KBXD
KBXD (1480) is a Texas radio station licensed to serve the community of Dallas, Texas. The station, went on the air in 1953 as KGKO, is currently owned by Mark Jorgenson and the broadcast license is held by ACM JCE IV B LLC. The original call letters were KLWO but were changed before the station went on the air.
History
Wonderful K-Box
The station, now known as KBXD, signed on as KGKO in 1953, playing pop music and jazz. In 1958, KGKO changed calls to KBOX and adopted a Top 40 format to compete with Gordon McLendon's top-rated 1190 KLIF. Future WABC staple Dan Ingram was an early voice on KBOX. Within a year, the station, known variously as "Wonderful K-Box in Dallas," "Big Top Radio," and "Tiger Radio," had rocketed from the bottom of the ratings to a near-tie with KLIF, and remained highly rated through the coming decade. K-Box was the only radio station covering President John F. Kennedy's motorcade live when he was assassinated on November 22, 1963. (Although KLIF was widely acclaimed for its later coverage of the President's death and the ensuing events, it was not broadcasting live from the motorcade route.)
KKHI (FM)
KKHI (102.3 FM), "Na Mele Hawaii" is a radio station broadcasting a Hawaiian Music format, licensed in Kaunakakai, Hawaii, USA. Its original call sign of KMKK-FM was licensed in April 2006. It changed its call sign to KNIT on April 24, 2015, and again to the current KKHI on January 26, 2016. The big signal of KKHI broadcasts Hawaiian music from Molokai to Maui and Oahu. The station is owned by Victor Michael, Jr., through licensee Kona Coast Radio, LLC, and is programmed by Rick Thomas.
References
External links
Ren
Ren or REN may also refer to:
Abbreviations
Geography
People
Religion
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Single name
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List of Elemental Gelade characters
This is a list of characters from the manga and anime series Elemental Gelade.
Main characters
Minor characters
Arc Aile members
Flag of Blue Sky characters
Anime original characters
References
.green
The extension .green is a generic Top Level Domain (gTLD) The Internet Corporation of Assigned Names and Numbers (ICANN) delegated the .green extension to the Domain Name System (DNS) on June 19, 2014. The .green gTLD is used by individuals, communities, industries and environmental organizations showcasing their position in the green movement. .green websites support the spread of green awareness and information around the world. The .green TLD and those who use it promote the green economy, innovation and conservation. The organization donates a percentage of all sales and renewals of .green domain names to The DotGreen Foundation for the purpose of funding environmental sustainability projects for organizations worldwide.
Information
.green domain name registrations became available March 24, 2015http://nic.green/ went live at the end of 2014 and was the first ever .green website. DotGreen's main and current website, http://www.going.green/ went live January 26, 2015 .green domain names can be purchased at most online registrars around the world just like .com and .org.
Green (R.E.M. album)
Green is the sixth studio album by the American alternative rock band R.E.M. and their first release for Warner Bros. Records. Released in November 1988, the album continued to explore political issues both in its lyrics and packaging. To promote Green, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up".
Background and recording
With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out.
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