"Here Comes the Sun" | ||||||||
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Song by The Beatles from the album Abbey Road | ||||||||
Released | 26 September 1969 | |||||||
Recorded | 7 July – 19 August 1969 | |||||||
Genre | Folk rock, pop rock | |||||||
Length | 3:05 | |||||||
Label | Apple | |||||||
Writer | George Harrison | |||||||
Producer | George Martin | |||||||
Abbey Road track listing | ||||||||
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"Here Comes the Sun" is a song by George Harrison from The Beatles' 1969 album Abbey Road.
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"Here Comes the Sun" is one of Harrison's best-known Beatles contributions alongside "Something" and "While My Guitar Gently Weeps". The year 1969 was a difficult one for Harrison: he was arrested for marijuana possession, he had his tonsils removed, and he had quit the band temporarily.
Harrison stated in his autobiography:
"Here Comes the Sun" was written at the time when Apple was getting like school, where we had to go and be businessmen: 'Sign this' and 'sign that'. Anyway, it seems as if winter in England goes on forever, by the time spring comes you really deserve it. So one day I decided I was going to sag off Apple and I went over to Eric Clapton's house. The relief of not having to go see all those dopey accountants was wonderful, and I walked around the garden with one of Eric's acoustic guitars and wrote "Here Comes the Sun".[1]
There is a lost photo from the Anthology 3 of Harrison working on the song, with the capo on the seventh fret.
As Clapton states in his own autobiography, the house in question is known as 'Hurtwood'.
The song is in A chromatic-minor with an A tonic major chord.[2] The refrain uses an IV (D chord) to V of V (E chord) progression (the reverse of that used in "Eight Days a Week" and "Sgt. Pepper's Lonely Hearts Club Band").[3] The melody in the verse and refrain basically follows the pentatonic scale from E up to C♯ (scale steps 5, 6, 1, 2, 3).[4]
One feature is the increasing syncopation in the vocal parts.[5] Another feature is the guitar flat-picking that embellishes the E7 (V7) chord from 2.03-2.11 secs, creating tension for resolution on the tonic A chord at "Little darlin'".[6] The bridge involves a ♭III-♭VII-IV-I-V7 triple descending 4th (or Tri-Plagal) progression (with an extra V7) as the vocals move from "Sun" (♭III or C chord) "sun" (♭VII or G chord) "sun" (IV or D chord) to "comes" (I or A chord) and the additional 4th descent to a V7 (E7) chord.[7] The lyric here ("Sun, sun, sun , here it comes") has been described as taking "on the quality of a meditator's mantra." [8] The song also features extreme 4/4 (in the verse) and 7/8 with 11/8 (in the bridge) phrasing interludes which Harrison drew from Indian music influences.[3][9] In the second verse (0.59-1.13) the Moog synthesizer doubles the solo guitar line and in the third verse the Moog adds an obligato line an octave above.[5] The last four bars (2.54-3.04) justaxpose the guitar break with a rehearing of the bridge.[5]
Harrison, Paul McCartney and Ringo Starr recorded the rhythm track in 13 takes on 7 July 1969. John Lennon did not contribute to the song as he was recovering from a car crash.[10] Towards the end of the session Harrison spent an hour re-recording his acoustic guitar part. He capoed his guitar on the 7th fret, resulting in the final key of A major (in fact, slightly above A major due to the track being varispeeded by less than a semitone). He also used the same technique on his 1965 song "If I Needed Someone," which shares a similar melodic pattern. The following day he taped his lead vocals, and he and McCartney recorded their backing vocals twice to give a fuller sound.[5]
A harmonium and handclaps were added on 16 July. Harrison added an electric guitar run through a Leslie speaker on 6 August, and the orchestral parts (Martin's score for two piccolos, two flutes, two alto flutes and two clarinets) were added on 15 August. "Here Comes the Sun" was completed four days later with the addition of Harrison's Moog synthesizer part.[11]
The master tapes reveal that Harrison recorded a guitar solo that was not included in the final mix.[12]
Astronomer and science popularizer Carl Sagan had wanted the song to be included on the Voyager Golden Record, copies of which were attached to both spacecraft of the Voyager program to provide any entity that recovered them a representative sample of human civilization. Although The Beatles favoured the idea, EMI refused to release the rights and when the probes were launched in 1977 the song was not included.[13]
The song was covered by Peter Tosh in 1970 and released as a single, though was not widely available until its inclusion on Can't Blame The Youth in 2004. American folk singer Richie Havens saw his 1971 version reach number 16 in the US.[citation needed] The most successful UK cover was by Steve Harley, who reached number 10 with the song in 1976.[14] Swedish metal band Ghost also featured a cover on the Japanese edition of their debut album Opus Eponymous. We Five released a version on their 1970 album, Catch the Wind.[15] Nina Simone recorded "Here Comes the Sun" as the title track to her 1971 cover album.[16] In 2012, Gary Barlow recorded a version to be used in an advertising campaign for the British retail firm Marks & Spencer.
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Here Comes the Sun is a 1993 science-fiction comedy novel by Tom Holt. The book was published in the UK by Orbit Books and is Holt's first comic science fiction novel.
Mechanical failures begin to trouble the Sun, making it hard for its driver to complete his rounds. The sun is in need of maintenance, and other things are breaking down all over the universe. Fresh ideas are needed. Jane, a mortal and a management trainee, is brought in the sort it all.
Critical reception for the novel was mixed, with SF Crowsnest praising Holt's dialogue, saying he has "the ability to make the reader laugh out loud and should be treasured".
Here Comes the Sun is an album by jazz singer-pianist Nina Simone, consisting of cover versions of songs by pop and rock musicians.
It features songs recorded in the RCA studios with a full orchestra and backing vocals. Although Simone covers songs by Bob Dylan and The Beatles, among others, most of the versions feature arrangements substantially different from the original recordings. This is most clearly in the final song "My Way", which with its fast pacing rhythm deviates significantly from the usual interpretations.
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