The Hegira or Hijrah (Arabic: هِجْرَة), also romanized as Hijra and Hejira, is the migration or journey of the Islamic prophet Muhammad and his followers from Mecca to Yathrib, later renamed by him to Medina, in the year 622 CE. In June 622 CE, after being warned of a plot to assassinate him, Muhammad secretly left his home in Mecca to emigrate to Yathrib, 320 km (200 mi) north of Mecca, along with his companion Abu Bakr. Yathrib was soon renamed Madīnat an-Nabī, literally "the City of the Prophet", but an-Nabī was soon dropped, so its name is "Medina", meaning "the city".
The Hijrah is also often identified erroneously with the start of the Hijri calendar which was set to Julian 16 July 622.
The first Hijrah is dated to 615 or Rajab (September-October) 613 when a group of Muslims counseled by Muhammad to escape persecution in Mecca arrived at the court of a Christian king, the Negus in Ethiopia (who ruled Abyssinia at the time). Muhammad himself did not join this emigration. In that year, his followers fled Mecca's leading tribe, the Quraysh, who sent emissaries to Ethiopia to bring them back to Arabia. However Negus refused to send them back.
Hejira is the eighth studio album by the Canadian singer-songwriter Joni Mitchell, released in 1976.
The album title is a transliteration of the Arabic word hijra, which means "journey", usually referring to the migration of the Islamic prophet Muhammad (and his companions) from Mecca to Medina in 622. The songs on the album were largely written by Mitchell on a trip by car from Maine back to Los Angeles, California, with prominent imagery including highways, small towns and snow. The photographs of Mitchell on the front and back cover were taken by Norman Seeff and appear against a backdrop of Lake Mendota, in Madison, Wisconsin, after an ice storm.
The album did not sell as well as its predecessors, peaking at #22 in Mitchell's native Canada, although it still reached #13 on the Billboard 200 pop album chart and was certified Gold, and #11 in the UK where it has been certified Silver. Critically, the album was generally well received and has since been recognized as one of the high-water marks in Mitchell's career.
"Hejira" is the title track from Joni Mitchell's 1976 album. It is the fifth track on the album (the last song on Side One of the original vinyl LP), and the second of four tracks on Hejira which fretless bassist Jaco Pastorius plays on.
The track itself features a distinctive open tuning, B-F#-C#-E-F#-B, which allows Joni to play her unorthodox chord voicings and distinctive fingerpicking pattern.
The song title is also the title of a chapter from David Sedaris' book, Dress Your Family in Corduroy and Denim. He mentions Joni Mitchell in the first paragraph of the chapter: "After six months spent waking at noon, getting high, and listening to the same Joni Mitchell record over and over again, I was called by my father into his den and told to get out." Sedaris mentions Mitchell again on the second page of the chapter: "My sister Lisa had an apartment over by the university and said that I could come stay with her as long as I didn't bring my Joni Mitchell record." The chapter is decidedly melancholy, much like the song itself.
I'm traveling in some vehicle
I'm sitting in some cafe
A defector from the petty wars
That shell shock love away
There's comfort in melancholy
When there's no need to explain
It's just as natural as the weather
In this moody sky today
In our possessive coupling
So much could not be expressed
So now I'm returning to myself
These things that you and I suppressed
I see something of myself in everyone
Just at this moment of the world
As snow gathers like bolts of lace
Waltzing on a ballroom girl
You know it never has been easy
Whether you do or you do not resign
Whether you travel the breadth of extremities
Or stick to some straighter line
Now here's a man and a woman sitting on a rock
They're either going to thaw out or freeze
Listen...
Strains of Benny Goodman
Coming thru' the snow and the pinewood trees
I'm porous with travel fever
But you know I'm so glad to be on my own
Still somehow the slightest touch of a stranger
Can set up trembling in my bones
I know - no one's going to show me everything
We all come and go unknown
Each so deep and superficial
Between the forceps and the stone
Well I looked at the granite markers
Those tribute to finality - to eternity
And then I looked at myself here
Chicken scratching for my immortality
In the church they light the candles
And the wax rolls down like tears
There's the hope and the hopelessness
I've witnessed thirty years
We're only particles of change I know, I know
Orbiting around the sun
But how can I have that point of view
When I'm always bound and tied to someone
White flags of winter chimneys
Waving truce against the moon
In the mirrors of a modern bank
>From the window of a hotel room
I'm traveling in some vehicle
I'm sitting in some cafe
A defector from the petty wars