Alfred Matthew "Weird Al" Yankovic (/ˈjæŋkəvɪk/ YANG-kə-vik; born October 23, 1959) is an American singer, songwriter, parodist, record producer, satirist, actor, music video director, film producer, and author. He is known for his humorous songs that make light of popular culture and often parody specific songs by contemporary musical acts, original songs that are style pastiches of the work of other acts, and polka medleys of several popular songs, featuring his favored instrument, the accordion.
Since his first-aired comedy song in 1976, he has sold more than 12 million albums (as of 2007), recorded more than 150 parody and original songs, and has performed more than 1,000 live shows. His works have earned him four Grammy Awards and a further 11 nominations, four gold records, and six platinum records in the United States. Weird Al's first top ten Billboard album (Straight Outta Lynwood) and single ("White & Nerdy") were both released in 2006, nearly three decades into his career. His latest album, Mandatory Fun (2014), became his first number-one album during its debut week.
"Weird Al" Yankovic is the eponymous debut album by American parodist Alfred "Weird Al" Yankovic. The album was the first of many produced by former The McCoys guitarist Rick Derringer. Mostly recorded in March 1982, the album was released by Rock 'n Roll Records as an LP and on Compact Cassette in 1983.
Consisting of five direct parodies and seven original songs, "Weird Al" Yankovic parodies pop and rock music of the late 1970s and early 1980s, and satirizes American culture and experiences of the same time period. Half of the album is made up of parodies, featuring jabs at Toni Basil, Joan Jett, Stevie Nicks, The Knack, and Queen. Yankovic's trademark instrument, the accordion, is used on all songs featured on the album.
Fueled by the underground success of the singles "My Bologna" and "Another One Rides the Bus", the album charted at 139 on the Billboard 200. Critically, however, the album received a lukewarm reception, with many reviewers feeling that Yankovic was a throw-away act, and someone who could not overcome the stigma of a novelty record.