Hairpin

A hair pin or hairpin is a long device used to hold a person's hair in place. It may be used simply to secure long hair out of the way for convenience or as part of an elaborate hairstyle or coiffure. The earliest evidence for dressing the hair may be seen in carved "venus figurines" such as the Venus of Brassempouy and the Venus of Willendorf. The creation of different hairstyles, especially among women, seems to be common to all cultures and all periods and many past, and current, societies use hairpins.

Hairpins made of metal, ivory, bronze, carved wood, etc. were used in ancient Assyria and Egypt for securing decorated hairstyles. Such hairpins suggest, as graves show, that many were luxury objects among the Egyptians and later the Greeks, Etruscans, and Romans. Major success came in 1901 with the invention of the spiral hairpin by New Zealand inventor Ernest Godward. This was a predecessor of the hair clip.

The hairpin may be decorative and encrusted with jewels and ornaments, or it may be utiliarian, and designed to be almost invisible while holding a hairstyle in place.

Hairpins (film)

Hairpins is a 1920 American silent drama film directed by Fred Niblo. A surviving print is in a private collection.

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Dynamics (music)

In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.

Relative loudness

The two basic dynamic indications in music are:

More subtle degrees of loudness or softness are indicated by:

Beyond f and p, there are also

And so on.

Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.