"Heaven" is a song recorded by American rapper Jay-Z from his twelfth studio album Magna Carta Holy Grail (2013) featuring American recording artist Justin Timberlake. The song was written by Jay-Z, The-Dream, members of R.E.M., Adrian Younge, Timbaland, and Jerome "J-Roc" Harmon while the production was handled by the latter two. During the song, Jay-Z touches on subjects of religious allegory and an interrogation of organized religion. The song has since peaked at number 10 on the Billboard Bubbling Under Hot 100 Singles.
On "Heaven", Jay-Z questions the meaning of religion and once again shoots down rumors that he is part of the secret organization Illuminati. He explained the song in a promotional video for Samsung saying,
The song indulges in religious allegory, and is one of the few songs on Magna Carta Holy Grail that touch upon existential and spiritual themes. Throughout the song he ponders faith, superstition and free thinking.
The songs features Jay-Z rapping a lyric of rock band, R.E.M.'s 1991 single "Losing My Religion". Following the album's release, former frontman of R.E.M. Michael Stipe told NME that he's "thrilled" and it was a "great honor", that Jay-Z included the lyrics in one of his songs.
"Heaven" is the title of a popular song from 2004 by the American Tejano/Chicano rock band Los Lonely Boys. The song was written by brothers Henry, Jojo and Ringo Garza, who comprise the foundation of the band, and it appears on their multi-platinum self-titled album.
Released as a single in mid-2004, "Heaven" reached the Top 40 on the U.S. Billboard Hot 100 chart, peaking at 16 in August. Later that year, the song began a sixteen week run at number 1 on the Billboard Adult Contemporary chart in October. It was also a minor hit at country radio, where it peaked at number 46.
AllMusic reviewer Thom Jurek describes the song as "infectious" and draws comparisons to the music of Freddie King, Stevie Ray Vaughan and Los Lobos. He states that "Heaven" is "a single in the old sense of the word: killer hook, easy groove, a slippery but unmistakable bridge with a beautiful vocal to boot -- all coming in under four minutes."
The success of "Heaven" led to two Grammy Award nominations and one win for the band at the 47th Grammy Awards, held in early 2005. The song won in the category Best Pop Performance by a Duo group, while Los Lonely Boys were nominated in the category Best New Artist, losing out to Maroon 5.
Amy Lee (Korean name: Lee Yejin; Hangul: 이예진; Hanja: 李藝眞, born May 30, 1989), better known by her stage name Ailee (Hangul: 에일리), is a Korean-American singer. She is signed under YMC Entertainment in South Korea and Warner Music in Japan. Dubbed the "Korean Beyonce", Ailee has been acclaimed by both those in the music industry and the general public with the "highest expectations for her debut", boasting of a charisma that takes over the stage as well as top vocal and sensational rap skills.
Ailee grew up in New Jersey, United States, and began her singing career as a YouTuber. Before her K-pop debut, Ailee was signed under Muzo Entertainment in America. After moving to South Korea in 2010, she passed an audition and became an artist for YMC Entertainment. After being recognized for her singing on Singer and Trainee, she also started acting in the KBS drama series Dream High 2 before her official debut. She has currently released three extended plays and one studio album.
Ailee has received the Best New Artist Award at the MelOn Music Awards, Golden Disk Awards, Gaon Chart K-Pop Awards and the Seoul Music Awards. She has also received Best Newcomer and three Best Female Vocal Performance at the Mnet Asian Music Awards for "U&I" , "Singing Got Better" and "Mind Your Own Business". For her work in Fated to Love You's OST, "Goodbye My Love", Ailee won Best Original Soundtrack at the 7th Korea Drama Awards.
Script may refer to:
A play is a form of literature written by a playwright, usually consisting of dialogue between characters, intended for theatrical performance rather than just reading. Plays are performed at a variety of levels, from Broadway, Off-Broadway, regional theater, to Community theatre, as well as University or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed or read. The term "play" can refer to both the written works of playwrights and to their complete theatrical performance.
Comedies are plays which are designed to be humorous. Comedies are often filled with witty remarks, unusual characters, and strange circumstances. Certain comedies are geared toward different age groups. Comedies were one of the two original play types of Ancient Greece, along with tragedies. An example of a comedy would be William Shakespeare's play "A Midsummer Night's Dream," or for a more modern example the skits from "Saturday Night Live".
SCRIPT is a research centre located at the School of Law in the University of Edinburgh dedicated to studying intellectual property and technology law. SCRIPT used to be known as the AHRC Research Centre for Studies in Intellectual Property and Technology Law. The centre is funded by the UK Arts and Humanities Research Council.
The SCRIPT Centre for Studies in Intellectual Property and Technology Law was established with private sector funding as the Shepherd and Wedderburn Centre for Research in Intellectual Property and Technologies (SCRIPT); the centre has been running with AHRC funding since 2002. While the main research areas, those of intellectual property law, information technology law, and medical law and jurisprudence have remained constant, the themes covered have responded to changes in law, policy, and society more generally. The first five years of operation have witnessed the emergence of a number of networks in different areas of specialist expertise supplementing those already in existence by staff in the centre and providing suitable platforms from which to take forward further research in key areas. Examples of such networks are contacts within the healthcare sector, human rights policymakers and competition lawyers, privacy and data protection advisors, and those involved in Creative Commons policymaking. The broad aims of the centre are to pursue ground-breaking research at the interface between law and technologies, seeking the appropriate balance to be struck between encouraging creativity and innovation while respecting the needs of the public domain.