Hatred (or hate) is a deep and emotional extreme dislike. It can be directed against individuals, groups, entities, objects, behaviors, or ideas. Hatred is often associated with feelings of anger, disgust and a disposition towards hostility.
James W. Underhill, in his Ethnolinguistics and Cultural Concepts: truth, love, hate & war, (2012) discusses the origin and the metaphoric representations of hate in various languages. He stresses that love and hate are social, and culturally constructed. For this reason, hate is historically situated. Although it is fair to say that one single emotion exists in English, French (haine), and German (Hass), hate varies in the forms in which it is manifested. A certain relationless hatred is expressed in the French expression J'ai la haine, which has no equivalent in English. While for English-speakers, loving and hating invariably involve an object, or a person, and therefore, a relationship with something or someone, J'ai la haine (literally, I have hate) precludes the idea of an emotion directed at a person. This is a form of frustration, apathy and animosity which churns within the subject but establishes no relationship with the world, other than an aimless desire for destruction. Underhill (following Philippe Roger) also considers French forms of anti-Americanism as a specific form of cultural resentment. At the same time, he analyses the hatred promoted by Ronald Reagan in his rhetoric directed against the "evil empire".
Hate is the Third studio album by Brazilian extreme metal band Sarcófago, released in 1994 through Cogumelo Records. It has a more stripped-down approach than their previous record,The Laws of Scourge (1991).
Hate is also notable for its controversial use of a drum machine, which was used because there were no drummers who could play as fast as the band wished. The band was trying to be the fastest band in the world.
Lamounier claimed to have no qualms about using this device, on the basis that most death metal drummers use trigger pads for recording purposes, which in the end produces the same homogenized sound as that of a drum machine.
The song "Satanic Terrorism" is about the 'Inner Circle' church burnings in Norway at the beginning of the 90s; Sarcófago was accused of supporting these acts, but Lamounier claims that the song only describes the acts.
Hate is the second studio album by Australian deathcore band Thy Art Is Murder. The album was released on October 19, 2012 through Halfcut Records, but was reissued on April 5, 2013 through Nuclear Blast after the band signed to the label. The album debuted at no. 35 on the ARIA Charts, making Thy Art Is a Murder the first extreme metal band ever to break the top 40. The album also reached no. 1 on AIR and peaked at 31 on the Top Heatseekers chart.
On March 31, 2013 Metal Hammer began streaming the album in full, in anticipation of the Nuclear Blast re-release.
AllMusic described the sound of the album as deathcore, as well as stating that the album is free of the cliches of the genre by noting that the group's focus is on "pushing the limits of intensity rather than just seeing how many breakdowns they can fit into a song"Exclaim! also noted the complexitiy of the music in comparison to other deathcore groups, describing the album's sound as a "harsh change from the simplistic sound popularized by Suicide Silence and their peers."
Mops or MOPS can refer to:
Mops is a genus of bats in the family Molossidae. Molecular sequence data indicates that Mops and Chaerephon are not monophyletic taxa. However, the grouping of Chaerephon minus C. jobimena plus Mops was found to be monophyletic.
Species within this genus are:
Genus Mops - greater mastiff bats
The Mops (Japanese: ザ・モップス) were a Japanese psychedelic rock/garage rock group active in the late 1960s and early 1970s.
The Mops were formed in 1966 by a group of high schoolers: Mikiharu Suzuki (drums), Taro Miyuki (guitar), Masaru Hoshi (or Katu Hoshi) (guitar), and Kaoru Murakami (bass). They began as an instrumental rock group similar to The Ventures, but soon after forming, Mikiharu Suzuki's brother Hiromitsu joined on lead vocals. The group began to play psychedelic rock at the suggestion of their manager, who had brought home recordings of American hippie groups such as Jefferson Airplane from his trip to San Francisco. The group signed to JVC Records, the Japanese wing of Victor Records, and released a single in November 1967 called "Asamade Matenai", which hit No. 38 on the Japanese charts. In April 1968, the full-length debut, Psychedelic Sound in Japan, followed; the album included covers of "White Rabbit" and "Somebody to Love" by Jefferson Airplane, "Light My Fire" by The Doors, as well as "Inside-Looking Out" and "San Franciscan Nights" by The Animals. They received much press for being the "first psychedelic band" in Japan, and performed with elaborate light shows.