High (David Hallyday song)
"High" is a 1988 song recorded by French artist David Hallyday. It was the second of the four singles from his debut studio album True Cool. Released in November 1988, the song was a hit in France, becoming David Hallyday's first number-one single.
Song information
The song was composed by Lisa Catherine Cohen and the music composed by the singer himself. As for the rest of the album, lyrics are in English-language. The music video was shot in a church, Hallyday playing the organ, while a chorus composed of women chanted 'high' during the refrains. With this vigorous song, Hallyday presents "a musical style at the joint of Californian rock and pop".
In France, the single debuted on the singles chart at #45 on November 19, 1988, climbed quickly and entered the top ten in its fourth week. It topped the chart for five consecutive weeks, then almost didn't stop to drop on the chart and totaled 15 weeks in the top ten and 23 weeks in the top 50. Although it was not certified by the SNEP, the French certifier, its sales made the song the 440th best-selling single of all time in France. The song was the most successful from the album True Cool and the second one in Hallyday's career, behind "Tu ne m'as pas laissé le temps".
High (The Blue Nile album)
High is the fourth studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.
"Soul Boy" had already been recorded by former Spice Girl Melanie C for her album Reason the previous year.
Critical reception
The album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon."The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace."
High (Knut Anders Sørum song)
"High" was the Norwegian entry in the Eurovision Song Contest 2004, performed in English by Knut Anders Sørum.
The song is a dramatic ballad, with Sørum expressing his desire to bring an unnamed person "high". The lyrics suggest that this person has been beset by problems, and that Sørum believes he can go some way to curing them.
As Norway had finished the Eurovision Song Contest 2003 in the top 10, the song was pre-qualified for the final. Here, it was performed third, following Austria's Tie Break with "Du bist" and preceding France's Jonatan Cerrada with "À chaque pas". At the close of voting, it had received 3 points, placing 24th (last) in a field of 24, thus requiring Norway to qualify through the semi-final at the next Contest.
The low score, and long wait before Norway scored any points at all, led Australian commentator Des Mangan to jokingly offer money for anyone prepared to vote for the country. Initially, this was "a thousand bucks", later climbing to "ten thousand bucks and my house". Mangan explained during this commentary that he did not want Norway to further extend its unwanted record of failing to record a point on the most occasions.
Access
Access may refer to: getting in
Companies and organizations
Computer software
Access (company)
ACCESS CO., LTD. (株式会社ACCESS, Kabushiki-gaisha Akusesu), founded in April 1979 and incorporated in February 1984 in Tokyo, Japan, by Arakawa Toru and Kamada Tomihisa, is a company providing a variety of software for connected and mobile devices, such as mobile phones, PDAs, video game consoles and set top boxes.
The company has gained wide recognition for its NetFront software series, which has been deployed in over 1 billion devices, representing over 2,000 models, as of the end of January 2011, and which has been used as a principal element of the widely successful i-mode data service of NTT DoCoMo in Japan. NetFront is also used by a large number of consumer electronic devices beyond mobile phones, such as the Sony PSP and the Amazon Kindle, both of which have their web browsers powered by NetFront. In addition, the NetFront Browser and related products are used on a wide variety of mobile phones, including those from Nokia, Samsung, LG Corp., Motorola, Sony Ericsson, and others.
Access (credit card)
Access was a British and Irish credit card brand used by three of the big four UK banks plus a couple of other banks between 1972 and 1996. It was established by a consortium of banks in the UK to rival the already established Barclaycard. It became defunct in 1996 when it was taken over by Mastercard.
History
The Access card was introduced in the United Kingdom on 23 October 1972 by a consortium consisting of the National Westminster Bank, the Midland Bank, Lloyds Bank and the National and Commercial Banking Group, as a rival to the established Barclaycard. It was also issued in Northern Ireland and the Republic of Ireland by Ulster Bank, a subsidiary of NatWest, Northern Bank, then a subsidiary of Midland; and Bank of Ireland, which was otherwise unconnected to the founder banks.
The card scheme was run from several offices in Southend-on-Sea in Essex, England, by the Joint Credit Card Company with the main site being located at Priory Crescent, the former home of Ekco. It participated in the Eurocard/MasterCard systems. Europay International has since been taken over by MasterCard International.
Pink Floyd bootleg recordings
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.
Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.
Podcasts:
