HO or H0 is the most popular scale of model railway in the world.
According to the National Model Railroad Association (NMRA) standard S-1.2 predominantly used in North America, in HO scale, 3.5 mm (0.1378 in) represents 1 real foot (304.8 mm); this ratio works out to 1:87.0857142, usually rounded to 1:87.1. According to the MOROP standard NEM 010 predominantly used in Europe, the scale is exactly 1:87. In HO, rails are spaced 16.5 mm (0.64961 in) apart which models the standard railroad gauge of 1,435 mm (4 ft 8 1⁄2 in).
The name HO is derived from the fact that its 1:87 scale is approximately half that of 0 scale which was the smallest of the series of older and larger 0, 1, 2 and 3 scales introduced by Märklin around 1900. In most English-speaking markets it is pronounced "aitch-oh" and written with the letters HO today, but in German it is pronounced "hah-null", and still written with the letter H and number 0.
After the First World War there were several attempts to introduce a model railway about half the size of 0 scale that would be more suitable for smaller home layouts and cheaper to manufacture. H0 was created to meet these aims. For this new scale, a track width of 16.5 mm was designed to represent prototypical standard gauge track, and a model scale of 1:87 was chosen. By as early as 1922 the firm Bing in Nuremberg, Germany, had been marketing a "tabletop railway" for several years. This came on a raised, quasi-ballasted track with a gauge of 16.5 mm, which was described at that time either as 00 or H0. The trains initially had a clockwork drive, but from 1924 were driven electrically. Accessory manufacturers, such as Kibri, marketed buildings in the corresponding scale.
Scale or scales may refer to:
When referring to stringed instruments, the scale length (often simply called the "scale") is considered to be the maximum vibrating length of the strings to produce sound, and determines the range of tones that string is capable of producing under a given tension. In the classical community, it may be called simply "string length." On instruments in which strings are not "stopped" or divided in length (typically by frets, the player's fingers, or other mechanism), such as the piano, it is the actual length of string between the nut and the bridge.
String instruments produce sound through the vibration of their strings. The range of tones these strings can produce is determined by three primary factors: the mass of the string (related to its thickness as well as other aspects of its construction: density of the metal/alloy etc.), the tension placed upon it, and the instrument's scale length.
On many, but not all, instruments, the strings are at least roughly the same length, so the instrument's scale can be expressed as a single length measurement, as for example in the case of the violin or guitar. On other instruments, the strings are of different lengths according to their pitch, as for example in the case of the harp or piano.
The scale of a map is the ratio of a distance on the map to the corresponding distance on the ground. This simple concept is complicated by the curvature of the Earth's surface, which forces scale to vary across a map. Because of this variation, the concept of scale becomes meaningful in two distinct ways. The first way is the ratio of the size of the generating globe to the size of the Earth. The generating globe is a conceptual model to which the Earth is shrunk and from which the map is projected.
The ratio of the Earth's size to the generating globe's size is called the nominal scale (= principal scale = representative fraction). Many maps state the nominal scale and may even display a bar scale (sometimes merely called a 'scale') to represent it. The second distinct concept of scale applies to the variation in scale across a map. It is the ratio of the mapped point's scale to the nominal scale. In this case 'scale' means the scale factor (= point scale = particular scale).
[Skee-Lo]
the other day I was cruisin' the shaw I seen Jay
the big homey from Oakland runs the bay
I used to be in love wit his sister back in the day
had to holler at him see what he had to say
it's good to see him now and know that he's ok
he asked how I was doin' and then proceeded to say
what happened to the record, what's up wit the air-play
politics too many haters is in the way
it's ok now but really it's no excuse
I can tell you how it all went down but what's the use
it's a lot of people walkin' around wit there tounges loose
and I don't care what nobody tell you I got juice
takin' it day by day, do or die
hustlin', imagine this game wit I
did you think I would just lay back and not try
I'ma bounce back, get on my feet, get on my hustle man
[Chorus x2: Skee-Lo]
if you can go anywhere in this world where would it be
it depends on how much in this life you wanna see
and to get there can't be cheap it ain't free
gotta bounce back, get on your feet, get on your hustle man
[Skee-Lo]
do the math focus and stay on the right path
forget about the busters and snitches that all laugh
you know people when they see money they wanna grab
greed, how much money you wanna have
stay away from criminal act and crack labs
quick money ain't no money it turns bad
trust god make him the only friend you have
instead of short brothers wit tempers that get mad
whenever there's somebody that's tryin' to limit you tho'
downin' you tellin' you places you can't go
you got to have faith in yourself you gotta show
their opinions really ain't worth nothing they don't know
it's a whole lotta player involved you ain't seen
that ain't been half the places that you been
I'm tellin' you all you brothers that want cream
bounce back, get on your feet, get on your hustle man
[Chorus x2: Skee-Lo]
if you can go anywhere in this world where would it be
it depends on how much in this life you wanna see
and to get there can't be cheap it ain't free
gotta bounce back, get on your feet, get on your hustle man
[Skee-Lo]
will you go to the top, will you settle for crumbs
I hope you ain't none of these brothers that act dumb
never learned to chill and relax and have fun
steady livin' life in the shade wit no sun
you got to learn to deal wit your problems you can't run
how you gonna ever advance to number one
and settle for number two that's something I can't feel
got bein' broke mixed up wit bein' real
keep it real brothers, stay on your feet, get on your hustle
if you can do it without force use muscle
walk soft carry a stick ready to tussle
your friends really ain't your friends and don't trust you
wait for the day that you fall and hope and pray
you probably owe some of them money and can't pay
and you wanna know what I do think what do I say
bounce back, get on your feet, get on your hustle man
[Chorus x2: Skee-Lo]
if you can go anywhere in this world where would it be
it depends on how much in this life you wanna see
and to get there can't be cheap it ain't free