The first Sabre was a former knife thrower named Paul Richarde until he was selected by Modred to oppose Black Knight. Paul Richarde was given an armor, an animated gargoyle. and Mordred's Ebony Dagger (the weapon with which Mordred had killed the first Black Knight). He was defeated by Black Knight after his horse Aragorn kicked the dagger from Le Sabre's hand.
The second Sabre is a mutant super villain. His first appearance was in X-Men #106. Young and reckless, Sabre was chosen by Mystique to join her new Brotherhood of Mutants, though never actually participated in any missions. He had the mutant ability of super speed, and took the name of the deceased Super Sabre. It is unknown if he continues to serve Mystique behind the scenes, or if he even retains his powers after Decimation. Hyper-accelerated metabolism augments his natural speed, reflexes, coordination, endurance, and the healing properties of his body.
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Static is an unincorporated community in Clinton County, Kentucky, and Pickett County, Tennessee, in the southeastern United States. It is located on the Tennessee–Kentucky state line south of Albany, Kentucky, northwest of Jamestown, Tennessee and north of Byrdstown, Tennessee.
Static has been noted for its unusual place name.
Static is located at a crossroads intersection involving U.S. Route 127 (US 127), Tennessee State Route 111 (TN 111) (formerly Tennessee State Route 42), and Kentucky Route 1076. Its coordinates are 36°37′19″N latitude, and 85°5′6″W longitude. Using US 127, Jamestown, Tennessee, is 21 miles (33.8 km) southeast, and Albany, Kentucky, is six miles north. Byrdstown, Tennessee, however, is 6 miles (9.65 km) southwest via TN 111.
The town is located due east of the Dale Hollow Lake area.
In terms of public schools, the Kentucky side of the Static area attends Clinton County Schools based in Albany, while students on the Tennessee side attend the small Pickett County Public Schools system.
In radio reception, noise is the superposition of white noise and other disturbing influences on the signal, caused either by thermal noise and other electronic noise from receiver input circuits or by interference from radiated electromagnetic noise picked up by the receiver's antenna. If no noise were picked up with radio signals, even weak transmissions could be received at virtually any distance by making a radio receiver that was sensitive enough. In practice, this doesn't work, and a point is reached where the only way to extend the range of a transmission is to increase the transmitter power.
Thermal noise can be made lower by cooling the circuits, but this is only usually worthwhile on radio telescopes. In other applications the limiting noise source depends on the frequency range in use. At low frequencies (longwave or mediumwave) and at high frequencies (shortwave), interference caused by lightning or by nearby electrical impulses in electrical switches, motors, vehicle ignition circuits, computers, and other man-made sources tends to swamp transmissions with thermal noise. These noises are often referred to as static. Atmospheric noise is radio noise caused by natural atmospheric processes, primarily lightning discharges in thunderstorms. At very high frequency and ultra high frequency these sources can still be important, but at a much lower level, such that thermal noise is usually the limiting factor. Cosmic background noise is experienced at frequencies above about 15 MHz when highly directional antennas are pointed toward the sun or to certain other regions of the sky such as the center of the Milky Way Galaxy.
Grease may refer to:
Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease. It was originally released by RSO Records. The song "You're the One That I Want" was a US and UK #1 for stars John Travolta and Olivia Newton-John. It is the second best-selling album ever released and top-selling soundtrack in history with 44.7 million copies sold worldwide.
Besides performers John Travolta and Olivia Newton-John, the album also featured songs by rock n roll revival group Sha Na Na as well as the hit song "Grease", a tune written by Barry Gibb (of The Bee Gees) and sung by Frankie Valli (of The Four Seasons) that was an additional U.S. number one.
The soundtrack was released in April 14, 1978, two months ahead of the film's release. The cover gives credit to, and prominently features, the two stars of the film—John Travolta and Olivia Newton-John—although they only appear on seven of the 24 tracks. The remainder of the album is sung by various cast members and Sha Na Na, a group who performed many of the 1950s numbers in the film. The title track was recorded by Frankie Valli, who had no other connection with the film.
Grease is a 1971 musical by Jim Jacobs and Warren Casey with additional songs written by John Farrar. Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at fictional Rydell High School (based on Chicago, Illinois' William Howard Taft School) and follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love. The score attempts to recreate the sounds of early rock and roll. In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. Subsequent productions sanitized it and tamed it down. The show mentions social issues such as teenage pregnancy, peer pressure and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence, and, to some extent, class consciousness/class conflict.
Grease was first performed in 1971 in the original Kingston Mines Chicago club, located in an old trolley barn (now the site of a hospital parking garage). From there, it has been successful on both stage and screen, but the content has been diluted and its teenage characters have become less Chicago habitués and more generic. At the time that it closed in 1980, Grease's 3,388-performance run was the longest yet in Broadway history, although it was surpassed by A Chorus Line a few years later. It went on to become a West End hit, a hugely successful film, two popular Broadway revivals in 1994 and 2007, and a staple of regional theatre, summer stock, community theatre, and high school and middle school drama groups. It remains Broadway's 15th longest-running show. Aspects of the stage play would be incorporated into the production's 2016 live TV musical.