Hedwig and the Angry Inch may refer to:
Hedwig and the Angry Inch is a 1998 musical about a fictional rock and roll band fronted by an East German genderqueer singer. The text is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The musical has gathered a devoted cult following, and the musical has been adapted into the 2001 American musical film of the same name.
The cast recording was released in 1999 on Atlantic Records, featuring the original cast (John Cameron Mitchell, Stephen Trask, Miriam Shor, Scott Bilbrey, David McKinley, and Chris Weilding) performing all the tracks written for the stage musical. Hedwig's songs were also recorded for the 2001 film soundtrack by John Cameron Mitchell (lead vocals), Stephen Trask, Miriam Shor, Bob Mould (formerly of Hüsker Dü), Ted Liscinski, Perry L. James, Alexis Fleisig, and Eli Janney. Tommy Gnosis' songs were recorded by Stephen Trask (lead vocals), Miriam Shor, Bob Mould, Ted Liscinski, Perry L. James, Scott McCloud, Eli Janney, Alexis Fleisig, and Johnny Temple.
Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a genderqueer East German singer named Hedwig. Hedwig, formerly Hansel, assumes a female persona after a botched sex change operation which was performed to allow her to marry an American man and escape East Germany. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop.
The musical opened Off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a London West End production, and it has been produced throughout the world in hundreds of stage productions.
On nights like this
When the world's a bit amiss
And the lights go down across the trailer park
I get down, I feel had
I feel on the verge of going mad
And then it's time to punch the clock
I put on some make-up
And turn on the tape deck
And pull the wig back on my head
Suddenly I'm Miss Midwest Midnight checkout queen
Until I head home
And I put myself to bed
I look back on where I'm from
Look at the woman I've become
And the strangest things seem suddenly routine
I look up from my Vermouth on the rocks
The gift wrapped wig still in the box
Of towering velveteen
I put on some make-up
Some Lavern Baker
I'm pulling the wig down from the shelf
Suddenly I'm Miss Beehive 1963
Until I wake up
And I turn back to myself
Some girls they have natural ease
They wear it any way they please
With their French flip curls and perfumed magazines
Wear it up, let it down
This is the best way that I've found
To be the best you've ever seen
I put on some make-up
Turn on the eight-tack
I'm pulling the wig down from the shelf
Suddenly I'm Miss Farrah Fawcett from TV
Until I wake up
And I turn back to myself
Shag, bi-level, Bob, Dorothy Hamill do
Sausage curl, chicken wings, it's all because of you
With your blow dried, feather backed Toni home wave, too
Flip, for, frizz, flop, it's all because of you
It's all because of you, it's all because of you
Okay
Everybody
I put on some make-up
Turn up the eight track
I'm pulling the wig down from the shelf
Suddenly I'm this punk rock star of stage and screen
And I ain't never
I'm never turning back