Dusty Hughes (born 16 Sept 1947) is an English playwright and director, writing for both the theatre and television. In the early seventies he was Theatre Editor of Time Out and helped to establish that magazine’s theatre coverage as an alternative voice. He then joined the Bush Theatre as Artistic Director and with Simon Stokes and Jenny Topper developed it as a venue for new writing and directed new plays by Snoo Wilson, Tony Bicat, Julia Kearsley, Kurt Vonnegut, Howard Barker, Ron Hutchinson and Ken Campbell. In 1980 his first play Commitments (which preceded the unrelated Roddy Doyle novel and subsequent film of the same name) won him the London Theatre Critics Most Promising Playwright Award.
His subsequents plays have been seen at the National Theatre, The Royal Shakespeare Company in Stratford and London, The Royal Court, Hampstead Theatre, The Traverse Theatre, Edinburgh, The Bush, the Donmar and in the West End as well as in Europe and America. He has worked extensively in television. He was joint winner of the Writer’s Guild Award for Best Drama Series for “Between The Lines” and created “The Brief” for ITV as well as adapting Joseph Conrad’s “The Secret Agent” for BBC1. He has also written for many other series including “Silent Witness” and “Lewis” and most recently the BBC’s “The Musketeers” (2015).
Play may refer to:
Play is a 2002 album by Joanna MacGregor. The album was released on the SoundCircus label and was a nominee for the Mercury Music Prize.
"Play" is a song by Swedish recording artist Robyn from her second studio album My Truth (1999). Robyn wrote the track in collaboration with Ulf Lindström and Johan Ekhé, who also helmed production. BMG Sweden released it as the album's second single on 21 July 1999 with the non-album song "Good Thang" as its B-side. Musically, "Play" contains some world music influences and a "playful" vibe.
"Play" received positive critical response and became Robyn's seventh consecutive top 40 entry on the Sverigetopplistan singles chart, where it peaked at number 31. The singer performed the song live while promoting the parent album, but the single itself received limited promotion. As with the album, "Play" was not serviced outside of Sweden.
"Play" was written by Robyn, Ulf Lindström and Johan Ekhé. Lindström and Ekhé recorded Robyn's vocals and produced the track at Lifeline Studios in Stockholm, Sweden. Almnils Erson, Pär-Ola Claesson, Gunilla Markström and Olle Markström played the strings and Niklas Gabrielsson provided handclaps, while Lindström and Ekhé played all other instruments. The duo also managed arrangement and mixing; both these tasks were done at Lifeline Studios. Britta Bergström and Angela Holland sang backing vocals alongside Robyn. Björn Engelmann and Henrik Jonsson were enlisted to master the track at Cutting Room Studios in Stockholm.
Grrr... is the third full length album by the indie rock group Bishop Allen. It was released on March 10, 2009. It is the follow-up to their 2007 album, The Broken String.
Grrr is a 2004 advertising campaign launched by Honda to promote its newly launched i-CTDi diesel engines in the United Kingdom. The campaign, which centred on a 90-second television and cinema advert, also comprised newspaper and magazine advertisements, radio commercials, free distributed merchandise, and an internet presence which included an online game, e-mail advertising, and an interactive website. The campaign was created and managed by the advertising agency Wieden+Kennedy (W+K). W+K were given a budget of £600,000 for production of the television commercial, a process which lasted six months. The piece was directed by Adam Foulkes and Alan Smith, produced by London-based production company Nexus Productions, and featured American author Garrison Keillor singing the campaign's theme song. Grrr premiered on British cinema screens on September 24, 2004.
Grrr was both a critical and financial success. It was the most-awarded campaign of 2005, sweeping awards ceremonies within the television and advertising industries, including the year's Cannes Lions International Advertising Festival, from which it took home the Film Grand Prix—considered the most prestigious honour in the advertising industry. The campaign proved popular with the British public, and Honda reported that its brand awareness figures more than doubled in the period following the campaign's debut. Overall sales of Honda products within the UK increased by more than 35%, and sales of diesel-engine Accords shot from 518 units in 2003 to 21,766 units in 2004.Adweek magazine picked the ad as the overall commercial of the decade in 2009.