Isa

The Book of Isaiah (Hebrew: ספר ישעיהו‎, IPA: [sɛ.fɛr jə.ʃaʕ.ˈjɑː.hu]) is the first of the Latter Prophets in the Hebrew Bible and the first of the Major Prophets in English Bibles. The book is identified by a superscription as the works of the 8th-century BCE prophet Isaiah ben Amoz, but there is ample evidence that much of it was composed during the Babylonian captivity and later.Bernhard Duhm originated the view, held as a consensus through most of the 20th century, that the book comprises three separate collections of oracles:Proto-Isaiah (chapters 1–39), containing the words of Isaiah; Deutero-Isaiah (chapters 40–55), the work of an anonymous 6th-century author writing during the Exile; and Trito-Isaiah (chapters 56–66), composed after the return from Exile. While virtually no one today attributes the entire book, or even most of it, to one person, the book's essential unity has become a focus in current research. Isaiah 1–33 promises judgment and restoration for Judah, Jerusalem and the nations, and chapters 34–66 presume that judgment has been pronounced and restoration follows soon. It can thus be read as an extended meditation on the destiny of Jerusalem into and after the Exile.

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Is-a

In knowledge representation, object-oriented programming and design (see object oriented program architecture), is-a (is_a or is a) is a subsumption relationship between abstractions (e.g. types, classes), where one class A is a subclass of another class B (and so B is a superclass of A). In other words, type A is a subtype of type B when A’s speciﬁcation implies B’s speciﬁcation. That is, any object (or class) that satisﬁes A’s speciﬁcation also satisﬁes B’s speciﬁcation, because B’s speciﬁcation is weaker.

The is-a relationship is to be contrasted with the has-a (has_a or has a) relationship between types (classes).

It may also be contrasted with the instance-of relationship between objects (instances) and types (classes): see "type-token distinction" and "type-token relations." When designing a model (e.g., a computer program) of the real-world relationship between an object and its subordinate, a common error is confusing the relations has-a and is-a.

To summarize the relations, we have

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Hater

Hater or Haters may refer to:

Hater (person), a person exhibiting hatred

Hater (Internet), a person who expresses hatred in public forums, especially those found on the World Wide Web

A derogatory term in reference to critics of a person or object (associated with jealousy/envy)

Entertainment

H8R (a texting abbreviation for Hater), a reality television show on the CW, hosted by Mario Lopez

Hater, 2006 novel by David Moody

The Haters, another name for professional wrestling alliance Thomaselli Brothers

The Hater (2015 film), an Armenian teen comedy-drama film

Haters (novel), a 2006 book by author Alisa Valdes-Rodriguez

Music

Hater (band), an American rock band

The Haters, a noise music group

"Hater", 2006 single by Everclear from the album Welcome to the Drama Club

"Haters" (So Solid Crew song), 2001

"Haters" (Hilary Duff song)", 2004

"Haters" (Tony Yayo song), 2011

Hater (band)

Hater was an American rock band that formed in Seattle, Washington in 1993. The band formed as a side project mostly under the direction of Soundgarden bassist Ben Shepherd. Additional members included Soundgarden drummer Matt Cameron, guitarist John McBain (ex-Monster Magnet and, later, partner of Cameron and Shepherd in Wellwater Conspiracy), bassist John Waterman for the self-titled album, Devilhead vocalist Brian Wood, brother of Mother Love Bone vocalist Andrew Wood, and Alan Davis on bass for The 2nd.

History

In 1993, Soundgarden members Ben Shepherd and Matt Cameron formed a side-project band, which they called Hater. They were joined by former Monster Magnet guitarist John McBain. The band's music featured a psychedelic garage rock sound, taking influence from The Stooges. Shepherd sang vocals and played guitar in Hater, in addition to writing several songs on the band's first release, Hater, which was released on September 21, 1993 through A&M Records. Allmusic said, "Those expecting a Soundgarden-esque hard rock album were caught off guard by Hater's penchant for garage rock and classic rock sounds."