The Hewlett-Packard FOCUS microprocessor, launched in 1982, was the first commercial, single chip, fully 32-bit microprocessor available on the market. At this time, all 32-bit competitors (DEC, IBM, Prime Computer, etc.) used multi-chip bit-slice-CPU designs. The FOCUS architecture (Focus CPU, Focus I/O processor (IOP), Focus memory controller (MMU), 16 KB x8 dynamic RAM, and a timer) was used in the Hewlett-Packard HP 9000 Series 500 workstations and servers (originally launched as the HP 9020 and also, unofficially, called HP 9000 Series 600). It was a stack architecture, with over 220 instructions (some 32 bits wide, some 16 bits wide), a segmented memory model, and no general purpose programmer-visible registers. The design of the FOCUS CPU was richly inspired by the custom silicon on sapphire (SOS) chip design, HP used in their 16-bit HP 3000 series machines.
Because of the high density of HP's NMOS-III IC process, heat dissipation was a problem. Therefore, the chips were mounted on special printed circuit boards, with a ~1 mm copper sheet at its core, called "finstrates".
Bernard Edwards, Jr., better known as Focus..., is an Atlanta-based record producer who first rose to fame when signed to Dr. Dre's Aftermath Entertainment. Since then he has produced tracks for Dr. Dre, Eminem, Snoop Dogg, Kendrick Lamar, Lil Wayne, Jadakiss, Christina Aguilera, Jennifer Lopez, Beyoncé Knowles, 50 Cent, Busta Rhymes, Bishop Lamont, Tony Yayo, Stat Quo, Outlawz, The Game, Jay Rock, Schoolboy Q, Mac Dre, Ice Cube, Anderson Paak, Jon Connor, Joe, Marsha Ambrosius , Slum Village amongst many others.
Focus... is the son of the late Bernard Edwards, co-founder of disco and R&B band Chic. He was born in Manhattan, New York, and raised in the Tri-State Region. Edwards, Jr credits his father with his love for the production side of music, which he developed from an early age, attending numerous studio sessions with his father.
Focus...'s production talents were first recognized by Dr. Dre when an artist Edwards, Jr had produced, Daks, greatly impressed the Aftermath label head. signed Focus... so that the two could then continue working together.
Focus, FOCUS, or foci may refer to:
In science, mathematics or computing:
Focus is the second studio album from the Christian singer-songwriter Holly Starr. The album released on October 2, 2012 via Save the City Records. The producers on the album were Chuck Butler, David Garcia and Christopher Stevens. The album received critical acclamation from music critics, yet it did not get much commercial success because it failed to chart.
The album released on October 2, 2012 by Save the City Records, and the producers on the album were Chuck Butler, David Garcia and Christopher Stevens. This was the second studio album from the songstress Holly Starr.
Focus garnered critical acclaim from eight music critics. Robert Ham of Allmusic rated the album four stars, calling it a "pleasant surprise" because it kept up with contemporary musical trends. At Cross Rhythms, Matthew Cordle rated the album a perfect ten, noting how the album comes "with a cleaner, tighter, more stripped-back sound, less electric and more acoustic" than its predecessor, and it is "Impeccably produced, this is a thoroughly modern pop sound conveying a thoroughly ancient message." Christian Music Zine's Joshua Andre rated the album four-and-three-fourths, saying that this is a "brilliant" release on which "Holly's poignant lyrics and well-crafted pop melodies and ballads is sure to propel her soon, if not already, into the same league and caliber of songwriting as Nichole Nordeman and Jason Ingram." Grace Thorson of CM Addict rated the album four-and-a-half stars, affirming that the release is "well-rounded".
All the channels are all down
in everyone
Like a sky without a sun
it can't go on
Everyone can come around
to your sermon underground
In the fire I'll be down
to your sermon underground
All the people look so strange
who know your name
where the lonely will betray
They lost their way
Everyone can come around
to your sermon underground
In the fire I'll be down
In the fire I'll be down
to your sermon underground
Everyone can come around
to your sermon underground
In the fire I'll be down
In the fire I'll be down
to your sermon underground
Everyone can come around
In the fire I'll be down
(4x)