"Holla at Your Boy" is a song by Nigerian Afrobeats recording artist Wizkid. It was officially released on January 2, 2010. The song was produced by DJ Klem (Knighthouse) and Vebee. It is the first single from his debut album Superstar.
The music video for the single, directed by Patrick Ellis, was shot at Dowen College in Lekki, Lagos. Skales and Ice Prince made cameo appearances in the video
Wizkid won the 2011 The Headies Next Rated award for "Holla at Your Boy". The music video for "Holla at Your Boy" was nominated for "Most Gifted Newcomer Video" at the 2011 Channel O Music Video Awards. The music video was also nominated for "Best Afro Pop Video" at the 2011 Nigeria Music Video Awards (NMVA).
Digital single
Holla may refer to:
Holla! is the eleventh studio album from reggae/hip-hop group Baha Men. It was released in 2004 on S-Curve Records. The album's title track was featured in the 2004 movie Garfield and the music video features scenes and references to that film.
A boy is a young male human, usually a child or adolescent. When he becomes an adult, he is described as a man. The most apparent difference between a typical boy and a typical girl is the genitalia. However, some intersex children with ambiguous genitals, and genetically female transgender children, may also be classified or self-identify as a boy.
The term boy is primarily used to indicate biological sex distinctions, cultural gender role distinctions or both. The latter most commonly applies to adult men, either considered in some way immature or inferior, in a position associated with aspects of boyhood, or even without such boyish connotation as age-indiscriminate synonym. The term can be joined with a variety of other words to form these gender-related labels as compound words.
The word "boy" comes from Middle English boi, boye ("boy, servant"), related to other Germanic words for boy, namely East Frisian boi ("boy, young man") and West Frisian boai ("boy"). Although the exact etymology is obscure, the English and Frisian forms probably derive from an earlier Anglo-Frisian *bō-ja ("little brother"), a diminutive of the Germanic root *bō- ("brother, male relation"), from Proto-Indo-European *bhā-, *bhāt- ("father, brother"). The root is also found in Flemish boe ("brother"), Norwegian dialectal boa ("brother"), and, through a reduplicated variant *bō-bō-, in Old Norse bófi, Dutch boef "(criminal) knave, rogue", German Bube ("knave, rogue, boy"). Furthermore, the word may be related to Bōia, an Anglo-Saxon personal name.
Boy (少年, Shōnen) is a 1969 Japanese film directed by Nagisa Oshima, starring Tetsuo Abe, Akiko Koyama and Fumio Watanabe.
Based on real events reported in Japanese newspapers in 1966Boy follows the title character, Toshio Omura, across Japan, as he is forced to participate in a dangerous scam to support his dysfunctional family. Toshio's father, Takeo Omura, is an abusive, lazy veteran, who forces his wife, the boy's stepmother, Takeko Tamiguchi, to feign being hit by cars in order to shake down the motorists. When his wife is unable to perform the scam, Toshio is enlisted. The boy's confused perspective of the scams and his chaotic family life are vividly captured in precisely edited sequences. As marital strife, mounting abuse, and continual moving take their toll, the boy tries to escape, either by running away on trains, or by retreating into a sci-fi fantasy he has constructed for his little brother and himself. Finally, in snowy Hokkaidō, the law finally catches up when the little brother unwittingly causes a fatal car accident. Although traumatized, Toshio tries to help his family elude capture in the final sequence, presented in documentary fashion, describing their arrest.
The Invisibles is a comic book created by Grant Morrison for the Vertigo imprint of DC Comics. This page is a list of all characters in the series. Please see The Invisibles for the main article.
The Invisibles are a freedom fighters at war with the oppressive Outer Church. Many members are psychic or possess some kind of supernatural ability.
Jack Frost is the alias of Dane McGowan, a rebellious teenager from Liverpool, England. Early in his childhood, Dane McGowan affects the cold, violently rebellious persona of "Jack Frost" in order to cope with his shattered home life. After trying to burn down his school, Dane is sent to Harmony House, a reeducation facility for young boys run by the Outer Church, the villains of the series. The Invisibles free Dane from Harmony House and arrange for him to be mentored by Tom O'Bedlam, an experienced Invisible. Under Tom O’Bedlam’s guidance, Dane realizes that the "Jack Frost" persona is restricting his growth, a realization that allows a softer, more compassionate Dane to emerge. Dane is contacted by Barbelith, a mysterious sentient satellite featured in the series, during this time, though his memories of contact are repressed until he is ready to access them.
[Drag-On:]
Uhh, man it's been like three years I can't wait no
more
I can't smoke no more but I can taste the raw
Like OHH-WEE, I get steel for the love of my booms
And girls be like (Drag, where you been so long?)
I'm like OOH, WEE, I'm still here baby
I just finished three albums, e'ything's all gravy
I'm still leanin on niggaz, actin like it can't happen
I put my gun in your mouth, turn your teeth platinum
Ain't no more one-on-ones, nigga it's guns-on-guns,
knives-on-knives
You murder my mans, we murder your wives
OOH, WEE, come yell at your boy
But if I catch her feelin me, would you bell at your
boy?
I got a new drink, it's called 'Gang Related'
Alize is red, Hypnotiq is blue
Put a little Henny in it to bring out the THUG in you
But don't hate on your boy Drag, Drag got love for you,
c'mon
[Chorus: Drag-On]
OHH, WEE, holla at your boy
Y'all want noise? Come holla at your boy
All my ladies, come holla at your boy
All my thug niggaz come holla at your boy
I said OOH, WEE, holla at your boy
Y'all want noise? Come holla at your boy
All my ladies, come holla at your boy
All my thug niggaz come holla at your boy
[Drag-On:]
I said OOH, WEE, shorty you
(Who me?) Yeah, and the rest of your crew
Come holla at your boy, I'm still here baby, I'm still
in the grind
I'm happy that I'm still on your mind
Let me treat you real good and take you up out the hood
Show you a new lifestyle, then pull out the Lifestyles
Oh yeah I'm a movie star now, I done kickboxed with
Wesley
And got into a fight with Jet Li
Now you tell me what's really good - what's really
poppin
I go in any project and see what's really hood
Like what's crackin homie? I'm hotter than the block
with cracks on me
That's on my man, caught my ratchet for me
OHH, WEE, come holla at your boy
Come to the bar, pop a bottle with your boy
I reigned/rained in it, don't make me shower on you
boys
And I know your head nigga, so I got power over you boy
[Chorus]
[Drag-On:]
Where my shorties at? Where my thugs at?
C'mon, holla at your boy, where the love at?
Bitches lookin like they wanna put it on my ass
I'm in this club e'ry week ma, just put it on my tab
It ain't nothin, I got a tab bigger than that fat nigga
on "Cheers"
C'mon ma, sit in this chair (c'mon)
Chicks showin me they tongue rings, they belly buttons
Lookin 16 like R. Kelly ain't nuttin
I don't play those games, make sure she show her ID
Before she come, hot steppin in this V.I.P. - you hear
She old enough, tell her holla at her boy
Cause I ain't got no time for cops holla'in at your boy
I said
[Chorus]
[Drag-On:]
I said OOH, WEE, holla at your boy
Y'all want noise? Come holla at your boy
All my ladies, come holla at your boy
All my thug niggaz come holla at your boy