Hideko Takamine (高峰 秀子, Takamine Hideko, March 27, 1924 – December 28, 2010) was a Japanese actress who began as a child actor and maintained her fame in a career that spanned half a century.
Takamine was born in Hakodate, Hokkaidō in 1924. Her first role was in the Shochiku studio's 1929 film Mother (Haha), which brought her tremendous popularity as a child actor. Soon she was billed as Japan's Shirley Temple. After moving to the Toho studio in 1937, her dramatic roles in Kajirō Yamamoto's Tsuzurikata kyōshitsu and Uma brought her added fame as a girl star. Some of her film appearances from the 1930s and 1940s were lost during the Second World War when Japan's film archives were damaged by bombing and fires.
In 1950, she made what was considered a very daring move by breaking with the Japanese studio system, leaving the Shin Toho Studio and becoming a much sought-after freelance actress. Her films with directors Keisuke Kinoshita and Mikio Naruse during the 1950s and early 1960s made her Japan's top star. Her performance as a dedicated small town teacher observing her students' lives over several decades in Kinoshita's The Twenty-four Eyes (1954) is credited with that film's tremendous success and enduring popularity in Japan. Another powerful performance was as a tenant farmer's daughter who is raped and forced to marry the cruel landlord's crippled son in the 1961 film Immortal Love.