States, where they lived and worked for few months. After signing a professional contract back in Poland, they released a few albums which didn't prove to be commercially successful (except for the "Mój Dom" follow-up, which was "IRA 1993"), and the band disbanded afterwards. Artur Gadowski started a solo career. He opened for Brian May before his show in Warsaw in September 1998. Artur's solo efforts weren't very successful either, and what success he did gain was largely based on the then legendary status of IRA. A few years later the band reunited, and exists up to now. Once again, they have not attained much popularity, but are well-known amongst hard rock fans in Poland (though they play mainly pop-oriented hard rock), and their concerts are selling rather well.