Kim Carnes (born July 20, 1945) is a two-time Grammy Award winning American singer-songwriter. Born in Los Angeles, California, Carnes now resides in Nashville, Tennessee, where she continues to write music. She began her career as a songwriter in the 1960s, writing for other artists while performing in local clubs and working as a session background singer with the famed Waters sisters (featured in the documentary, 20 Feet from Stardom). After she signed her first publishing deal with Jimmy Bowen, she released her debut album Rest on Me in 1972.
As a solo artist, Carnes saw some success with her singles "More Love," "Crazy in the Night (Barking at Airplanes)," "Make No Mistake (He's Mine)," with Barbra Streisand, and "I'll Be Here Where the Heart Is." Her most successful single was "Bette Davis Eyes," released in 1981. The song won two Grammy Awards; Song of the Year and Record of the Year, and became the best-selling single of the year in the United States.
Carnes' self-titled debut album primarily contained self-penned songs, including her first charting single "You're a Part of Me", which reached number thirty-five on the Billboard Adult Contemporary chart in 1975. In the following year, Carnes released Sailin', which featured "Love Comes from Unexpected Places". The song won the American Song Festival and the award for Best Composition at the Tokyo Song Festival in 1976. Other successes as a songwriter include co-writing the number one duet "The Heart Won't Lie" with Donna Weiss, recorded by Vince Gill and Reba McEntire, and co-writing the songs for Kenny Rogers' concept album Gideon (1980).
Kim Carnes is the second studio album by Kim Carnes, released in 1975 (see 1975 in music).
"You're a Part of Me" (solo version) peaked Adult Contemporary #32 (1976) on Billboard charts. It was the very first Kim Carnes hit. Although this album hasn't been released on CD, eight of the album's eleven songs can be found on the European CD "Master Series".
Hit-and-run is the act of causing (or contributing to) a traffic crash (such as colliding with a person or a fixture), and failing to stop and identify oneself afterwards. It is considered a crime in most jurisdictions.
In many jurisdictions there may be an additional obligation to exchange information about one's financial responsibility (including any applicable insurance) or to summon emergency services if they are needed. There may also be requirement to leave a note containing pertinent information if the property owner is not present.
Hit-and-run laws arose from the difficulties that early traffic collision victims faced in identifying perpetrators so that they could be brought to justice. Apart from the obvious ability of an automobile to flee the scene quickly (if still driveable), drivers often wore driving goggles, vehicles at the time did not have license plates, and roads were unpaved and thus quite dusty.
Hit-and-run has severe legal consequences, including the suspension or cancellation of one's driver's license (lifetime revocation of a driver's license is possible in certain jurisdictions). It is frequently considered a criminal offense which can be punished by imprisonment. Insurance companies often void the policies of drivers involved in this offense.
A hit and run is a high risk, high reward offensive strategy used in baseball. It uses a stolen base attempt to try to place the defending infielders out of position for an attempted base hit.
The hit and run was introduced to baseball by Ned Hanlon, who was often referred to as "The Father of Modern Baseball", at the beginning of the 1894 season of the National League, as part of what came to be called "inside baseball". Hanlon was manager of the Baltimore Orioles at the time. His team developed the hit and run along with other tactics during spring training at Macon, Georgia. After its implementation in the season's series opener against the New York Giants, the opposing manager objected to its use; however, it was deemed acceptable.
The hit and run relies on the positioning of the defensive players in the infield. The first and third basemen normally stand close to the lines, generally near their bases but slightly closer to home plate. The second baseman and shortstop stand on either side of second base, covering the areas between first and second, and second and third, respectively. Second base itself is not directly covered, as the pitcher can field batted balls in this direction.
Hit-and-run tactics is a tactical doctrine where the purpose of the combat involved is not to seize control of territory, but to inflict damage on a target and immediately exit the area to avoid the enemy's defense and/or retaliation. Such raids are meant to have a psychological effect on the enemy's morale.
Hit-and-run tactics are used in guerrilla warfare, militant resistance movements and terrorism where the enemy typically overmatches the attacking force to the point where sustained combat is to be avoided. However, the tactics can also be used as part of more conventional warfare. Examples of the latter include commando or other special forces attacks or sorties from a besieged castle. Hit-and-run tactics were also where the lightly armed and nearly unarmored horse archers typical of the Eurasian steppe peoples excelled. This holds especially true for such troops that were not part of a large army (such as scouting parties), but it was not unusual to see them employed in such a way even as part of a major force.
A familiar story
A sad affair of the heart
We spend all this time
Trying to find
The glow in the dark
Gentle changes
The eyes still look the same
A familiar heartbeat
I go weak
When you walk in
I'm hangin' on by a thread
Too many voices in my ear
Too many memories locked in here
I'm hangin' on by a thread
Too many voices in my ear
We hurt each other
And wonder why
We lie broken in two
I was dreamin'
You were here with me
And through a open window
We could look through
Straight to the sea
I'm hangin' on by a thread
Too many voices in my ear
Too many memories locked in here
I'm hangin' on by a thread
Too many voices in my ear
We hurt each other
And wonder why
We lie broken in two
And if I lose you now