Hold Me Down | ||||
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File:YMA6HoldMeDown.jpg | ||||
Studio album by You Me at Six | ||||
Released | 11 January 2010 (see release history) |
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Recorded | August–November 2009 at Outhouse Studios, Reading, England | |||
Genre | Pop punk, alternative rock | |||
Length | 40:37 | |||
Label | Virgin | |||
Producer | Matty O'Grady, John Mitchell | |||
You Me at Six chronology | ||||
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Singles from Hold Me Down | ||||
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Hold Me Down is the second studio album by English pop punk band You Me at Six, released 11 January 2010 on Virgin Records.[1]
The album follows predecessor, Take Off Your Colours (2008) and is their first release on the major label Virgin Records. Like their debut, the album was once again produced and engineered by Matt O'Grady and mixed by John Mitchell in Reading, England. A promotional single titled "The Consequence" was made available for free digital download before first official single, "Underdog" preceded the album's release.
Despite receiving mixed reviews, Hold Me Down was a commercial success and debuted at number five on the UK Albums Chart.
Contents |
On 11 November 2009, Josh Franceschi announced via his Twitter account that their second album was completed, and would be released in early 2010.[2] AbsolutePunk.net later announced the album would be titled Hold Me Down and would be released through Virgin Records on 11 January 2010.[3] In interviews leading up to the albums release Josh Franceschi stated the recording process took around 6–7 weeks, as opposed to the 2 weeks of its predecessor, Take Off Your Colours.[4]
They once again worked with Matt O'Grady (producer/engineer) and John Mitchell (mixer), as with their debut at Outhouse Studios in Reading, Berkshire. Bob Ludwig (Radiohead, The Rolling Stones and Pearl Jam) mastered the album after the band had sought a "record that sounded really big on CD".[4] Lyrically and musically, Franceschi believes the album is a step forward for the band: "Well I guess it's mature just because it really is for us, and my side of things, like we really kind of feel like we developed our sound a lot and we took all the good things, or the things we thought were good from Take Off Your Colours and developed them and developed our ideas. And we took a lot more time writing songs which I think was really important, the album like forming the way it did. I think it’s definitely a step in the right direction for our band".[4] He also stated that lyrics on the album were influenced by breaking up with his girlfriend during the last year, as well as problems he has with the modern music industry. "It was very therapeutic because it just kind of allowed me to write and say things that I’d wanted to say about like the music industry itself for a long, long time. I’m happier in the sense that I didn’t put in things that were kind of rude or could be taken wrongly. It’s nothing to do with journalists, is more to do with people involved in it and some of the girls that go to the shows and stuff. It is kind of not really what I want to have anything to do with, so that was really cool. I broke up with my girlfriend just before we went into record it, and so obviously I wanted to avoid writing just about that so I really did try and like look back on my life in the last 12 months and… so yeah… I that I think it worked out pretty well."[4]
The album also features guest vocals from Aled Phillips of Kids in Glass Houses on "There's No Such Thing as Accidental Infidelity" (misprinted as "Trophy Eyes" in the album's liner notes) and Sean Smith of The Blackout on first single, "The Consequence".[5] Prior to release the band stated they were very happy that the album "reflects our growth as people and musicians".[6]
The band announced that the first single from the album would be titled, "The Consequence", available for free digital download from their official website.[5][7] The free download was accompanied with a music video.[8] First official single, "Underdog" was confirmed by the band on their official website and received its first play on Nick Grimshaw's BBC Radio 1 show on December 17.[9] The video for "Underdog" was released through the band's MySpace page on 28 December 2009.[10]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
BBC Music | (mixed)[12] |
The Independent | (unfavorable)[13] |
In the News | 8/10[14] |
Kerrang! | KKKK[15] |
Metro | ![]() ![]() ![]() ![]() ![]() |
The Observer | (unfavorable)[17] |
Rock Sound | 8/10[18] |
The Skinny | ![]() ![]() ![]() ![]() ![]() |
Sputnikmusic | 3/5[20] |
