Herakles' Children

Herakles' Children (Ancient Greek: Ἡρακλεῖδαι, Hērakleidai; also translated as Children of Herakles and Heracleidae) is an Athenian tragedy by Euripides that was first performed c. 430 BC. It follows the children of Herakles (known as the Heracleidae) as they seek protection from Eurystheus. It is the first of two surviving tragedies by Euripides where the children of Herakles are suppliants (the second being Herakles).

Background

Eurystheus was responsible for many of the troubles of Herakles. In order to prevent the children of Herakles from taking revenge on him, he sought to kill them. They flee under the protection of Iolaus, Herakles' close friend and nephew.

Plot synopsis

The play begins at the altar of Zeus at Athens (N.B. Not Marathon, as generally assumed). The herald Copreus, in the employ of King Eurystheus of Mycenae, attempts to seize the children of Herakles, together with Herakles's old friend, Iolaus. When King Demophon, son of Theseus, insists that Iolaus and Herakles's children are under his protection, Copreus threatens to return with an army. Demophon is prepared to protect the children even at the cost of fighting a war against Eurystheus, but after consulting the oracles, he learns that the Athenians will be victorious only if they sacrifice a maiden of noble birth to Persephone. Demophon tells Iolaus that as much as he would like to help, he will not sacrifice his own child or force any of the Athenians to do so. Iolaus, realizing that he and the children will have to leave Athens and seek refuge elsewhere, despairs.

Play

Play may refer to:

In literature and publications

In films

In television

Play (Joanna MacGregor album)

Play is a 2002 album by Joanna MacGregor. The album was released on the SoundCircus label and was a nominee for the Mercury Music Prize.

References

Play (Robyn song)

"Play" is a song by Swedish recording artist Robyn from her second studio album My Truth (1999). Robyn wrote the track in collaboration with Ulf Lindström and Johan Ekhé, who also helmed production. BMG Sweden released it as the album's second single on 21 July 1999 with the non-album song "Good Thang" as its B-side. Musically, "Play" contains some world music influences and a "playful" vibe.

"Play" received positive critical response and became Robyn's seventh consecutive top 40 entry on the Sverigetopplistan singles chart, where it peaked at number 31. The singer performed the song live while promoting the parent album, but the single itself received limited promotion. As with the album, "Play" was not serviced outside of Sweden.

Background and composition

"Play" was written by Robyn, Ulf Lindström and Johan Ekhé. Lindström and Ekhé recorded Robyn's vocals and produced the track at Lifeline Studios in Stockholm, Sweden. Almnils Erson, Pär-Ola Claesson, Gunilla Markström and Olle Markström played the strings and Niklas Gabrielsson provided handclaps, while Lindström and Ekhé played all other instruments. The duo also managed arrangement and mixing; both these tasks were done at Lifeline Studios. Britta Bergström and Angela Holland sang backing vocals alongside Robyn. Björn Engelmann and Henrik Jonsson were enlisted to master the track at Cutting Room Studios in Stockholm.

Heracleidae

In Greek mythology, the Heracleidae (/hɛrəˈklaɪdiː/; Ancient Greek: Ἡρακλεῖδαι) or Heraclids /ˈhɛrəklɪdz/ were the numerous descendants of Heracles (Hercules), especially applied in a narrower sense to the descendants of Hyllus, the eldest of his four sons by Deianira (Hyllus was also sometimes thought of as Heracles' son by Melite.) Other Heracleidae included Macaria, Lamos, Manto, Bianor, Tlepolemus, and Telephus. These Heraclids were a group of Dorian kings who conquered the Peloponnesian kingdoms of Mycenae, Sparta and Argos; according to the literary tradition in Greek mythology, they claimed a right to rule through their ancestor. Since Karl Otfried Müller's Die Dorier (1830, English translation 1839), I. ch. 3, their rise to dominance has been associated with a "Dorian invasion". Though details of genealogy differ from one ancient author to another, the cultural significance of the mythic theme, that the descendants of Heracles, exiled after his death, returned after some generations in order to reclaim land that their ancestors had held in Mycenaean Greece, was to assert the primal legitimacy of a traditional ruling clan that traced its origin, thus its legitimacy, to Heracles.