A sequel is a narrative, documental, or other work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.
In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear in a number of stories. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not.
Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.
"Taxi" is a song written and performed by Harry Chapin from his 1972 album Heads and Tales. Chapin debuted the song on NBC's The Tonight Show Starring Johnny Carson in 1972, which was followed by many calls and telegrams sent from viewers to NBC demanding that Chapin return to the show. It was the first time in the show's history that host Johnny Carson brought a performer back the very next night for an encore performance. "Taxi" thus front-lined his defining work. The single helped establish Chapin's musical style and fame, and as a result, many Chapin items featured taxi-related imagery. Legendary WMEX-Boston Radio Personality Jim Connors is credited with a Gold record for discovering Chapin and pushing his single "Taxi" to #24 on the Billboard charts, where it would last 16 weeks on the Hot 100, in the United States. Billboard ranked it as the No. 85 song for 1972. In Canada, the song reached number three, and is ranked as the No. 37 song for 1972.
The song tells the story of Harry, a cab driver, on a rainy night in San Francisco. He picks up a woman, his last fare for the night, and she asks to be taken to her home at 16 Parkside Lane. Harry finds the woman familiar at first, but she doesn't seem to recognize him until after she looks at him in the rear-view mirror and at his license. It is then revealed that she is Sue, Harry's old lover.
A sequel is a work of fiction in literature, film, and other creative works that is produced after a completed work, and is set in the same "universe" but at a later time.
Sequel may also mean:
"Hell" is the first single by American rock band Disturbed from their first b-sides compilation album, The Lost Children.
The song was originally released as a b-side from their single "Stricken", off their third album Ten Thousand Fists. "Hell" was also released as a bonus track on the UK version of Ten Thousand Fists in 2005.
As a single in its own right, the song hit radio stations on October 11, 2011. Disturbed's frontman David Draiman stated on his Twitter page that there is no video shoot for the single. An audio-only recording is available on YouTube.
All songs written and composed by Disturbed.
This is an alphabetized list of notable .onion hidden services accessible through the Tor anonymity network. Most are considered dark web services. Defunct services are marked.
Hell is a surname. Notable people with the surname include:
(Eminem)
Yeah, told you we'd be back.
Welcome 2 Hell
VERSE ONE - Eminem
There's a switch, I flip, emotions cut off
So cold I done froze my butt off
And this ain't even the tip of the iceberg yet
It's like squirting a squirt gun in the ocean, fuck off
Other words I didn't put a dent in a can compared to the damage I've yet to do
Long as you still have feelings to hurt, I'll be around as long as you let me get to you
Long as I got two balls to palm, I'll be the bomb, you're just a false alarm
Get scared little pissants, and see if I don't come along and stop your farm
Thunder and lightning, rain, hail, sleet with a tornado's the kind of brainstorm I get
So when the wind starts blowing, shit, talking about goin' in?
Goin' insane's more like it!
Wizard of words when he he spits hazardous with it
Like a disastrous blizzard so you better listen quick fast don't miss it
Yeah go ahead little prick bastard, diss it
But when you get hit with a sick ass explicit flow
Don't ask how much of his passion is it that goes
Just know, that all he knows is this
It's better to kick ass than kiss it
Dick dastardly of audacity mental capacity
Unmatched it has to be stopped
But it can't be, but man I can't just keep doing them like that
Or no one will rap with me
'Cept one, you asked who is it?
VERSE TWO - Royce
Guess who just came through the blast, you bitches
With the ratchet, the book of Mathew, a book of matches
Lightning, I'm? white linen
You about to have to admit it
They pass you the mic, asked you to spit it
You got handed your own ass, your ass in your own hands
Sure they gonna laugh when you go the bathroom with it
Now with what would you come against us?
Better be something with a big foot pedagree
Easily these are the reasons that we need to be in your prayers
Each region breed some emcees that wanna be, which means they wanna breath our air
With these ideas, anybody thinkin' that the game don't need
The bad and the evil regime
That's like saying that bad boy piston team didn't need Isaiah
VERSE THREE - Eminem and Royce
(Eminem)
Sip piss and bleed, this is a different breed of emcees, I swear
Better be aware, there's too much at stake, and to find someone this raw on a beat is rare
You can kiss my ass and the shit stains on my underwear that I don't even wear
(Royce)
This gotta be no fair, this like hittin' the lottery, oh yeah
Who you know hotter? There gotta be no pair
Shotty that I got a lobotomy, your hair
Classic, smack it, smother it, read it and weep and perhaps you'll have no rebuttalin'
In fact, you seein' me in this rap is like saying Tila Tequila can sing like Jasmin Sullivan
(Eminem)
Back to badge her skull again, push a bitch out the Aston until I get the fuck outta dodge
Shouldn't have to explain my metaphors, ? color books that ain't colored in
Second and third, fourth wind, gotta another win
Here they come again, none other than, Bad and Evil
Also known as Sadam and Osama Bin
It's been a long time, but I bet neither one of us have felt as sick as we do right now
And we only get iller with time, me and Nickel fucking shit up on the grounds
Tellin' us to pipe down, it's like talking to a meth head (get it? pipe? meth head? oh hilarity! )
Bruce Willis on his death bed, last breath with an infection
Fightin' it while he's watching internet porn, about to meet his death with an erection
My god, what I mean is, David Carrideine jacking his penis in front of his tripod
Choking his own neck, what part you don't get?
I'm saying I die hard!
(Royce)
When you listen to my bars, nothin' but the F-I-R... E
Comin' out your iPod, we come up in a place
Chicks heads start spinning like motherfuckin' white walls
(Eminem + Royce)
Got your mother suckin' my balls while we fuck each other, punch each other in the eyeballs
And I never say I'm sor... ry, the 5'9 and the Fire Marshall
We spit with an intensity to shut shit down in the industry
Two different entities, with a propensity to put these N-U-T-S
In your FUCKING MOUTH
Haha.
Welcome to the CD.