Insert

Insert may refer to:

See also

Insert (effects processing)

In audio processing and sound reinforcement, an insert is an access point built into the mixing console, allowing the user to add external line level devices into the signal flow between the microphone preamplifier and the mix bus.

Common usages include gating, compressing, equalizing and for reverb effects that are specific to that channel or group. Inserts can be used as an alternate way to route signals such as for multitrack recording output or line level direct input.

Insert jacks

Inserts can be balanced or unbalanced. Typically, higher-end mixers will have balanced inserts and entry level mixers will have unbalanced inserts. Balanced inserts appear as a pair of jacks, one serving as the send (out from the mixer) and the other serving as the return (back to the mixer.) Balanced insert jacks can be XLR, 1/4" TRS phone connector or Bantam TT.

Unbalanced inserts can also be a pair of jacks such as RCA or 1/4" TS (Tip Sleeve) phone connector. Again, one jack serves as send and the other serves as return.

Insert (print advertising)

In advertising, an insert or blow-in card is a separate advertisement put in a magazine, newspaper, or other publication. They are usually the main source of income for non-subscription local newspapers and other publications. Sundays typically bring numerous large inserts in newspapers, because most weekly sales begin on that day, and it also has the highest circulation of any day of the week.

A buckslip or buck slip is a slip of paper, often the size of a U.S. dollar bill (a buck), which includes additional information about a product.

Bind-in cards are cards that are bound into the bindings of the publication, and will therefore not drop out.

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Habit

A habit (or wont) is a routine of behavior that is repeated regularly and tends to occur unconsciously.

In the American Journal of Psychology (1903) it is defined in this way: "A habit, from the standpoint of psychology, is a more or less fixed way of thinking, willing, or feeling acquired through previous repetition of a mental experience." Habitual behavior often goes unnoticed in persons exhibiting it, because a person does not need to engage in self-analysis when undertaking routine tasks. Habits are sometimes compulsory. The process by which new behaviours become automatic is habit formation. Old habits are hard to break and new habits are hard to form because the behavioural patterns we repeat are imprinted in our neural pathways, but it is possible to form new habits through repetition.

As behaviors are repeated in a consistent context, there is an incremental increase in the link between the context and the action. This increases the automaticity of the behavior in that context. Features of an automatic behavior are all or some of: efficiency, lack of awareness, unintentionality, uncontrollability.

Religious habit

A religious habit is a distinctive set of garments worn by members of a religious order. Traditionally some plain garb recognisable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.

In the typical Roman Catholic or Anglican orders, the habit consists of a tunic covered by a scapular and cowl, with a hood for monks or friars and a veil for nuns; in other orders it may be a distinctive form of cassock for men, or a distinctive habit and veil for women. Modern habits are sometimes eschewed in favor of a simple business suit. Catholic Canon Law requires only that it be in some way identifiable so that the person may serve as a witness to Gospel values. This requires flexibility and creativity. For instance in Turkey, where religious garb is not allowed in public, a Franciscan might wear street clothes.

In many orders, the conclusion of postulancy and the beginning of the novitiate is marked by a ceremony, during which the new novice is accepted then clothed in the community's habit by the superior. In some cases the novice's habit will be somewhat different from the customary habit: for instance, in certain orders of women that use the veil, it is common for novices to wear a white veil while professed members wear black, or if the order generally wears white, the novice wears a grey veil. Among some Franciscan communities of men, novices wear a sort of overshirt over their tunic; Carthusian novices wear a black cloak over their white habit.

Habit (1921 film)

Habit is a 1921 American silent drama film directed by Edwin Carewe and written by Madge Tyrone based upon a play by Tom Barry. The film starred Mildred Harris.

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