Feint is a French term that entered English via the discipline of swordsmanship and fencing. Feints are maneuvers designed to distract or mislead, done by giving the impression that a certain maneuver will take place, while in fact another, or even none, will. In military tactics and many types of combat, there are two types of feints: feint attacks and feint retreats.
A feint attack is designed to draw defensive action towards the point under assault. It is usually used as a diversion to force the enemy to concentrate more manpower in a given area, to weaken the opposing force in another area. Unlike a related diversionary maneuver, the demonstration, a feint involves actual contact with the enemy.
A feint retreat is performed by briefly engaging the enemy, then retreating. It is intended to draw the enemy pursuit into a prepared ambush, or to cause disarray. For example, the Battle of Hastings was lost when Saxons pursued the Norman cavalry. This forfeited the advantage of height and the line was broken, providing the opportunity to fight in single handed combat on a neutral vantage point, a battle for which the Saxons were not ready. The Parthian shot is another example of a feint retreat, where mounted Parthian archers would retreat from a battle and then, while still riding, turn their bodies back to shoot at the pursuing enemy.
The Phantom Agony is the first full-length studio album by Dutch symphonic metal band Epica. It was released in 2003 by the Dutch label Transmission Records. It is the first album recorded by guitarist Mark Jansen after his departure from the band After Forever. On this album, Mark Jansen continues with the collection of songs that make up "The Embrace That Smothers". The first three parts can be found on Prison of Desire (2000), After Forever's debut album, and the following three parts can be found on The Divine Conspiracy (2007), Epica's third album. These songs deal with the dangers of organized religion.
The album was re-released on 23 March 2013, which coincided with Epica’s 10th anniversary Retrospect show, as a 2-disc expanded edition by Epica’s former record label Transmission Records.
"The Phantom Agony" was the first single of the eponymous album. It was released in October 2003.
Hindsight bias, also known as the knew-it-all-along effect or creeping determinism, is the inclination, after an event has occurred, to see the event as having been predictable, despite there having been little or no objective basis for predicting it. It is a multifaceted phenomenon that can affect different stages of designs, processes, contexts, and situations. Hindsight bias may cause memory distortion, where the recollection and reconstruction of content can lead to false theoretical outcomes. It has been suggested that the effect can cause extreme methodological problems while trying to analyze, understand, and interpret results in experimental studies. A basic example of the hindsight bias is when, after viewing the outcome of a potentially unforeseeable event, a person believes he or she "knew it all along". Such examples are present in the writings of historians describing outcomes of battles, physicians recalling clinical trials, and in judicial systems trying to attribute responsibility and predictability of accidents.
Hindsight bias is the inclination to see past events as being predictable and reasonable.
Hindsight may also refer to:
Hindsight (Hangul: 푸른소금; RR: Pureun Sogeum, lit. Blue Salt) is a 2011 South Korean film by Lee Hyun-seung, his first after a ten-year hiatus. The film is about a hitwoman who struggles with her feelings for the underworld boss who is her target. The film deals with issues of age difference, and the Korean underworld. It stars Song Kang-ho and Shin Se-kyung, and premiered at the 16th Busan International Film Festival. The film received a total of 763,776 admissions nationwide.
Busan, South Korea, the present day. Legendary retired gangster Yoon Doo-hun (Song Kang-ho) dreams of opening a restaurant, and enrolls in a cooking class, where he gets to know Jo Se-bin (Shin Se-kyung). Doo-hun then hears that his former boss, Man-gil, has died after being hit by a car; the gang's members need to find Man-gil's will to see whom he nominated as his successor, though most of them expect it is Doo-hun. Meanwhile, Se-bin's roommate Lee Eun-jung (Esom) has become indebted to some Haeundae moneylenders, who force Se-bin, in return, to spy on Doo-hun. After Eun-jung steals a suitcase containing cocaine from the moneylenders, Se-bin is ordered to kill Doo-hun but can't bring herself to do it. Instead, Eun-jung tries to run him over with a car and subsequently disappears. Doo-hun survives and takes over as head of his old gang, intent on discovering who killed Man-gil. Among various problems, he has to contend with Baek Kyung-min (Lee Jong-hyuk), an ambitious young member of the gang, and his continuing relationship with Se-bin, who is under pressure from assassination agency head Madame Kang (Youn Yuh-jung) to kill him.