Hey

Hey or Hey! may refer to:

Interjection

Music

Albums

Songs

Hey! (Julio Iglesias album)

Hey! is an album by Julio Iglesias. It was released in 1980 by Columbia Records. The album hit number one worldwide, and sales of the Spanish version purportedly surpassed 20 million. In 1981, Iglesias was nominated for a Grammy Award for the album under the Latin Pop Album category.

Track listing

Sales and certifications

References

External links

Hey! (Jullie album)

Hey! is the debut studio album by Brazilian recording artist Jullie. It was released on September 22, 2009 by Deckdisc. After writing songs for several established acts, Jullie released this album. The main theme of the songs is girl power. The songs are mostly inspired by Jullie's love of youth, rebellion, and discover who you are in 4.modern lifestyle. Musically, the album drew inspiration from pop and pop rock influenced by singers like Lily Allen, Madonna, Alanis Morissette, and its main reference, Katy Perry, directed to a feminist position. The album was praised by the young, calling Jullie as "Brazilian Katy Perry" for his music style and way of dressing. The first single "Alice" was released in April and the second single "Hey!" was released in November, 2009.

Track listing

References

External links

Lost Dogs (album)

Lost Dogs is a two-disc compilation album by the American alternative rock band Pearl Jam, released on November 11, 2003 through Epic Records. The album has been certified gold by the RIAA in the United States.

Overview

Lost Dogs is a double-disc collection of B-sides and other released and unreleased rarities. Lost Dogs sold 89,500 copies in its first week of release and debuted at number fifteen on the Billboard 200 chart. Lost Dogs has been certified gold by the RIAA.

A number of songs included on Lost Dogs differ from the originally released versions, including "Alone", "U", "Wash", and "Dirty Frank". The album includes the hidden track "4/20/02" at the end of disc two, a tribute to Alice in Chains frontman Layne Staley. It was written by vocalist Eddie Vedder during the recording sessions for Riot Act on the day that he heard the news of Staley's death. The song features only Vedder singing and playing the guitar in a ukulele-inspired tuning. According to Vedder, the reason why it was not included on Riot Act was that the band already had too many songs. According to guitarist Mike McCready, the reason the song was only featured as a hidden track on Lost Dogs is because Vedder "wouldn't want it to be exploitative."

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.

Sad (Maroon 5 song)

"Sad" is the ninth track from American band Maroon 5's fourth studio album Overexposed (2012). It was written by Adam Levine and James Valentine; they produced the song together with Noah "Mailbox" Passovoy. Valentine started composing the song on his home piano, before introducing the melody to Levine, who wrote the lyrics and called the song his most personal track on the album. "Sad" is a piano ballad that is similar to the works by British singer-songwriter Adele. It received generally mixed reviews from music critics; some of them called it a standout track on Overexposed, however, others criticized Levine's voice on the song. Following the release of the album, due to strong digital downloads, the song peaked at number 12 on the singles chart in South Korea.

Background and production

It was kinda cool and like the chords to the verse and I just sang that melody. I sang that melody and there weren't any words; it was just kind of a melody. I recorded it on my phone and didn't even think about it.