KMC

Kmc and KMC may refer to:

KMC (musician)

Ken Marlon Charles a.k.a. KMC (born January 5, 1971) is a soca artist from Trinidad. Famous for hits like "Soul on Fire", "Soca Bashment" and "Bashment to Carnival" KMC is signed to the US-based record label Sequence Records. Considered to be one of Trinidad's top soca artists, KMC has over sixteen years experience in the music industry. He has made a name for himself as a solo artist, songwriter, producer and frontman of the band Red, White & Black.

Early years

KMC is one of nine children. He was born and raised in the village of Rio Claro and then moved to Chaguanas, where he has resided for the past eleven years. The road to success for KMC has been filled with both high and low moments. Probably the lowest was the day when, strapped with hunger, he resorted to cracking open a dry coconut in the yard of his one-room home in Laventille, putting a milk pan on a kerosene burner and flavoring the coconut with only a little end of curry powder.

Career

KMC always had a passion for music. As a young child he used to sneak about and listen to the bands in his village. "At the age of seven, I used to go under the house by the band and when they weren't around I would play the drum set." As time marched on, the same energy and precociousness that brought the young KMC to the drum set also brought him to teach himself how to play music. "Music is something I was never taught. I was never taught to play the keyboard. I learned to do everything on my own. Love is what made me master it. Everything I do is by ear and not by reading," he proclaims.

Hardcore

Hardcore, hard core or hard-core may refer to:

Music

Genres

Hardcore (1979 film)

Hardcore is a 1979 American crime drama film written and directed by Paul Schrader and starring George C. Scott, Peter Boyle and Season Hubley. The story concerns a father searching for his daughter, who has vanished only to appear in a pornographic film. Writer-director Schrader had previously written the screenplay for Martin Scorsese's Taxi Driver, and both films share a theme of exploring an unseen subculture.

Plot

Jake Van Dorn (George C. Scott) is a prosperous local businessman in Grand Rapids, Michigan who has strong Calvinist convictions. A single parent, Van Dorn is the father of a seemingly quiet, conservative teenage girl, Kristen, who inexplicably disappears when she goes on a church-sponsored trip to Bellflower, California. Andy Mast (Peter Boyle), a strange private investigator from Los Angeles, is then hired to find her, eventually turning up an 8mm stag film of his daughter with two young men.

Van Dorn then suspects that his daughter was kidnapped and forced to join California's porno underworld. His quest to rescue her takes him on an odyssey through this sleazy adult subculture.

Hardcore (1977 film)

Hardcore is a 1977 British comedy film directed by James Kenelm Clarke and starring Fiona Richmond, Anthony Steel, Victor Spinetti, Ronald Fraser and Harry H. Corbett. It depicts a highly fictionalised account of the life of Richmond, who was a leading pin-up in the 1970s.

In the US the film was known as Fiona.

Cast

References

Vibes (soundtrack)

Vibes is the original motion picture soundtrack album for the film with score by James Horner. The soundtrack does not contain the song "Hole in My Heart (All the Way to China)" by Cyndi Lauper and written by Richard Orange. The song was released as a 7" and 3" single.

Track listing

Vibraphone

The vibraphone (also known as the vibraharp or simply the vibes) is a musical instrument in the struck idiophone subfamily of the percussion family.

The vibraphone resembles the xylophone, marimba, and glockenspiel. Each bar is paired with a resonator tube that has a motor-driven butterfly valve at its upper end. The valves are mounted on a common shaft, which produces a tremolo or vibrato effect while spinning. The vibraphone also has a sustain pedal similar to that on a piano. With the pedal up, the bars are all damped and produce a shortened sound. With the pedal down, they sound for several seconds.

The vibraphone is commonly used in jazz music, where it often plays a featured role and was a defining element of the sound of mid-20th century "Tiki lounge" exotica, as popularized by Arthur Lyman. It is also the second most popular solo keyboard percussion instrument in the realm of classical music, after the marimba, and is part of the standard college level percussion performance education. Additionally, it is a standard member of the modern percussion section for orchestras and concert bands.