Hold Me Down received mixed reviews from music critics upon its release, ranging from high praise to criticism in equal measure. Tim Newbound reviewed the album in the January 2010 edition of British magazine Rock Sound. He was largely favorable and awarded a score of 8/10. He made comparisons with New Found Glory's 2000 self-titled album; "the album boasts a glorious sense of youthful exuberance, arguably only bettered by their US peers New Found Glory's 2000 self-titled effort… These boys are far from copycats though. There are way too many melodic rock/pop-punk bands in the world who are happy to ride on the coattails of others; throughout Hold Me Down, You Me at Six have instead pushed themselves to create a record that will delight existing fans and should rightfully attract many more".[18] Kerrang! magazine were also favourable and gave the album an "excellent" four K rating. David McLaughlin stated that "this time around You Me at Six have spiked the mix and created a cocktail so sweetly addictive that the faithful might just have to get used to sharing this band with many more". He also complimented the bands progression by adding, "It's not so much that the songs themselves that impress, but rather how much it shows this band are growing".[15]
Joe Barton of The Skinny was less favourable however, only awarding two stars out of five. He lamented, "any of the dozen tracks of Hold Me Down, despite being flawlessly executed, could just as easily have been knocked out by teen-adored Hoobastank or Taking Back Sunday. That being said, this kind of music has a rabid audience. If they’d only been a few years older, though, they would have The Arctic Monkeys to idolise… you can’t help feeling these kids have been short-changed".[19] More unfavorable reviews also followed from British newspapers; Simon Price of The Independent bemoaned, "From the action-packed band name to the obligatory long song titles, from the witless blare of the vocals to the compressed blandness of the guitar sound, this is bog-standard emo ordinaire".[13] Kitty Empire of The Observer criticized the albums lack of originality; "Polished, punchy Hold Me Down is their second album, replete with bouncy dramas about loyalty, betrayal and other perils of young love. Its sole insight is contained in the song title 'There's No Such Thing As Accidental Infidelity'; not even the most fine-meshed musical sieve could unearth any originality here".[17]
BBC critic Raziq Rauf gave a mixed review, but was ultimately disappointed with Hold Me Down. He summarised his article by stating the album was, "simply a carefully polished and highly competent, nearly retrospective collection of pop-rock songs from a band that, even at a young age, has nothing to say that hasn't been said by others before them (and, unarguably, said better). As 'Fireworks' closes the album, Franceschi moans about a girl who blew her chance; you can’t help but think You Me At Six, in such a privileged position, have done the same".[12] A staff reviewer for Sputnikmusic was more favorable, awarding a "good" three out of five score. Despite criticizing an "Americanised" sound, the review offered praise to the bands progression; "Josh Franceschi’s vocals have clearly improved from the occasionally whiny attributes of his past, while the music on show has a much fuller sound. Thankfully, the better songs still have a multitude of hooks to keep you singing along and there is nothing downright awful included. It is just hoped that next time around, these strengths can be coupled with greater imagination and ambition".[20] Arwa Haider of British newspaper Metro, also awarded the album three stars out of five. Although stating the band have "stuck to a formula", she praised the "assured performances". She wrote, "Admittedly, their angry outbursts (Safer To Hate Her) and cod-American drawling stick to a well-worn formula but it’s one spiced up with ample punch, pop and prettiness".[16]
Ben Brady, journalist for In the News gave a glowing review for the album. Awarding a score of 8/10, he complimented the albums direction; "Debut offering Take Off Your Colours was a good album, with pieces of great, however tracks swayed between pop punk and rock and to listen to the LP in full it didn't always have a clear direction. With their second full studio effort, that direction has been discovered as the heavier elements start to show through, while maintaining the catchy crowd pleasing sing alongs; as an example, the slightly predictable nature of first single 'Underdog' demonstrates there is something here for everyone".[14] Niki Boyle of Scottish newspaper The List was also more favourable. Scoring the album at 3/5, she stated, "Chances are, if you liked YMA6’s first effort Take Off Your Colours, you’ll find plenty to like here. Spiky pop-punk riffs, catchy choruses and guest vocalists from The Blackout and Kids in Glass Houses ensure there’s nothing to disappoint the fans".[21]
All lyrics written by Josh Franceschi, all music composed by You Me at Six[22].
