Haircut (film)

Haircut (Portuguese: Corte de Cabelo) is an independent Portuguese drama film directed by Joaquim Sapinho, produced at Rosa Filmes, which was nominated for the Golden Leopard at the 1995 Locarno International Film Festival.

Reception

Being nominated for the Golden Leopard at the 1995 Locarno International Film Festival, Haircut also won the award for best film at the 1996 Angers European Film Festival, and the Best Actress Award for Carla Bolito at the Geneva Film Festival. In its home country, Haircut was highly acclaimed both by the critic and by the audience in an unprecedented way for Portugal. It was considered the best depiction of the Portuguese youth of the nineties captured on film. The Brazilian newspaper Estado de São Paulo called it the first post-modern Portuguese film.

Production

Haircut was not only the directorial debut of Portuguese director Joaquim Sapinho, but also the film debut for most of the cast and crew of the film. Haircut became famous even before having been shot, for its long pre-production, which consisted on thousands of casting calls, which would finally end with the finding of the leading lady Carla Bolito. The film was shot in a series of popular locations in Lisbon where, however, no film had ever been shot before, like the 1960s expressionist Mexicana café (architect Jorge Ferreira Chaves), the 1980s post-modern shopping center Amoreiras or the Príncipe Real Garden where, some years later, the final scene of João César Monteiro's film Vai e Vem would be shot.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: