Heaven (Jay Z song)

"Heaven" is a song recorded by American rapper Jay-Z from his twelfth studio album Magna Carta Holy Grail (2013) featuring American recording artist Justin Timberlake. The song was written by Jay-Z, The-Dream, members of R.E.M., Adrian Younge, Timbaland, and Jerome "J-Roc" Harmon while the production was handled by the latter two. During the song, Jay-Z touches on subjects of religious allegory and an interrogation of organized religion. The song has since peaked at number 10 on the Billboard Bubbling Under Hot 100 Singles.

Background

On "Heaven", Jay-Z questions the meaning of religion and once again shoots down rumors that he is part of the secret organization Illuminati. He explained the song in a promotional video for Samsung saying,

The song indulges in religious allegory, and is one of the few songs on Magna Carta Holy Grail that touch upon existential and spiritual themes. Throughout the song he ponders faith, superstition and free thinking.

The songs features Jay-Z rapping a lyric of rock band, R.E.M.'s 1991 single "Losing My Religion". Following the album's release, former frontman of R.E.M. Michael Stipe told NME that he's "thrilled" and it was a "great honor", that Jay-Z included the lyrics in one of his songs.

Heaven (Los Lonely Boys song)

"Heaven" is the title of a popular song from 2004 by the American Tejano/Chicano rock band Los Lonely Boys. The song was written by brothers Henry, Jojo and Ringo Garza, who comprise the foundation of the band, and it appears on their multi-platinum self-titled album.

Reception

Released as a single in mid-2004, "Heaven" reached the Top 40 on the U.S. Billboard Hot 100 chart, peaking at 16 in August. Later that year, the song began a sixteen week run at number 1 on the Billboard Adult Contemporary chart in October. It was also a minor hit at country radio, where it peaked at number 46.

AllMusic reviewer Thom Jurek describes the song as "infectious" and draws comparisons to the music of Freddie King, Stevie Ray Vaughan and Los Lobos. He states that "Heaven" is "a single in the old sense of the word: killer hook, easy groove, a slippery but unmistakable bridge with a beautiful vocal to boot -- all coming in under four minutes."

Awards

The success of "Heaven" led to two Grammy Award nominations and one win for the band at the 47th Grammy Awards, held in early 2005. The song won in the category Best Pop Performance by a Duo group, while Los Lonely Boys were nominated in the category Best New Artist, losing out to Maroon 5.

Heaven (BeBe & CeCe Winans album)

Heaven is the third album released by brother and sister duo BeBe & CeCe Winans and their second released on Capitol Records. It was number one on the Billboard Top Gospel Albums chart.

Smooth jazz musician Lonnie Liston Smith covered the title song from his 1990 album, Love Goddess

Destiny's Child singer Michelle Williams, featuring fellow singer Carl Thomas also covered the title song in the closing track from her 2002 solo debut, Heart to Yours.

Track listing

Charts

Singles

References

Presence (band)

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Presence was a British rock band started by Gary Biddles, Lol Tolhurst, and Michael Dempsey. Dempsey and Tolhurst were founding members of The Cure, and Biddles was a former Cure roadie who previously played in Fools Dance with Simon Gallup.

In their brief existence, the band only recorded two albums. Their debut album, Inside, was released in 1993 through Smash Records, a subsidiary of Island Records. They initially began recording their second album, Closer, that same year with former The Smiths producer John Porter at the helm but it wound up being shelved for a little over two decades. The album was posthumously released on 28 April 2014, a year after the death of Gary Biddles.

History

Immersion (virtual reality)

Immersion into virtual reality is a perception of being physically present in a non-physical world. The perception is created by surrounding the user of the VR system in images, sound or other stimuli that provide an engrossing total environment.

The name is a metaphoric use of the experience of submersion applied to representation, fiction or simulation. Immersion can also be defined as the state of consciousness where a "visitor" (Maurice Benayoun) or "immersant" (Char Davies)’s awareness of physical self is transformed by being surrounded in an artificial environment; used for describing partial or complete suspension of disbelief, enabling action or reaction to stimulations encountered in a virtual or artistic environment. The degree to which the virtual or artistic environment faithfully reproduces reality determines the degree of suspension of disbelief. The greater the suspension of disbelief, the greater the degree of presence achieved.

Types of immersion

Presence (telepresence)

Presence is a theoretical concept describing the extent to which media represent the world (in both physical and social environments). Presence is further described by Matthew Lombard and Theresa Ditton as “an illusion that a mediated experience is not mediated." Today, it often considers the effect that people experience when they interact with a computer-mediated or computer-generated environment. The conceptualization of presence borrows from multiple fields including communication, computer science, psychology, science, engineering, philosophy, and the arts. The concept of presence accounts for a variety of computer applications and Web-based entertainment today that are developed on the fundamentals of the phenomenon, in order to give people the sense of, as Sheridan called it, “being there."

Evolution of 'presence' as a concept

The specialist use of the word “presence” derives from the term “telepresence”, coined by Massachusetts Institute of Technology professor Marvin Minsky in 1980. Minsky's research explained telepresence as the manipulation of objects in the real world through remote access technology. For example, a surgeon may use a computer to control robotic arms to perform minute procedures on a patient in another room. Or a NASA technician may use a computer to control a rover to collect rock samples on Mars. In either case, the operator is granted access to real, though remote, places via televisual tools.