No. | Title | Length | |
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1. | "The Consequence" (feat. Sean Smith of The Blackout) | 4:27 | |
2. | "Underdog" | 2:23 | |
3. | "Playing the Blame Game" | 3:06 | |
4. | "Stay with Me" | 3:15 | |
5. | "Safer to Hate Her" | 3:18 | |
6. | "Take Your Breath Away" | 3:03 | |
7. | "Liquid Confidence (Nothing to Lose)" | 3:12 | |
8. | "Hard to Swallow" | 3:25 | |
9. | "Contagious Chemistry" | 3:30 | |
10. | "There's No Such Thing as Accidental Infidelity" (feat. Aled Phillips of Kids In Glass Houses) | 3:47 | |
11. | "Trophy Eyes" | 2:51 | |
12. | "Fireworks" | 4:20 | |
Total length:
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43:31 |
iTunes bonus track | ||||||||||
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No. | Title | Length | ||||||||
13. | "My Head's a Prison and Nobody Visits" | 3:20 |
The following personnel contributed to Hold Me Down:[22]
You Me at Six [link]
Additional musicians [link]
Production [link]
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Charts [link]
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Certifications [link]
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Region | Date | Label | Format | Catalogue # | Ref. |
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United Kingdom | January 11, 2010 | Virgin Records | Digital Download, Compact Disc | CDV3071 | [24] |
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Danity Kane is the self-titled debut album by American R&B/pop group Danity Kane, released by Bad Boy Records on August 22, 2006 in the United States and by Atlantic Records on November 11, 2006 in Germany and Switzerland.
The album involves production from executive-producer Sean Combs and Bad Boy vice president Harve Pierre, the album features production by Timbaland, Danja, Rodney "Darkchild" Jerkins, Mario Winans, Bryan Michael Cox, Rami, Ryan Leslie, Scott Storch and Jim Jonsin.
The album sold over 109,000 copies in its first day of release, eventually selling 234,662 copies in its first week according to Hits Daily Double, placing it at number one on the U.S. Billboard 200 albums chart. According to Soundscan, the album has sold over 935,000 copies to date. In early 2007, it was certified Platinum for over one million copies shipped domestically. The album is currently Danity Kane's best-selling album.
The band's debut lead single from the album was "Show Stopper" with Yung Joc. The song was followed by the moderately successful ballad, "Ride for You". The label wanted to release "Hold Me Down" as the third single, however the band lobbied for "Right Now" or "Want It". No definitive answer surfaced for the lack of singles on the debut album but this is attributed to management issues with the next single decision and the less than stellar chart performance of "Ride for You". Further singles were cancelled and Danity Kane returned to the studio in 2007 to record new material for their sophomore album.
Göd (Hungarian pronunciation: [ˈɡød]) is a small town in Pest County, Hungary.
The town is located to the North East of Budapest.
Göd is famous for its thriving tourism. It has a thermal spa open almost 365 days a year with its water already declared as rich in minerals.
Next to the motorway 2/A (connecting Göd to Budapest) Göd is the second town to the north of Budapest, and the first one without large socialist-era housing estates. That is, the green belt around Budapest starts with Göd in fact on the left side of the Danube River.
Göd is connected to Budapest (via Dunakeszi, southbound) and to Vác (via Sződliget, northbound) by railway and public roads. On an average weekday, there are buses and trains every 30 minutes to both directions. Vác is 15 minutes by car and by train, and 25 minutes by bus. Western Railway Station (Budapest) is 30 minutes by train. Because of these benefits, Göd is sometimes categorized as a dormitory town, as many commuters seem to come home from the city only to sleep. Nevertheless, Göd has a vivid social life: civil organizations, churches, galleries, clubs, monthly newspaper, etc. that makes the town different from an average dormitory town.
The name of God used most often in the Hebrew Bible is the Tetragrammaton YHWH (Hebrew: יהוה). It is frequently anglicized as Jehovah and Yahweh and written in most editions of the Bible as "the Lord" owing to the Jewish tradition of reading it as Adonai ("My Lords") out of respect.
Rabbinic Judaism describes seven names which are so holy that, once written, should not be erased: YHWH, El ("God"), Elohim ("Gods"), Eloah ("God"), El Shaddai, and Tzevaot or Sabaoth ("Of Hosts"). Other names are considered mere epithets or titles reflecting different aspects of God, but chumrah sometimes dictates especial care such as the writing of "G-d" instead of "God" in English or saying Ṭēt-Vav (טו, lit. "9-6") instead of Yōd-Hē (יה, lit. "10-5" but also "Jah") for the number fifteen in Hebrew.
The documentary hypothesis proposes that the Torah was compiled from various original sources, two of which (the Jahwist and the Elohist) are named for their usual names for God (YHWH and Elohim respectively).
GD, Gd, or gd may refer to: