Hold Back the Dawn is a 1941 romantic film in which a Romanian gigolo marries an American woman in Mexico in order to gain entry to the United States, but winds up falling in love with her. It stars Charles Boyer, Olivia de Havilland, Paulette Goddard, Victor Francen, Walter Abel, Curt Bois and Rosemary DeCamp.
The movie was adapted by Charles Brackett and Billy Wilder from the book by Ketti Frings. It was directed by Mitchell Leisen.
It was nominated for Academy Awards for Best Picture, Best Actress in a Leading Role (Olivia de Havilland), Best Writing, Screenplay, Best Art Direction-Interior Decoration, Black-and-White, Best Cinematography, Black-and-White, and Best Music, Scoring of a Dramatic Picture.
Georges Iscovescu (Boyer) recounts his story to a Hollywood film director at Paramount. He is a Romanian-born gigolo who arrived in a Mexican border town seeking entry to the US. He endures a waiting period to obtain a quota number of up to eight years with other hopeful immigrants in the Esperanza Hotel. After six months he is broke and unhappy. He runs into his former professional "dance partner" Anita Dixon (Goddard) who explains she obtained US residency by marrying an American, who she then quickly divorced.
Dawn is the time that marks the beginning of the twilight before sunrise.
Dawn may also refer to:
The Dawn (German: Morgenröte – Gedanken über die moralischen Vorurteile; historical orthography: Morgenröthe – Gedanken über die moralischen Vorurtheile) is a 1881 book by the German philosopher Friedrich Nietzsche (also translated as "The Dawn of Day" and Daybreak: Thoughts on the Prejudices of Morality).
Nietzsche de-emphasizes the role of hedonism as a motivator and accentuates the role of a "feeling of power." His relativism, both moral and cultural, and his critique of Christianity also reaches greater maturity. In Daybreak Nietzsche devoted a lengthy passage to his criticism of Christian biblical exegesis, including its arbitrary interpretation of objects and images in the Old Testament as prefigurements of Christ's crucifixion.
The polemical, antagonistic and informal style of this aphoristic book—when compared to Nietzsche's later treatments of morality—seems most of all to invite a particular experience. In this text Nietzsche was either not effective at, or not concerned with, persuading his readers to accept any specific point of view. Yet the discerning reader can note here the prefigurations of many of the ideas more fully developed in his later books. For example, the materialism espoused in this book might seem reducible to a naive scientific objectivism which reduces all phenomena to their natural, mechanical causes. Yet that is very straightforwardly not Nietzsche's strongest perspective, perhaps traditionally most well-expressed in The Gay Science.
The Dawn: A Journal for Australian Women was an early feminist journal published monthly in Sydney, Australia between 1888 and 1905. It was first published 15 May 1888 by Louisa Lawson using the pen name of Dora Falconer. The subtitle was later changed to A Journal for the Household. It became the official publication of the Australian Federation of Women Voters.
Louisa Lawson left her husband in 1883 and relocated her family to Sydney. There she supported her children through various jobs, including working as a seamstress and running a boarding house. During this period she was introduced to women's suffrage. In 1887 she purchased the Republican, a journal dedicated to Australian independence and, the following year, in 1888, she founded the Dawn.
From the outset the Dawn was intended as a mouthpiece for women. In the first edition, Louisa Lawson, writing under the name of Dora Falconer, wrote:
Nevertheless, the Dawn soon hit opposition: the Dawn was produced by an all-women team of editors and printers, and this fact angered trade unionists in the New South Wales Typographical Association, in part because women were paid substantially less than men. In fighting the Dawn, the association argued that the discrepancies in pay were such that men would be unable to compete, as women would be "… able to work for half the wages a man would require to keep himself and family in comfort and respectability", as well as arguing that the work was too dangerous for women to engage in. The association attempted to boycott the publication, and at one stage a member visited their offices to "harangue the staff" – only to be removed after having had a bucket of water thrown on them by Lawson. Lawson won the battle through patience and "stern resistance" – eventually the boycott lost momentum, and the Dawn continued as it had before.
The sun was going down
Over Echo Park
Wet raven hair
Glowing in the dark
And that's when the fever would rise
And lord what a look in her eyes
From the moment that she blows out the light
We'd be lost in the forever night
Chorus:
Hold back the dawn
Hold back the dawn
Won't you raise up your hand
And hold back the dawn
I dreamt if I could lay you upon this
bed of straw
We may break the rules but we don't
break the law
Come across but the river's too wide
Come across but the river's too high
Over by the fountain where we meet
I will lay silver roses at your feet
Chorus
Now I have seen a painting
Old and hanging in a frame
And that painting was of you
Now how can you explain
From another place in time
Done many years ago
Why I'm haunted by this vision
Guess we'll never know
Then she turned and whispered in my ear
Can you feel my heart beat
Chorus
Won't you raise
Won't you raise up
Won't you raise up your hand
And hold back the dawn