Beasley
Beasley may refer to:
Places
Other uses
See also
Beasley, Hamilton
Beasley is the name of a neighbourhood in the Lower City of Hamilton, Ontario, Canada. The Beasley neighbourhood is bounded in the north by the Canadian National Railway tracks just north of Barton Street, James Street (west), Main Street (south) and Wellington Street (east).
History
The Beasley neighbourhood is one of the oldest and one of the first 4 neighbourhoods of Hamilton. The other three being Central, Durand and Corktown. Named after Richard Beasley, (1761-1842), was a soldier, political figure, farmer and businessman in Upper Canada. Richard Beasley was one of Hamilton's first settlers who came to Canada from New York in 1777. Beasley occupied Burlington Heights (now the site of Dundurn and Harvey Parks) in 1790 & was granted land by the Crown in 1799. A local entrepreneur, Beasley's business ventures included fur trading, land acquisition and establishment of a grill mill in Ancaster. He was a member of the legislative assembly of Upper Canada from 1791 to 1804 and was appointed colonel of the 2nd regiment of the York militia in 1809. Financial difficulties forced Beasley to sell lands at Burlington Heights, but it was purchased in 1832 by Sir Allan Napier MacNab who built Dundurn Castle on foundations of Beasley's brick home.
Beasley (surname)
Beasley is a surname. Notable people with the surname include:
Théodore Géricault
Jean-Louis André Théodore Géricault (French: [ʒɑ̃ lwi ɑ̃dʁe teodoʁ ʒeʁiko]; 26 September 1791 – 26 January 1824) was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he was one of the pioneers of the Romantic movement.
Early life
Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament yet recognized his talent. Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied paintings by Rubens, Titian, Velázquez and Rembrandt. During this period at the Louvre he discovered a vitality he found lacking in the prevailing school of Neoclassicism. Much of his time was spent in Versailles, where he found the stables of the palace open to him, and where he gained his knowledge of the anatomy and action of horses.
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